℗ 2016 Toccata Classics
| Released | November 4, 2016 |
| Duration | 1h 04m 44s |
| Record Label | Toccata Classics |
| Catalogue No. | TOCC0391 |
| Genre | Classical (Instrumental) |
Joan Cabanilles: Keyboard Music, Vol. 1: Eleven Organ Pieces
Timothy Roberts
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Tocata I de primero tono
Joan Cabanilles; Timothy Roberts |
2:23 | |||
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1.2
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Pasacalles II del 1 tono
Joan Cabanilles; Timothy Roberts |
5:06 | |||
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1.3
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Tocata IV de quinto tono
Joan Cabanilles; Timothy Roberts |
2:36 | |||
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1.4
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Tiento XII de falsas cuarto tono (reconstructed by T. Roberts)
Joan Cabanilles; Timothy Roberts |
4:33 | |||
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1.5
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Tiento XXXI partido de mano derecha de primer tono (reconstructed by T. Roberts)
Joan Cabanilles; Timothy Roberts |
6:47 | |||
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1.6
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Tiento LXXXII Lleno quinto tono por B quadrado
Joan Cabanilles; Timothy Roberts |
8:06 | |||
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1.7
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Tiento IX Partido de mano derecha de secondo tono (reconstructed by T. Roberts)
Joan Cabanilles; Timothy Roberts |
7:29 | |||
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1.8
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Tocata II de mano izquierda quinto tono
Joan Cabanilles; Timothy Roberts |
2:53 | |||
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1.9
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Tiento LXIII de contras de cuarto tono (reconstructed by T. Roberts)
Joan Cabanilles; Timothy Roberts |
10:57 | |||
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1.10
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Tiento LV lleno del primer tono
Joan Cabanilles; Timothy Roberts |
5:33 | |||
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1.11
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Tiento XIV partido de dos tiples de cuarto tono (reconstructed by T. Roberts)
Joan Cabanilles; Timothy Roberts |
8:21 | |||
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Digital Booklet
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On this recording dedicated to Joan Cabanilles, British early music keyboardist Timothy Roberts plays the historic 1724 organ of the Basilica of Sant Jaume in Castellón, Spain. Claimed as the most prolific of all composers for the organ, Cabanilles is known for his writing as virtuosic and colourfully Baroque as that of his northern contemporary, Dietrich Buxtehude, though it is flavoured with a distinctively Spanish intensity. Publication of Cabanilles's works was started in 1927 and still not complete, as the surviving manuscripts can be seriously corrupt, requiring extensive editing and sometimes even detailed reconstruction. This is the first volume in an ongoing series designed to restore a great Valencian master to his unique glory.
44.1 kHz / 24-bit PCM – Toccata Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.56 -12.69 to -1.98 | -23.09 -28.92 to -16.05 | -19.97 -26.30 to -11.70 | 11 8 to 13 | |
| 1 | Tocata I de primero tono | -3.94 | -20.46 | -16.3 | 11 |
| 2 | Pasacalles II del 1 tono | -11.03 | -27.13 | -24.0 | 11 |
| 3 | Tocata IV de quinto tono | -1.98 | -16.05 | -11.7 | 8 |
| 4 | Tiento XII de falsas cuarto tono (reconstructed by T. Roberts) | -6.65 | -23.01 | -20.7 | 10 |
| 5 | Tiento XXXI partido de mano derecha de primer tono (reconstructed by T. Roberts) | -7.94 | -23.70 | -21.1 | 10 |
| 6 | Tiento LXXXII Lleno quinto tono por B quadrado | -3.33 | -20.98 | -17.2 | 11 |
| 7 | Tiento IX Partido de mano derecha de secondo tono (reconstructed by T. Roberts) | -12.69 | -28.92 | -26.3 | 10 |
| 8 | Tocata II de mano izquierda quinto tono | -6.25 | -22.72 | -18.6 | 11 |
| 9 | Tiento LXIII de contras de cuarto tono (reconstructed by T. Roberts) | -2.10 | -21.67 | -20.3 | 13 |
| 10 | Tiento LV lleno del primer tono | -9.96 | -26.57 | -24.0 | 10 |
| 11 | Tiento XIV partido de dos tiples de cuarto tono (reconstructed by T. Roberts) | -6.24 | -22.75 | -19.5 | 11 |