℗ 2014 Naxos
| Released | August 5, 2014 |
| Duration | 1h 11m 43s |
| Record Label | Naxos |
| Catalogue No. | 8.573194 |
| Genre | Classical (Instrumental) |
Hindemith: Organ Sonatas Nos. 1-3 - Eleven Interludes from Ludus Tonalis - Two Organ Pieces
Kirsten Sturm
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Organ Sonata No. 1
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1.1
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I. Mäßig schnell
Paul Hindemith; Kirsten Sturm |
1:52 | |||
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1.2
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I. Lebhaft - Im Zeitmass
Paul Hindemith; Kirsten Sturm |
5:58 | |||
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1.3
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II. Sehr langsam -
Paul Hindemith; Kirsten Sturm |
2:43 | |||
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1.4
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II. Phantasie, frei - Lebhaft -
Paul Hindemith; Kirsten Sturm |
2:51 | |||
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1.5
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II. Ruhig bewegt (Tranquillo)
Paul Hindemith; Kirsten Sturm |
5:12 | |||
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Organ Sonata No. 2
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1.6
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I. Lebhaft
Paul Hindemith; Kirsten Sturm |
4:24 | |||
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1.7
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II. Ruhig bewegt
Paul Hindemith; Kirsten Sturm |
3:47 | |||
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1.8
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III. Fuge. Massig bewegt, heiter
Paul Hindemith; Kirsten Sturm |
3:08 | |||
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Organ Sonata No. 3, "Nach alten Volksliedern"
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1.9
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I. Ach Gott, wem soll ich's klagen -
Paul Hindemith; Kirsten Sturm |
2:23 | |||
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1.10
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I. Langsam
Paul Hindemith; Kirsten Sturm |
1:56 | |||
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1.11
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II. Wach auf, mein Hort
Paul Hindemith; Kirsten Sturm |
3:19 | |||
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1.12
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III. So wunsch ich ihr
Paul Hindemith; Kirsten Sturm |
2:21 | |||
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Two Organ Pieces
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1.13
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No. 1. Präludium: Sehr lebhaft. Durchweg sehr leise
Paul Hindemith; Kirsten Sturm |
2:48 | |||
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1.14
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No. 2. Mässig schnelle Halbe
Paul Hindemith; Kirsten Sturm |
4:29 | |||
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Eleven Interludes from Ludus Tonalis (transcribed for Organ by Joachim Dorfmüller)
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1.15
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Interlude No. 1: Moderate, with energy
Paul Hindemith; Kirsten Sturm |
1:45 | |||
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1.16
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Interlude No. 2: Pastorale, moderate
Paul Hindemith; Kirsten Sturm |
1:27 | |||
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1.17
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Interlude No. 3: Scherzando
Paul Hindemith; Kirsten Sturm |
1:42 | |||
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1.18
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Interlude No. 4: Fast
Paul Hindemith; Kirsten Sturm |
1:50 | |||
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1.19
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Interlude No. 5: Moderate
Paul Hindemith; Kirsten Sturm |
1:25 | |||
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1.20
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Interlude No. 6: March
Paul Hindemith; Kirsten Sturm |
2:32 | |||
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1.21
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Interlude No. 7: Very broad
Paul Hindemith; Kirsten Sturm |
3:35 | |||
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1.22
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Interlude No. 8: Very fast
Paul Hindemith; Kirsten Sturm |
2:12 | |||
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1.23
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Interlude No. 9: Very quiet
Paul Hindemith; Kirsten Sturm |
2:27 | |||
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1.24
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Interlude No. 10: Allegro pesante
Paul Hindemith; Kirsten Sturm |
2:38 | |||
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1.25
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Interlude No. 11: Valse
Paul Hindemith; Kirsten Sturm |
2:59 | |||
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Digital Booklet
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"... genius at work ... there's a wealth of color and expression here, aided by some fascinating harmonics ... Sturm proves an able soloist on the very fine organ at Rottenburg Cathedral. She makes the Sonatas particularly interesting ... very good sound ..."
