Dvořák: Mass in D Major, Op. 86, B. 153 - Te Deum, Op. 103, B. 176
Ewa Biegas, Marina Rodríguez-Cusí, Javier Tomé, José Antonio López, Orfeón Pamplonés, Orquesta Sinfónica de Navarra, Antoni Wit
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Mass in D Major, Op. 86, B. 175
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1.1
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Kyrie
Antonín Dvořák; Ewa Biegas; Marina Rodríguez-Cusí; Javier Tomé; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
6:53 | |||
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1.2
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Gloria
Antonín Dvořák; Ewa Biegas; Marina Rodríguez-Cusí; Javier Tomé; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
8:53 | |||
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1.3
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Credo
Antonín Dvořák; Ewa Biegas; Marina Rodríguez-Cusí; Javier Tomé; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
12:04 | |||
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1.4
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Sanctus
Antonín Dvořák; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
2:28 | |||
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1.5
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Benedictus
Antonín Dvořák; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
6:57 | |||
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1.6
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Agnus Dei
Antonín Dvořák; Ewa Biegas; Marina Rodríguez-Cusí; Javier Tomé; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
4:55 | |||
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Te Deum, Op. 103, B. 176
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1.7
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Te Deum laudamus
Antonín Dvořák; Ewa Biegas; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
6:24 | |||
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1.8
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Tu Rex gloriae, Christe
Antonín Dvořák; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
4:54 | |||
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1.9
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Aeterna fac cum sanctis
Antonín Dvořák; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
3:17 | |||
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1.10
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Benedicamus Patrem
Antonín Dvořák; Ewa Biegas; José Antonio López; Orfeón Pamplonés; Orquesta Sinfónica de Navarra; Antoni Wit |
5:46 | |||
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Digital Booklet
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“(Antoni Wit is) the best conductor around these days for big choral works.”
- ClassicsToday.com
Antoni Wit leads the Orfeón Pamplonés and the Orquesta Sinfónica de Navarra in this selection of two of Antonin Dvořák’s most well-loved choral works. The Mass in D, Op. 86 spoke to Dvořák’s popularity in England, as the orchestral version was performed for the first time at 1892 in London’s Crystal Palace. The celebratory Te Deum, written in the same year, was commissioned by the American National Conservatory in New York and its grandiose nature is highlighted by the unusual suggested form of a four movement symphony.
96 kHz / 24-bit PCM – Naxos Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.25 -7.27 to -0.19 | -26.53 -31.52 to -22.85 | -21.43 -27.20 to -17.30 | 14 12 to 15 | |
| 1 | Kyrie | -2.60 | -25.82 | -21.2 | 13 |
| 2 | Gloria | -1.99 | -24.74 | -19.5 | 13 |
| 3 | Credo | -2.09 | -25.12 | -19.7 | 14 |
| 4 | Sanctus | -2.30 | -22.85 | -19.0 | 13 |
| 5 | Benedictus | -3.26 | -28.74 | -22.4 | 15 |
| 6 | Agnus Dei | -6.11 | -31.52 | -27.2 | 15 |
| 7 | Te Deum laudamus | -0.19 | -23.36 | -17.7 | 13 |
| 8 | Tu Rex gloriae, Christe | -7.27 | -31.25 | -27.1 | 15 |
| 9 | Aeterna fac cum sanctis | -5.29 | -28.86 | -23.2 | 14 |
| 10 | Benedicamus Patrem | -1.40 | -23.03 | -17.3 | 12 |