Arvo Pärt: Live
Münchner Rundfunkorchester, The Hilliard Ensemble, Chor des Bayerischen Rundfunks
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Collage sur B-A-C-H
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1.1
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I. Toccata. Preciso (Quarter Note = 120)
Arvo Pärt; Münchner Rundfunkorchester; Robert King |
2:42 | |||
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1.2
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II. Sarabande. Lento (Half Note = 42)
Arvo Pärt; Yeon-Hee Kwak; Max Hanft; Münchner Rundfunkorchester; Robert King |
3:11 | |||
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1.3
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III. Ricercar. Deciso (Quarter note = 126-132)
Arvo Pärt; Münchner Rundfunkorchester; Robert King |
1:23 | |||
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7 Magnificat Antiphons
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1.4
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No. 1. O Weisheit
Arvo Pärt; Chor des Bayerischen Rundfunks; Peter Dijkstra |
1:26 | |||
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1.5
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No. 2. O Adonai
Arvo Pärt; Chor des Bayerischen Rundfunks; Peter Dijkstra |
2:08 | |||
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1.6
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No. 3. O Spross
Arvo Pärt; Chor des Bayerischen Rundfunks; Peter Dijkstra |
0:56 | |||
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1.7
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No. 4. O Schlüssel
Arvo Pärt; Chor des Bayerischen Rundfunks; Peter Dijkstra |
1:53 | |||
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1.8
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No. 5. O Morgenstern
Arvo Pärt; Chor des Bayerischen Rundfunks; Peter Dijkstra |
1:35 | |||
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1.9
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No. 6. O König
Arvo Pärt; Chor des Bayerischen Rundfunks; Peter Dijkstra |
1:20 | |||
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1.10
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No. 7. O Immanuel
Arvo Pärt; Chor des Bayerischen Rundfunks; Peter Dijkstra |
2:30 | |||
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1.11
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Cecilia, vergine romana
Arvo Pärt; Chor des Bayerischen Rundfunks; Münchner Rundfunkorchester; Ulf Schirmer |
20:13 | |||
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1.12
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Cantus in memoriam Benjamin Britten
Arvo Pärt; Münchner Rundfunkorchester; Ulf Schirmer |
7:42 | |||
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1.13
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Litany, "Prayers of St. John Chrysostom for Each Hour of the Day and Night"
Arvo Pärt; David James; Rogers Covey-Crump; John Potter; Gordon Jones; Hilliard Ensemble; Chor des Bayerischen Rundfunks; Münchner Rundfunkorchester; Marcello Viotti |
23:09 | |||
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Digital Booklet
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Estonian contemporary composer Arvo Pärt bought spiritual music back to the consciousness of a wider audience even outside of the worship service. Because of its meditative character and the return to simple basic musical forms, his writing opens the door to essential spiritual moments. To this end, Pärt, before his emigration from the Soviet Union, had invented the style he himself described as "tintinnabuli," Latin bells, premiered in 1977. The three great choral works presented on this album are the key elements of his sonic signature, performed with the utmost care by the Chor des Bayerischen Rundfunks and the Munich Rundfunk, whose tonal compatibility is the result of regular collaboration. The recordings capture live concerts given in Munich in July 2000, February and December 2005, as well as January and October 2011.
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
Track 13 – 44.1 kHz / 24-bit PCM
Track 13 – 44.1 kHz / 24-bit PCM
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.03 -13.34 to -0.50 | -27.45 -35.81 to -22.10 | -22.99 -31.40 to -17.50 | 12 10 to 17 | |
| 1 | I. Toccata. Preciso (Quarter Note = 120) | -4.03 | -27.52 | -23.9 | 12 |
| 2 | II. Sarabande. Lento (Half Note = 42) | -6.49 | -25.08 | -21.4 | 11 |
| 3 | III. Ricercar. Deciso (Quarter note = 126-132) | -5.03 | -23.15 | -19.3 | 11 |
| 4 | No. 1. O Weisheit | -13.34 | -33.18 | -29.3 | 12 |
| 5 | No. 2. O Adonai | -10.31 | -35.81 | -31.4 | 14 |
| 6 | No. 3. O Spross | -7.28 | -28.63 | -23.8 | 10 |
| 7 | No. 4. O Schlüssel | -2.11 | -22.10 | -17.5 | 12 |
| 8 | No. 5. O Morgenstern | -10.94 | -31.96 | -28.1 | 11 |
| 9 | No. 6. O König | -8.46 | -27.24 | -23.7 | 11 |
| 10 | No. 7. O Immanuel | -2.22 | -24.25 | -18.0 | 13 |
| 11 | Cecilia, vergine romana | -2.28 | -26.68 | -20.8 | 15 |
| 12 | Cantus in memoriam Benjamin Britten | -5.38 | -24.60 | -20.8 | 11 |
| 13 | Litany, "Prayers of St. John Chrysostom for Each Hour of the Day and Night" | -0.50 | -26.63 | -20.9 | 17 |