℗ 2017 Songlines Recordings
Released | March 17, 2017 |
Duration | 40m 33s |
Record Label | Songlines Recordings |
Genre | Jazz |
Recent Developments
Recent Developments
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
I. Introduction
Recent Developments |
0:26 | |||
1.2
|
II. Prologue
Recent Developments |
0:57 | |||
1.3
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III. Part I
Recent Developments |
6:33 | |||
1.4
|
IV. Interlude (group 1)
Recent Developments |
1:58 | |||
1.5
|
V. Part II
Recent Developments |
6:27 | |||
1.6
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VI. Interlude (quartet)
Recent Developments |
1:37 | |||
1.7
|
VII. Part III
Recent Developments |
3:10 | |||
1.8
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VIII. Interlude (duo 1)
Recent Developments |
0:27 | |||
1.9
|
IX. Part IV
Recent Developments |
5:13 | |||
1.10
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X. Interlude (group 2)
Recent Developments |
1:20 | |||
1.11
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XI. Part V
Recent Developments |
5:33 | |||
1.12
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XII. Interlude (duo 2)
Recent Developments |
1:41 | |||
1.13
|
XIII. Part VI
Recent Developments |
2:53 | |||
1.14
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XIV. Epilogue
Recent Developments |
2:18 | |||
Digital Booklet
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Recent Developments is the self-titled debut from New York composer, percussionist and bandleader Harris Eisenstadt and his group. While many of his more recent releases have involved quartets and quintets, Recent Developments is a nonet which includes several of Brooklyn’s most esteemed creative musicians. Eisenstadt sketched all the music on a nine hour flight home to Brooklyn at the end of a tour: a 14 part suite with six ensemble sections and eight discreet transitional sections in which snapshots of the material from the ensemble sections are reimagined and interpreted freely in sub-ensembles of varied instrumentation that were only chosen on the day of the recording.
"Medium sized ensembles present unique sets of compositional problems. They contain many more voices than a small group has to account for. But at the same time, you are not quite dealing in big, heaving blocks of sound ... writing for a medium sized ensemble is, in miniature, something like writing for chamber orchestra. Textures can be massed, but they can just as easily be quite thin. I wanted to explore all of the weights available in Recent Developments and discovered again that the heaviest weight in a medium sized group still has a sheerness, a level of exposed-ness, that is neither large nor small."
- Harris Eisenstadt
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Songlines Recordings Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.72 -4.23 to -0.28 | -19.99 -26.24 to -15.41 | -16.91 -22.10 to -13.20 | 12 9 to 17 | |
1 | I. Introduction | -0.32 | -22.07 | -18.0 | 15 |
2 | II. Prologue | -2.02 | -18.24 | -15.8 | 9 |
3 | III. Part I | -0.31 | -18.85 | -16.1 | 11 |
4 | IV. Interlude (group 1) | -0.32 | -22.53 | -19.3 | 15 |
5 | V. Part II | -0.28 | -19.01 | -16.9 | 11 |
6 | VI. Interlude (quartet) | -0.36 | -21.96 | -18.9 | 14 |
7 | VII. Part III | -0.29 | -15.82 | -13.7 | 10 |
8 | VIII. Interlude (duo 1) | -4.23 | -22.34 | -18.6 | 11 |
9 | IX. Part IV | -0.31 | -20.36 | -16.7 | 12 |
10 | X. Interlude (group 2) | -0.31 | -19.35 | -16.0 | 13 |
11 | XI. Part V | -0.31 | -17.58 | -15.5 | 10 |
12 | XII. Interlude (duo 2) | -0.32 | -26.24 | -22.1 | 17 |
13 | XIII. Part VI | -0.31 | -15.41 | -13.2 | 9 |
14 | XIV. Epilogue | -0.33 | -20.08 | -15.9 | 10 |