Canto for Winds
LutosAir Quintet
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Wind Quintet No. 2
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1.1
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I. —
David Maslanka; LutosAir Quintet |
8:33 | |||
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1.2
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II. —
David Maslanka; LutosAir Quintet |
7:44 | |||
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1.3
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III. —
David Maslanka; LutosAir Quintet |
7:03 | |||
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1.4
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Canto
Daan Janssens; LutosAir Quintet |
6:40 | |||
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Wind Quintet
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1.5
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I. Allegro con brio
Tadeusz Szeligowski; LutosAir Quintet |
5:04 | |||
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1.6
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II. Andante cantabile
Tadeusz Szeligowski; LutosAir Quintet |
4:51 | |||
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1.7
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III. Allegro scherzando
Tadeusz Szeligowski; LutosAir Quintet |
3:36 | |||
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1.8
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IV. Allegro moderato
Tadeusz Szeligowski; LutosAir Quintet |
4:31 | |||
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Alevi Dedeler Rakı Masasında, Op. 35
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1.9
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I. Andantino tranquillo - Presto fantastico
Fazıl Say; LutosAir Quintet |
3:58 | |||
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1.10
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II. Andante tranquillo - Moderato "Ironique"
Fazıl Say; LutosAir Quintet |
3:22 | |||
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1.11
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III. Andantino
Fazıl Say; LutosAir Quintet |
5:07 | |||
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1.12
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IV. Presto - Andantino
Fazıl Say; LutosAir Quintet |
3:28 | |||
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Digital Booklet
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Chamber music is seen as the highest level of initiation into music making, requiring from players both soloist talent and collaborative skills, a similar understanding of the repertoire, a creative atmosphere and sometimes even readiness to compromise. Composing for a wind quintet of flute, oboe, clarinet, French horn and bassoon poses a big challenge, because of their heterogeneous tones, diverse playing techniques and the specific features of each individual instrument. Only in the 20th century did the tone colours of wind instruments begin to be seen as hugely inspiring and valuable, which resulted in composers creating more and more for the lineup. The LutosAir Quintet present two works from the past century here, alongside two contemporary 21st century pieces. A priority for the ensemble's members is choosing a repertoire that is diversified and intriguing. Both values can be discerned in the group's very sound, while the selections offered on the album prove that this heterogeneity is an advantage that brings an unusual wealth of colours in four perspectives.
96 kHz / 24-bit PCM – CD Accord Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.38 -7.59 to -0.10 | -24.26 -27.25 to -22.76 | -20.37 -23.40 to -18.70 | 13 12 to 16 | |
| 1 | I. — | -0.10 | -23.64 | -19.7 | 16 |
| 2 | II. — | -1.45 | -23.16 | -19.8 | 13 |
| 3 | III. — | -2.53 | -24.57 | -20.6 | 13 |
| 4 | Canto | -0.76 | -26.10 | -19.7 | 14 |
| 5 | I. Allegro con brio | -3.02 | -23.83 | -20.6 | 13 |
| 6 | II. Andante cantabile | -3.23 | -23.52 | -20.2 | 12 |
| 7 | III. Allegro scherzando | -1.92 | -23.18 | -19.7 | 13 |
| 8 | IV. Allegro moderato | -2.42 | -23.18 | -20.0 | 13 |
| 9 | I. Andantino tranquillo - Presto fantastico | -0.21 | -22.76 | -18.7 | 14 |
| 10 | II. Andante tranquillo - Moderato "Ironique" | -1.25 | -23.89 | -19.8 | 14 |
| 11 | III. Andantino | -7.59 | -27.25 | -23.4 | 12 |
| 12 | IV. Presto - Andantino | -4.13 | -25.99 | -22.2 | 13 |