℗ 2014 Anthem Entertainment. Under exclusive license to Rounder Records. Manufactured and distributed by Concord Music Group, Inc.
Released 2014
Duration 1h 09m 47s
Record Label New Rounder
Genre Rock
 

Ghosts

Big Wreck

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
  • Select Format
    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
Add to cart
discounted price

 
1.1
A Place To Call Home
Big Wreck
7:41
1.2
I Digress
Big Wreck
4:32
1.3
Ghosts
Big Wreck
6:10
1.4
My Life
Big Wreck
4:26
1.5
Hey Mama
Big Wreck
6:19
1.6
Diamonds
Big Wreck
5:09
1.7
Friends
Big Wreck
5:43
1.8
Still Here
Big Wreck
7:46
1.9
Break
Big Wreck
5:28
1.10
Off And Running
Big Wreck
5:09
1.11
Come What May
Big Wreck
3:13
1.12
War Baby
Big Wreck
7:03
1.13
A Place To Call Home (Reprise)
Big Wreck
1:08
Digital Booklet
Juno Award Nomination - Rock Album of the Year, 2015 Canadian Albums Chart - #5, 2014 "It’s an eerie and rock-solid offering, just a bit off-center from their signature stargazing bluesy hard rock tone." - New Canadian Music "... some of the songs rank as some of the best of the band’s career ... some shockingly good lyrical turns that Big Wreck should most definitely be proud of." - Hellbound "This is a new, mature Big Wreck with a sound that should bring in new listeners and reacquaint themselves with old fans ... Big Wreck appear to be on the verge of reigniting a flame and a passion ..." - National Music Centre This Juno Award nominated album is the highly anticipated follow-up to Big Wreck's 2012 reunion Albatross, released after an 11-year hiatus. Recorded over six months in Toronto, Ghosts was produced by Big Wreck's singer-guitarist Ian Thornley, alongside Nick Raskulinecz (Foo Fighters, Rush) and engineer Eric Ratz (Monster Truck, Billy Talent), who won a Juno Award for this album. While Ghosts stays true to the driving intensity and unbridled guitar virtuosity that has always defined Big Wreck, atmospherically the album explores an incredibly wide range of sounds; bold new aural territory that some fans might not expect from the band. Having tackled everything from piano interludes to 1980s inspired gated reverb, Ghosts reveals a side of Big Wreck that is unabashedly musical. "Now I find that I'm finally getting through a lot of concepts and tricks that I've always wanted to try on a record but had previously put on the back burner or even forgotten about. This time, nothing felt forced or rushed, everything just felt right, and it's so great to finally be able to indulge. The creative palette is a lot broader on this record, and sonically there's a lot more going on that I just haven't heard before. This record has it all for me. If Albatross sort of reopened the door for us as Big Wreck, then this album definitely kicks it down." - Ian Thornley
96 kHz / 24-bit PCM – New Rounder Studio Masters

Produced by Ian Thornley & Eric Ratz Executive Producer: Nick Raskulinecz Engineered & Mixed by Eric Ratz Recorded at Revolution Recording & Vespa Music Mixed at Vespa Music Additional Engineering by Hiren Mistry Digital Engineering by Kenny Luong 2nd Engineer: Hiren Mistry Assistant Engineer: Ryan Jones Assistant Engineer: Stephen Koszler Guitar Technician: Bruce Nicol Drum Technician: Jess Zurba Mastering by Brian “Big Bass” Gardner
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-0.02
-0.23 to 0.00
-11.37
-15.44 to -9.09
-8.46
-10.90 to -6.70
7
5 to 9
1
A Place To Call Home
0.00-11.44-9.07
2
I Digress
0.00-9.09-6.75
3
Ghosts
0.00-11.06-8.66
4
My Life
0.00-10.10-7.56
5
Hey Mama
0.00-10.66-7.46
6
Diamonds
0.00-12.63-8.96
7
Friends
0.00-10.46-7.87
8
Still Here
0.00-12.05-9.57
9
Break
0.00-11.15-8.57
10
Off And Running
0.00-11.75-8.77
11
Come What May
0.00-11.46-8.37
12
War Baby
0.00-10.53-8.26
13
A Place To Call Home (Reprise)
-0.23-15.44-10.99

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions