℗ 2017 BIS Records
 

Tales of Sound and Fury

Karin Dahlberg, Camerata Nordica, Terje Tønnesen

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1
Improvisation (Drum Solo on Wedding Tune from Hålandsdalen)
Håkon Stene; Håkon Stene
0:52
2
New Mad Tom of Bedlam
Anonymous; Karin Dahlberg; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
4:28
3
Sonata Jucunda (arr. by T. Tønnesen)
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Balázs Szokolay Dongó; Ferenc Kiss; Mihály Huszár; Håkon Stene; Knut Johannessen
8:43
4
Improvisation (Drum Solo on Drum Roll from Melhus)
Håkon Stene; Håkon Stene
0:44
Battalia "Sonata di marche" (arr. by T. Tønnesen)  
5
I. Sonata. Allegro
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Håkon Stene; Lars Henrik Johansen
1:41
6
II. Die liederliche Gesellschaft von allerley Humor
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Håkon Stene; Lars Henrik Johansen
0:48
7
III. Presto
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Håkon Stene; Lars Henrik Johansen
0:28
8
IV. Der Mars
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Håkon Stene; Lars Henrik Johansen
1:04
9
V. Presto
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Håkon Stene; Lars Henrik Johansen
1:00
10
VI. Aria. Andante
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Håkon Stene; Lars Henrik Johansen
3:27
11
VII. Die Schlacht
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Håkon Stene; Lars Henrik Johansen
0:52
12
VIII. Lamento der Verwundten Musquetirer
Heinrich Ignaz Franz von Biber; Terje Tønnesen; Terje Tønnesen; Torbjörn Westman; Camerata Nordica; Håkon Stene; Lars Henrik Johansen
1:32
She Ventures, and He Wins  
13
Restless in Thought
John Eccles; Karin Dahlberg; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
4:03
14
Sonata violino solo representativa in A Major (arr. by M. Kerem)
Heinrich Ignaz Franz von Biber; Mihkel Kerem; Mihkel Kerem; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
10:55
15
From silent shades, and the Elysian groves, Z. 370, "Bess of Bedlam"
Henry Purcell; Karin Dahlberg; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
4:02
16
Improvisation (Drum Solo on Spissrot)
Håkon Stene; Håkon Stene
0:52
Ouverture-suite in G Major, TWV 55:G10 "Burlesque de Quixotte" (arr. by T. Tønnesen)  
17
I. Ouverture
Georg Philipp Telemann; Terje Tønnesen; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
3:37
18
II. Le réveil de Quichotte
Georg Philipp Telemann; Terje Tønnesen; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
2:23
19
III. Son attacque des moulins à vent
Georg Philipp Telemann; Terje Tønnesen; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
1:21
20
IV. Les soupirs amoureux après la Princesse Dulcinée
Georg Philipp Telemann; Terje Tønnesen; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
1:58
21
V. Sanche Panse berné
Georg Philipp Telemann; Terje Tønnesen; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
1:27
22
VI. Le galope de Rosinante
Georg Philipp Telemann; Terje Tønnesen; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
0:31
23
VII. Celui d'ane de Sanche
Georg Philipp Telemann; Terje Tønnesen; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
1:45
24
VIII. Le couché de Quichotte
Georg Philipp Telemann; Terje Tønnesen; Terje Tønnesen; Camerata Nordica; Håkon Stene; Knut Johannessen
1:52
Digital Booklet
Total Playing Time    60:25
Over the course of this highly original programme, Terje Tønnesen and his Camerata Nordica spin tales of madness and love, of battles and delusions. Building on imaginative scores by Biber, Telemann and Purcell, Tønnesen himself and Mikhel Kerem has fashioned even more colourful arrangements that bring human follies and passions to the fore. Rousing drum solos and a trio of Hungarian folk musicians make a guest appearance on Biber’s "joking sonata" and a Swedish nyckelharpa adds colour to the plaintive Aria in Battalia, before the listener is telescoped into the famous battle scene itself. Featured soloist soprano Karin Dahlberg gives us memorable portraits of madness in the Mad Songs and throughout, the members of the ensemble with equal conviction play their instruments, bay as a pack of hounds and groan as wounded musketeers. The result is a pageant fit for a street performance during a carnival: at turns absurd, burlesque, frightening and moving.
96 kHz / 24-bit PCM – BIS Records Studio Masters

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