℗ 2017 Oehms Classics
| Released | March 17, 2017 |
| Duration | 2h 58m 21s |
| Record Label | Oehms Classics |
| Genre | Classical |
Antonio Cesti: L'Orontea
Frankfurter Opern- und Museumsorchester, Ivor Bolton
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Orontea
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1.1
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Sinfonia
Antonio Cesti; Álvaro Torrente; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
1:14 | |||
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1.2
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Act IPrologue: Sciolta il crin (Filosofia, Amore)
Antonio Cesti; Álvaro Torrente; Katharina Magiera; Juanita Lascarro; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
10:25 | |||
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1.3
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Act I, Scene 1: Superbo Amore (Orontea)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:12 | |||
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1.4
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Act I, Scene 2: E pur sempre fastosa di libertà (Creonte, Orontea)
Antonio Cesti; Álvaro Torrente; Sebastian Geyer; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:49 | |||
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1.5
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Act I, Scene 3: Hai provato, assassino (Tibrino, Orontea)
Antonio Cesti; Álvaro Torrente; Juanita Lascarro; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:47 | |||
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1.6
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Act I, Scene 4: Non affrettar il passo (Aristea, Alidoro, Orontea, Tibrino)
Antonio Cesti; Álvaro Torrente; Guy De Mey; Xavier Sabata; Paula Murrihy; Juanita Lascarro; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:59 | |||
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1.7
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Act I, Scene 5: Ardo, lassa, o non ardo? (Orontea)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
1:26 | |||
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1.8
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Act I, Scene 6: Chi non beve (Gelone)
Antonio Cesti; Álvaro Torrente; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:31 | |||
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1.9
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Act I, Scene 7: Com'è dolce (Corindo, Gelone)
Antonio Cesti; Álvaro Torrente; Matthias Rexroth; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
4:38 | |||
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1.10
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Act I, Scene 8: Come dolce (Silandra, Gelone, Corindo)
Antonio Cesti; Álvaro Torrente; Louise Alder; Simon Bailey; Matthias Rexroth; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:50 | |||
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1.11
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Act I, Scene 8: Spuntò in ciel (Corindo, Silandra, Gelone)
Antonio Cesti; Álvaro Torrente; Matthias Rexroth; Louise Alder; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:46 | |||
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1.12
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Act I, Scene 9: Fu lieve la ferita (Orontea, Alidoro)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Xavier Sabata; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
4:27 | |||
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1.13
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Act I, Scene 10: Vieni, resta, no, sì? (Alidoro)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:51 | |||
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1.14
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Act I, Scene 11: Qual nuova luce aggirasi (Silandra, Alidoro)
Antonio Cesti; Álvaro Torrente; Louise Alder; Xavier Sabata; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:19 | |||
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1.15
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Act I, Scene 11: Donzelletta Vezzosetta (Alidoro, Silandra)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Louise Alder; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:59 | |||
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1.16
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Act I, Scene 12: Ferma là, ferma là (Gelone)
Antonio Cesti; Álvaro Torrente; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:22 | |||
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1.17
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Act I, Scene 13: Pur ti ritrovo alfine (Tibrino, Gelone)
Antonio Cesti; Álvaro Torrente; Juanita Lascarro; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:08 | |||
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1.18
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Act I, Scene 13: In grembo ai fiori lieto mi sto (Gelone, Tibrino)
Antonio Cesti; Álvaro Torrente; Simon Bailey; Juanita Lascarro; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:24 | |||
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2.1
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Act II: Preludio
Antonio Cesti; Álvaro Torrente; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
1:07 | |||
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2.2
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Act II, Scene 1: S'io non vedo Alidoro (Orontea)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:33 | |||
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2.3
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Act II, Scene 2: Signora, un forestiero audienza chiede (Silandra, Orontea)
Antonio Cesti; Álvaro Torrente; Louise Alder; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
0:44 | |||
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2.4
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Act II, Scene 3: Eccomi a piedi tuoi (Giacinta, Orontea)
Antonio Cesti; Álvaro Torrente; Kateryna Kasper; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:47 | |||
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2.5
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Act II, Scene 4: Che farai, troppo altera? (Creonte, Orontea, Giacinta)
Antonio Cesti; Álvaro Torrente; Sebastian Geyer; Paula Murrihy; Kateryna Kasper; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
1:58 | |||
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2.6
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Act II, Scene 5: Così arrogante sei? (Orontea, Creonte)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Sebastian Geyer; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:01 | |||
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2.7
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Act II, Scene 6: Se amor insolente (Aristea)
Antonio Cesti; Álvaro Torrente; Guy De Mey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:19 | |||
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2.8
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Act II, Scene 7: Dove, dove infelice me (Giacinta, Aristea)
Antonio Cesti; Álvaro Torrente; Kateryna Kasper; Guy De Mey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
5:23 | |||
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2.9
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Act II, Scene 8: Addio, Corindo (Silandra)
Antonio Cesti; Álvaro Torrente; Louise Alder; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
4:08 | |||
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2.10
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Act II, Scene 9: Vengo, cor mio (Corindo, Silandra)
Antonio Cesti; Álvaro Torrente; Matthias Rexroth; Louise Alder; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:11 | |||
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2.11