- Classical.Net
Paul Hindemith was no organ music specialist. Despite, or perhaps precisely because of this, he created a body of work that is an integral part of 20th century organ literature and is nowadays, after a long period of reserve on the part of many organists, very popular. His three Organ Sonatas are among the great modern works with their mastery of counterpoint, clarity of form, bold harmonic language and deeply expressive treatment of melody. The Two Organ Pieces are Hindemith’s earliest works for the instrument and the Interludien, from his piano cycle Ludus Tonalis arranged here for organ, form a sequence of beautiful and colourful fantasia-like character pieces.
96 kHz / 24-bit PCM – Naxos Studio Masters
Recorded at St Martin’s Cathedral, Rottenburg am Neckar, Germany, 9 June 2013 Producer & Engineer: Wolfgang Rübsam (RMC Classical, Music Inc. USA) Booklet notes: Rainer Mohrs Publisher: Schott Musikverlag Cover: Rottenburg Cathedral Organ (photo by Matthias Heid)
Recorded at St Martin’s Cathedral, Rottenburg am Neckar, Germany, 9 June 2013 Producer & Engineer: Wolfgang Rübsam (RMC Classical, Music Inc. USA) Booklet notes: Rainer Mohrs Publisher: Schott Musikverlag Cover: Rottenburg Cathedral Organ (photo by Matthias Heid)
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -11.89 -21.87 to -2.58 | -30.96 -39.45 to -23.86 | -27.82 -37.20 to -21.30 | 11 7 to 13 | |
| 1 | I. Mäßig schnell | -11.52 | -29.24 | -26.5 | 11 |
| 2 | I. Lebhaft - Im Zeitmass | -5.95 | -27.82 | -24.5 | 12 |
| 3 | II. Sehr langsam - | -14.14 | -33.30 | -30.9 | 11 |
| 4 | II. Phantasie, frei - Lebhaft - | -2.58 | -24.73 | -21.7 | 12 |
| 5 | II. Ruhig bewegt (Tranquillo) | -11.53 | -31.55 | -28.8 | 12 |
| 6 | I. Lebhaft | -8.40 | -28.72 | -25.6 | 11 |
| 7 | II. Ruhig bewegt | -10.05 | -29.60 | -26.1 | 10 |
| 8 | III. Fuge. Massig bewegt, heiter | -6.13 | -26.52 | -23.1 | 12 |
| 9 | I. Ach Gott, wem soll ich's klagen - | -10.27 | -29.27 | -27.0 | 11 |
| 10 | I. Langsam | -7.12 | -27.79 | -21.7 | 10 |
| 11 | II. Wach auf, mein Hort | -15.42 | -30.66 | -28.3 | 7 |
| 12 | III. So wunsch ich ihr | -6.82 | -26.29 | -22.9 | 12 |
| 13 | No. 1. Präludium: Sehr lebhaft. Durchweg sehr leise | -19.68 | -39.45 | -37.2 | 11 |
| 14 | No. 2. Mässig schnelle Halbe | -4.29 | -26.51 | -22.6 | 13 |
| 15 | Interlude No. 1: Moderate, with energy | -11.85 | -30.20 | -26.8 | 11 |
| 16 | Interlude No. 2: Pastorale, moderate | -19.11 | -34.02 | -31.4 | 9 |
| 17 | Interlude No. 3: Scherzando | -14.80 | -34.42 | -31.2 | 12 |
| 18 | Interlude No. 4: Fast | -17.76 | -37.25 | -34.1 | 11 |
| 19 | Interlude No. 5: Moderate | -17.90 | -34.53 | -31.6 | 10 |
| 20 | Interlude No. 6: March | -10.56 | -30.28 | -26.9 | 12 |
| 21 | Interlude No. 7: Very broad | -6.18 | -23.86 | -21.3 | 11 |
| 22 | Interlude No. 8: Very fast | -12.97 | -32.42 | -29.2 | 11 |
| 23 | Interlude No. 9: Very quiet | -21.87 | -37.04 | -34.2 | 8 |
| 24 | Interlude No. 10: Allegro pesante | -13.75 | -32.75 | -29.2 | 11 |
| 25 | Interlude No. 11: Valse | -16.62 | -35.71 | -32.7 | 11 |