La belle vielleuse: The Virtuoso Hurdy Gurdy in 18th Century France
Ensemble Danguy, Tobie Miller
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
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La vièle
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1.1
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Air. Quels sons brillants se font entendre!
Christophe Le Menu de Saint-Philbert; Monika Mauch; Tobie Miller; Ensemble Danguy |
2:48 | |||
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1.2
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Recitative. Que vois-je!
Christophe Le Menu de Saint-Philbert; Monika Mauch; Tobie Miller; Ensemble Danguy |
1:07 | |||
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1.3
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Air. Viele aimable, regnez sans cesse
Christophe Le Menu de Saint-Philbert; Monika Mauch; Tobie Miller; Ensemble Danguy |
2:42 | |||
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Pièces de caractère, Op. 5
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1.4
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I. Prélude
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
2:35 | |||
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1.5
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II. Rondeau
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
2:36 | |||
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1.6
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III. Sarabande en rondeau
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
2:49 | |||
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1.7
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IV. Rondeau. Minuet I - Minuet II
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
3:27 | |||
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1.8
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V. Légèrement et animé
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
3:02 | |||
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1.9
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III. Musette en rondeau
Louis-Claude Daquin; Marc Meisel |
1:10 | |||
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Sonata No. 3, Op. 1
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1.10
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I. Vivement et marqué
Ravet; Tobie Miller; Ensemble Danguy |
2:14 | |||
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1.11
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II. Rondeau I - Rondeau II
Ravet; Tobie Miller; Ensemble Danguy |
3:22 | |||
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1.12
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III. Minuet I - Minuet II - Tambourin
Ravet; Tobie Miller; Ensemble Danguy |
1:54 | |||
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Duet No. 2, Op. 2
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1.13
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I. Affectueusement
Ravet; Tobie Miller; Ensemble Danguy |
4:14 | |||
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1.14
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II. Badine, gayment sans vitesse - Vivement
Ravet; Tobie Miller; Ensemble Danguy |
2:37 | |||
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1.15
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III. Tambourin vite - Tambourin II
Ravet; Tobie Miller; Ensemble Danguy |
1:41 | |||
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1.16
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La Furstemberg
Michel Corrette; Tobie Miller; Ensemble Danguy |
2:37 | |||
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Le Bouquet
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1.17
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Prélude. Écoute mes tristes soupirs
Jean-Baptiste Dupuits; Monika Mauch; Tobie Miller; Ensemble Danguy |
1:45 | |||
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1.18
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Air. Emprunte à ce berger
Jean-Baptiste Dupuits; Monika Mauch; Tobie Miller; Ensemble Danguy |
0:59 | |||
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1.19
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Récitatif. C'étoit dans des jardins charmans
Jean-Baptiste Dupuits; Monika Mauch; Tobie Miller; Ensemble Danguy |
0:58 | |||
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1.20
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Air. Volés zéphirs
Jean-Baptiste Dupuits; Monika Mauch; Tobie Miller; Ensemble Danguy |
3:50 | |||
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1.21
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Récitatif. Mais, qui puis-je charger du bouquet que j'apreste?
Jean-Baptiste Dupuits; Monika Mauch; Tobie Miller; Ensemble Danguy |
0:38 | |||
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1.22
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Air. Partés aimable Tourterelle
Jean-Baptiste Dupuits; Monika Mauch; Tobie Miller; Ensemble Danguy |
3:45 | |||
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Sonata in C Major, Op. 3 No. 4
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1.23
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I. Gracieusement
Charles Bâton; Tobie Miller; Ensemble Danguy |
1:46 | |||
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1.24
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II. Moderement
Charles Bâton; Tobie Miller; Ensemble Danguy |
2:27 | |||
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1.25
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III. Gigue
Charles Bâton; Tobie Miller; Ensemble Danguy |
2:16 | |||
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Suite in E Minor, RCT 2
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1.26
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VII. Mussette en rondeau
Jean-Philippe Rameau; Marc Meisel |
2:23 | |||
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Sonata in G Minor, Op. 1 No. 6
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1.27
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I. Largo
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
2:50 | |||
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1.28
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II. Allegro en rondeau
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
4:42 | |||
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1.29
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II. Tambourin I - Tambourin II
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
2:16 | |||
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1.30
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III. Caprice alla capella
Jean-Baptiste Dupuits; Tobie Miller; Ensemble Danguy |
4:46 | |||
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Digital Booklet
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In the time of Madame de Pompadour, the hurdy gurdy, like the musette, enjoyed great success. It was considered on the same level as other instruments and, as can be seen in various paintings, was highly regarded by the ladies of the aristocracy. Several books of instruction for the instrument were published, one of which was Michel Corrette's La belle vielleuse; virtuoso musicians such as Danguy and Dupuits extended its techniques to their limits. The instrument's charm was sung by various poets whose words were then set as cantatas. The unknown works performed by Canadian hurdy gurdy player Tobie Miller on this recording place it firmly in the French court of the time with its stylized pastoral diversions. Miller is joined here by soprano Monika Mauch and the Ensemble Danguy.