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Act II, Scene 10: O cielo, a che son giunto (Corindo)
Antonio Cesti; Álvaro Torrente; Matthias Rexroth; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
1:36 | |||
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2.12
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Act II, Scene 11: Fortunati colori dalla terra prodotti (Alidoro, Tibrino)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Juanita Lascarro; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
1:39 | |||
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2.13
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Act II, Scene 12: Eccomi, vita mia (Silandra, Alidoro, Tibrino)
Antonio Cesti; Álvaro Torrente; Louise Alder; Xavier Sabata; Juanita Lascarro; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
4:56 | |||
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2.14
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Act II, Scene 13: E che vorresti (Orontea, Tibrino)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Juanita Lascarro; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:10 | |||
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2.15
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Act II, Scene 14: Qual fulmine tonante (Alidoro)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:03 | |||
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2.16
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Act II, Scene 15: Il sole ancor non spunta (Gelone)
Antonio Cesti; Álvaro Torrente; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:12 | |||
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2.17
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Act II, Scene 16: E che si fa? (Orontea, Gelone)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:33 | |||
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2.18
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Act II, Scene 17: Intorno all' idol mio (Orontea)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
7:20 | |||
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2.19
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Act II, Scene 18: Qual profondo letargo (Alidoro)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
5:24 | |||
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3.1
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Act III, Scene 1: Rigorosa Orontea (Silandra)
Antonio Cesti; Álvaro Torrente; Louise Alder; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
1:14 | |||
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3.2
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Act III, Scene 2: A mè? (Alidoro, Silandra)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Louise Alder; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
0:58 | |||
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3.3
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Act III, Scene 3: La corte è sotto sopra (Tibrino, Gelone)
Antonio Cesti; Álvaro Torrente; Juanita Lascarro; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
4:38 | |||
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3.4
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Act III, Scene 4: A così infausto segno ti guidò (Creonte, Orontea)
Antonio Cesti; Álvaro Torrente; Sebastian Geyer; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
4:30 | |||
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3.5
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Act III, Scene 5: De' tuoi doni arricchito (Alidoro, Orontea)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Paula Murrihy; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:21 | |||
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3.6
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Act III, Scene 6: Silandra, anima cara (Alidoro, Silandra)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Louise Alder; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:16 | |||
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3.7
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Act III, Scene 7: Dal pittore schernita (Gelone, Corindo)
Antonio Cesti; Álvaro Torrente; Simon Bailey; Matthias Rexroth; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
1:39 | |||
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3.8
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Act III, Scene 8: Che novelle, Gelone? (Corindo, Gelone)
Antonio Cesti; Álvaro Torrente; Matthias Rexroth; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:37 | |||
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3.9
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Act III, Scene 9: Flemma, pian, piano (Tibrino, Gelone, Corindo)
Antonio Cesti; Álvaro Torrente; Juanita Lascarro; Simon Bailey; Matthias Rexroth; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:04 | |||
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3.10
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Act III, Scene 10: Mie pene, che fate? (Giacinta, Aristea)
Antonio Cesti; Álvaro Torrente; Kateryna Kasper; Guy De Mey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
10:07 | |||
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3.11
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Act III, Scene 11: Nel real gabinetto (Tibrino, Corindo)
Antonio Cesti; Álvaro Torrente; Juanita Lascarro; Matthias Rexroth; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:00 | |||
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3.12
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Act III, Scene 12: Giàcche femmina sei (Alidoro, Giacinta)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Kateryna Kasper; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:31 | |||
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3.13
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Act III, Scene 13: Il mio ben dice ch'io speri (Giacinta)
Antonio Cesti; Álvaro Torrente; Kateryna Kasper; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
2:19 | |||
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3.14
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Act III, Scene 14: La genitrice mia (Alidoro, Gelone)
Antonio Cesti; Álvaro Torrente; Xavier Sabata; Simon Bailey; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
0:58 | |||
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3.15
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Act III, Scene 15-20: In che t'offese? (Orontea, Corindo, Creonte, Silandra, Gelone, Tibrino, Alidoro, Giacinta)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Matthias Rexroth; Sebastian Geyer; Louise Alder; Simon Bailey; Juanita Lascarro; Xavier Sabata; Kateryna Kasper; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
3:12 | |||
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3.16
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Act III, Final Scene: Ah, pur troppo son qui (Aristea, Orontea, Tibrino, Creonte)
Antonio Cesti; Álvaro Torrente; Guy De Mey; Paula Murrihy; Juanita Lascarro; Sebastian Geyer; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
5:58 | |||
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3.17
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Act III, Final Scene: Innocente, mio tesoro (Orontea, Alidoro, Silandra, Corindo)
Antonio Cesti; Álvaro Torrente; Paula Murrihy; Xavier Sabata; Louise Alder; Matthias Rexroth; Monteverdi Continuo Ensemble; Frankfurter Opern- und Museumsorchester; Ivor Bolton |
5:48 | |||
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Digital Booklet
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Ivor Bolton and the Frankfurter Opern- und Museumsorchester accompany a large cast headed by Irish mezzo-soprano Paula Murrihy in the title role of Antonio Cesti's L'Orontea, among the most successful operas of the late 17th century. This exciting triple album was recorded live at the Oper Frankfurt in February 2015.
