℗ 2017 The Sixteen Productions Ltd
| Released | January 27, 2017 |
| Duration | 1h 04m 26s |
| Record Label | The Sixteen Productions Ltd. |
| Genre | Classical |
Francis Poulenc
The Sixteen, Harry Christophers
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Salve Regina in G Minor, FP 110
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
4:29 | |||
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Quatre Motets pour un temps de pénitence, FP 97
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1.2
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I. Timor et tremor
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
2:44 | |||
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1.3
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I. Vinea mea electa
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
3:27 | |||
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1.4
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III. Tenebræ factæ sunt
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
3:58 | |||
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1.5
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IV. Tristis est anima mea
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
3:18 | |||
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1.6
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Litanies à la Vierge Noire, FP 82
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
8:37 | |||
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Quatre Motets pour le temps de Noël, FP 152
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1.7
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I. O magnum mysterium
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
3:44 | |||
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1.8
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II. Quem vidistis pastores dicite
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
2:27 | |||
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1.9
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III. Videntes stellam
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
2:47 | |||
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1.10
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IV. Hodie Christus natus est
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
2:11 | |||
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Un soir de neige, FP 126
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1.11
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I. De grandes cuillers de neige
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
1:23 | |||
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1.12
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II. La bonne neige
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
1:33 | |||
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1.13
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III. Bois meurtri
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
2:24 | |||
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1.14
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IV. La nuit le froid la solitude
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
1:06 | |||
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1.15
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Ave verum corpus, FP 154
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
2:30 | |||
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Mass in G Major, FP 89
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1.16
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I. Kyrie
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
3:15 | |||
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1.17
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II. Gloria
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
3:51 | |||
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1.18
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III. Sanctus
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
2:29 | |||
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1.19
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IV. Benedictus
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
3:24 | |||
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1.20
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V. Agnus Dei
Francis Poulenc; The Sixteen; Harry Christophers; Harry Christophers & Francis Poulenc The Sixteen |
4:49 | |||
Harry Christophers leads his ensemble The Sixteen on a programme dedicated to Francis Poulenc, considered one of the greatest melodists of the 20th century. Often overlooked in his lifetime and in the years after his death, his sacred music was an expression of his more serious side and, following the death of his close friend Pierre-Octave Ferroud, a re-awakening of his religious faith. The album is centred around the themes of conflict and atonement, reflecting both Poulenc’s intense internal struggles and the turbulence of life in France during the mid-20th century.
96 kHz / 24-bit PCM – The Sixteen Productions Ltd. Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.70 -11.10 to -0.07 | -25.76 -32.77 to -20.22 | -21.57 -29.50 to -16.60 | 13 11 to 16 | |
| 1 | Salve Regina in G Minor, FP 110 | -3.35 | -26.46 | -22.6 | 14 |
| 2 | I. Timor et tremor | -2.79 | -24.11 | -20.0 | 12 |
| 3 | I. Vinea mea electa | -2.57 | -24.51 | -20.5 | 13 |
| 4 | III. Tenebræ factæ sunt | -4.04 | -27.10 | -21.4 | 14 |
| 5 | IV. Tristis est anima mea | -3.39 | -26.92 | -22.1 | 13 |
| 6 | Litanies à la Vierge Noire, FP 82 | -0.14 | -24.23 | -19.3 | 14 |
| 7 | I. O magnum mysterium | -3.73 | -28.68 | -24.1 | 14 |
| 8 | II. Quem vidistis pastores dicite | -2.20 | -27.60 | -23.6 | 16 |
| 9 | III. Videntes stellam | -0.14 | -25.26 | -21.1 | 11 |
| 10 | IV. Hodie Christus natus est | -1.20 | -24.54 | -20.7 | 13 |
| 11 | I. De grandes cuillers de neige | -11.10 | -32.77 | -29.5 | 13 |
| 12 | II. La bonne neige | -7.07 | -28.55 | -24.3 | 12 |
| 13 | III. Bois meurtri | -2.54 | -28.66 | -24.6 | 15 |
| 14 | IV. La nuit le froid la solitude | -3.09 | -23.50 | -19.3 | 11 |
| 15 | Ave verum corpus, FP 154 | -1.01 | -24.62 | -19.9 | 13 |
| 16 | I. Kyrie | -0.21 | -22.25 | -18.4 | 13 |
| 17 | II. Gloria | -0.14 | -23.01 | -19.0 | 13 |
| 18 | III. Sanctus | -0.14 | -20.22 | -16.6 | 12 |
| 19 | IV. Benedictus | -0.07 | -23.14 | -19.4 | 13 |
| 20 | V. Agnus Dei | -5.14 | -29.10 | -24.9 | 14 |