℗ 2014 Concord Music Group, Inc.
 

Willy And The Poor Boys

Creedence Clearwater Revival

Available in 96 kHz / 24-bit AIFF and FLAC high-resolution audio formats

Billboard 200 - #3, 1970
Billboard Hot 100 - #3, 1969 - Down On The Corner

"The best of the six albums CCR released between 1968 and 1970 ..."
- Rolling Stone

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1
Down On The Corner (Album Version)
Creedence Clearwater Revival
2:47
2
It Came Out Of The Sky (Album Version)
Creedence Clearwater Revival
2:57
3
Cotton Fields (Album Version)
Creedence Clearwater Revival
2:55
4
Poorboy Shuffle (Album Version)
Creedence Clearwater Revival
2:25
5
Feelin' Blue (Album Version)
Creedence Clearwater Revival
5:08
6
Fortunate Son (Album Version)
Creedence Clearwater Revival
2:22
7
Don't Look Now (Album Version)
Creedence Clearwater Revival
2:12
8
The Midnight Special (Album Version)
Creedence Clearwater Revival
4:14
9
Side O' The Road (Album Version)
Creedence Clearwater Revival
3:25
10
Effigy (Album Version)
Creedence Clearwater Revival
6:29
Digital Booklet
Total Playing Time    34:54
"This is everything a good rock album should be: the best they've done yet ... A+."
- Robert Christgau

"All of CCR's albums are very strong and this one can be singled out as one of their best ... one of the greatest albums of all time ..."
- Sputnikmusic

Willy And The Poor Boys was the third album that Creedence Clearwater Revival released during a very busy 1969 for the band. One of CCR's most critically-acclaimed albums, it was also another commercial success, going on to sell over two million copies in the US and making it to number three on the US album chart. Includes the landmark anti-war protest song Fortunate Son which was the flip side of the single Down On The Corner. Both songs charted on the Billboard Hot 100 in 1969: Down On The Corner peaked at number three while Fortunate Son reached number 14.

"We try to fill our albums with as many hits as possible ..."
- John Fogerty
96 kHz / 24-bit PCM – Concord Music Group Masters

Produced and arranged by John Fogerty
Reissue produced by Chris Clough
Mastered by Paul Blakemore at CMG Mastering
Tracks 11 & 12 recorded by DSR Production

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