88.2 kHz / 24-bit PCM – Oehms Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.08 -7.59 to 0.00 | -21.98 -26.66 to -18.09 | -19.00 -23.80 to -15.00 | 13 9 to 15 | |
| 1.1 | Sinfonia | -0.25 | -18.95 | -16.0 | 11 |
| 1.2 | Act IPrologue: Sciolta il crin (Filosofia, Amore) | -1.61 | -20.85 | -18.0 | 13 |
| 1.3 | Act I, Scene 1: Superbo Amore (Orontea) | -1.60 | -19.89 | -17.2 | 13 |
| 1.4 | Act I, Scene 2: E pur sempre fastosa di libertà (Creonte, Orontea) | -2.36 | -21.75 | -18.8 | 12 |
| 1.5 | Act I, Scene 3: Hai provato, assassino (Tibrino, Orontea) | -3.62 | -24.19 | -20.9 | 13 |
| 1.6 | Act I, Scene 4: Non affrettar il passo (Aristea, Alidoro, Orontea, Tibrino) | -3.74 | -23.33 | -20.4 | 14 |
| 1.7 | Act I, Scene 5: Ardo, lassa, o non ardo? (Orontea) | -3.85 | -22.00 | -19.0 | 11 |
| 1.8 | Act I, Scene 6: Chi non beve (Gelone) | -0.16 | -18.09 | -15.0 | 12 |
| 1.9 | Act I, Scene 7: Com'è dolce (Corindo, Gelone) | -3.41 | -21.24 | -18.5 | 12 |
| 1.10 | Act I, Scene 8: Come dolce (Silandra, Gelone, Corindo) | -3.14 | -20.58 | -18.0 | 11 |
| 1.11 | Act I, Scene 8: Spuntò in ciel (Corindo, Silandra, Gelone) | -0.77 | -20.51 | -17.7 | 13 |
| 1.12 | Act I, Scene 9: Fu lieve la ferita (Orontea, Alidoro) | -3.69 | -24.50 | -21.6 | 13 |
| 1.13 | Act I, Scene 10: Vieni, resta, no, sì? (Alidoro) | -6.34 | -25.69 | -22.7 | 12 |
| 1.14 | Act I, Scene 11: Qual nuova luce aggirasi (Silandra, Alidoro) | -3.30 | -22.82 | -19.9 | 12 |
| 1.15 | Act I, Scene 11: Donzelletta Vezzosetta (Alidoro, Silandra) | -2.50 | -21.34 | -18.7 | 12 |
| 1.16 | Act I, Scene 12: Ferma là, ferma là (Gelone) | -0.10 | -19.33 | -16.3 | 13 |
| 1.17 | Act I, Scene 13: Pur ti ritrovo alfine (Tibrino, Gelone) | -0.09 | -19.59 | -16.4 | 14 |
| 1.18 | Act I, Scene 13: In grembo ai fiori lieto mi sto (Gelone, Tibrino) | -0.50 | -20.70 | -17.6 | 14 |
| 2.1 | Act II: Preludio | -1.92 | -20.75 | -18.3 | 9 |
| 2.2 | Act II, Scene 1: S'io non vedo Alidoro (Orontea) | -3.53 | -23.07 | -20.0 | 12 |
| 2.3 | Act II, Scene 2: Signora, un forestiero audienza chiede (Silandra, Orontea) | -7.59 | -25.51 | -22.5 | 10 |
| 2.4 | Act II, Scene 3: Eccomi a piedi tuoi (Giacinta, Orontea) | -0.09 | -23.06 | -19.9 | 14 |
| 2.5 | Act II, Scene 4: Che farai, troppo altera? (Creonte, Orontea, Giacinta) | -0.10 | -20.77 | -17.8 | 13 |
| 2.6 | Act II, Scene 5: Così arrogante sei? (Orontea, Creonte) | -1.91 | -21.12 | -17.9 | 12 |
| 2.7 | Act II, Scene 6: Se amor insolente (Aristea) | -1.63 | -20.35 | -17.2 | 13 |
| 2.8 | Act II, Scene 7: Dove, dove infelice me (Giacinta, Aristea) | -0.10 | -22.37 | -19.1 | 13 |
| 2.9 | Act II, Scene 8: Addio, Corindo (Silandra) | -0.48 | -19.25 | -16.6 | 12 |