88.2 kHz / 24-bit PCM – Ricercar Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.60 -12.01 to 0.00 | -23.56 -30.18 to -20.47 | -19.81 -26.60 to -16.80 | 14 10 to 17 | |
| 1 | Air. Quels sons brillants se font entendre! | 0.00 | -20.47 | -17.3 | 13 |
| 2 | Recitative. Que vois-je! | -1.66 | -22.83 | -19.9 | 13 |
| 3 | Air. Viele aimable, regnez sans cesse | 0.00 | -20.80 | -17.6 | 13 |
| 4 | I. Prélude | -0.10 | -24.12 | -19.5 | 17 |
| 5 | II. Rondeau | 0.00 | -23.06 | -18.5 | 16 |
| 6 | III. Sarabande en rondeau | -8.46 | -28.22 | -24.6 | 12 |
| 7 | IV. Rondeau. Minuet I - Minuet II | -0.97 | -22.59 | -18.4 | 16 |
| 8 | V. Légèrement et animé | -0.42 | -22.48 | -17.9 | 15 |
| 9 | III. Musette en rondeau | -12.01 | -29.18 | -25.6 | 12 |
| 10 | I. Vivement et marqué | 0.00 | -21.18 | -17.8 | 14 |
| 11 | II. Rondeau I - Rondeau II | 0.00 | -22.15 | -19.0 | 13 |
| 12 | III. Minuet I - Minuet II - Tambourin | -0.32 | -21.70 | -18.0 | 14 |
| 13 | I. Affectueusement | -7.85 | -28.40 | -24.5 | 14 |
| 14 | II. Badine, gayment sans vitesse - Vivement | -3.27 | -26.11 | -21.9 | 16 |
| 15 | III. Tambourin vite - Tambourin II | 0.00 | -23.48 | -18.6 | 16 |
| 16 | La Furstemberg | -2.10 | -22.53 | -18.8 | 14 |
| 17 | Prélude. Écoute mes tristes soupirs | -2.82 | -21.96 | -19.0 | 12 |
| 18 | Air. Emprunte à ce berger | -2.13 | -22.51 | -18.9 | 12 |
| 19 | Récitatif. C'étoit dans des jardins charmans | -1.57 | -22.51 | -18.7 | 11 |
| 20 | Air. Volés zéphirs | -1.12 | -21.13 | -18.0 | 13 |
| 21 | Récitatif. Mais, qui puis-je charger du bouquet que j'apreste? | -0.97 | -22.41 | -18.8 | 10 |
| 22 | Air. Partés aimable Tourterelle | -0.40 | -21.83 | -18.3 | 13 |
| 23 | I. Gracieusement | -10.81 | -28.04 | -24.8 | 11 |
| 24 | II. Moderement | -2.35 | -22.98 | -18.9 | 14 |
| 25 | III. Gigue | -2.10 | -24.08 | -19.6 | 16 |
| 26 | VII. Mussette en rondeau | -12.01 | -30.18 | -26.6 | 12 |
| 27 | I. Largo | -3.68 | -23.89 | -20.9 | 12 |
| 28 | II. Allegro en rondeau | 0.00 | -21.40 | -17.6 | 14 |
| 29 | II. Tambourin I - Tambourin II | 0.00 | -21.42 | -16.8 | 15 |
| 30 | III. Caprice alla capella | -0.81 | -23.22 | -19.6 | 14 |