| 2.10 | Act II, Scene 9: Vengo, cor mio (Corindo, Silandra) | -2.22 | -21.83 | -18.9 | 13 |
| 2.11 | Act II, Scene 10: O cielo, a che son giunto (Corindo) | -4.25 | -24.29 | -21.1 | 13 |
| 2.12 | Act II, Scene 11: Fortunati colori dalla terra prodotti (Alidoro, Tibrino) | -7.13 | -25.23 | -22.4 | 12 |
| 2.13 | Act II, Scene 12: Eccomi, vita mia (Silandra, Alidoro, Tibrino) | -4.84 | -23.68 | -20.8 | 13 |
| 2.14 | Act II, Scene 13: E che vorresti (Orontea, Tibrino) | -0.10 | -20.55 | -17.4 | 13 |
| 2.15 | Act II, Scene 14: Qual fulmine tonante (Alidoro) | -0.10 | -26.66 | -23.8 | 14 |
| 2.16 | Act II, Scene 15: Il sole ancor non spunta (Gelone) | -0.84 | -21.52 | -18.5 | 14 |
| 2.17 | Act II, Scene 16: E che si fa? (Orontea, Gelone) | -1.81 | -21.91 | -18.8 | 13 |
| 2.18 | Act II, Scene 17: Intorno all' idol mio (Orontea) | -1.39 | -21.37 | -18.6 | 12 |
| 2.19 | Act II, Scene 18: Qual profondo letargo (Alidoro) | -2.85 | -21.87 | -18.9 | 12 |
| 3.1 | Act III, Scene 1: Rigorosa Orontea (Silandra) | -4.58 | -25.09 | -21.8 | 13 |
| 3.2 | Act III, Scene 2: A mè? (Alidoro, Silandra) | -1.69 | -21.98 | -19.2 | 12 |
| 3.3 | Act III, Scene 3: La corte è sotto sopra (Tibrino, Gelone) | -0.29 | -18.54 | -15.8 | 12 |
| 3.4 | Act III, Scene 4: A così infausto segno ti guidò (Creonte, Orontea) | -0.10 | -21.44 | -18.1 | 13 |
| 3.5 | Act III, Scene 5: De' tuoi doni arricchito (Alidoro, Orontea) | -0.64 | -23.44 | -20.5 | 15 |
| 3.6 | Act III, Scene 6: Silandra, anima cara (Alidoro, Silandra) | -1.55 | -21.41 | -18.6 | 12 |
| 3.7 | Act III, Scene 7: Dal pittore schernita (Gelone, Corindo) | -1.04 | -20.69 | -17.9 | 12 |
| 3.8 | Act III, Scene 8: Che novelle, Gelone? (Corindo, Gelone) | -2.96 | -22.79 | -19.7 | 13 |
| 3.9 | Act III, Scene 9: Flemma, pian, piano (Tibrino, Gelone, Corindo) | -1.61 | -22.67 | -19.4 | 14 |
| 3.10 | Act III, Scene 10: Mie pene, che fate? (Giacinta, Aristea) | -0.88 | -21.81 | -18.8 | 14 |
| 3.11 | Act III, Scene 11: Nel real gabinetto (Tibrino, Corindo) | -0.11 | -22.89 | -19.6 | 13 |
| 3.12 | Act III, Scene 12: Giàcche femmina sei (Alidoro, Giacinta) | -5.41 | -23.19 | -20.3 | 11 |
| 3.13 | Act III, Scene 13: Il mio ben dice ch'io speri (Giacinta) | -1.74 | -23.50 | -20.5 | 13 |
| 3.14 | Act III, Scene 14: La genitrice mia (Alidoro, Gelone) | -3.41 | -23.79 | -20.6 | 13 |
| 3.15 | Act III, Scene 15-20: In che t'offese? (Orontea, Corindo, Creonte, Silandra, Gelone, Tibrino, Alidoro, Giacinta) | -1.18 | -21.26 | -18.3 | 12 |
| 3.16 | Act III, Final Scene: Ah, pur troppo son qui (Aristea, Orontea, Tibrino, Creonte) | -1.30 | -21.98 | -18.9 | 13 |
| 3.17 | Act III, Final Scene: Innocente, mio tesoro (Orontea, Alidoro, Silandra, Corindo) | 0.00 | -20.02 | -16.8 | 13 |