℗ 2017 Sono Luminus
Released | June 16, 2017 |
Duration | 1h 25m 53s |
Record Label | Sono Luminus |
Genre | Classical |
Beyond
Los Angeles Percussion Quartet
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC and 5.6448 MHz, 2.8224 MHz DSD high resolution audio formats
1.1
|
Qui tollis
Daníel Bjarnason; Los Angeles Percussion Quartet |
9:48 | |||
1.2
|
Aura (Version for Percussion Quartet)
Anna Þorvaldsdóttir; Los Angeles Percussion Quartet |
6:13 | |||
Memory Palace
|
|||||
1.3
|
I. Harriman
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
3:19 | |||
1.4
|
II. Power Lines
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
4:50 | |||
1.5
|
III. Foxhurst
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
5:04 | |||
1.6
|
IV. L.I.E.
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
4:23 | |||
1.7
|
V. Claremont
Christopher Cerrone; Christopher Cerrone; Los Angeles Percussion Quartet |
3:58 | |||
1.8
|
Fear-Release
Ellen Reid; Los Angeles Percussion Quartet |
8:47 | |||
I Hold the Lion's Paw
|
|||||
2.1
|
I. —
Andrew McIntosh; Los Angeles Percussion Quartet |
2:43 | |||
2.2
|
II. —
Andrew McIntosh; Los Angeles Percussion Quartet |
6:52 | |||
2.3
|
III. —
Andrew McIntosh; Los Angeles Percussion Quartet |
5:07 | |||
2.4
|
IV. —
Andrew McIntosh; Los Angeles Percussion Quartet |
4:16 | |||
2.5
|
V. —
Andrew McIntosh; Los Angeles Percussion Quartet |
5:12 | |||
2.6
|
VI. —
Andrew McIntosh; Los Angeles Percussion Quartet |
1:51 | |||
2.7
|
VII. —
Andrew McIntosh; Los Angeles Percussion Quartet |
7:00 | |||
2.8
|
VIII. —
Andrew McIntosh; Los Angeles Percussion Quartet |
2:19 | |||
2.9
|
IX. —
Andrew McIntosh; Los Angeles Percussion Quartet |
4:11 | |||
Digital Booklet
|
“The recording is stunningly lifelike: producer Dan Merceruio and engineer Dan Shores have expertly captured LAPQ's precision, interpretive empathy, and command of instrumental colour.”
- Broadway World
The Los Angeles Percussion Quartet have worked tirelessly since 2009 to showcase the contributions of 20th-century West Coast composers, and they continue their mission with Beyond, a remarkable epic that explores the space, place and awareness of L.A.
192 kHz / 24-bit, 96 kHz / 24-bit PCM and 5.6448 MHz, 2.8224 MHz DSD – Sono Luminus Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.53 -27.69 to -0.23 | -29.07 -46.84 to -16.76 | -24.00 -41.60 to -10.20 | 13 7 to 20 | |
1.1 | Qui tollis | -0.30 | -17.62 | -10.2 | 7 |
1.2 | Aura (Version for Percussion Quartet) | -8.17 | -27.45 | -24.4 | 10 |
1.3 | I. Harriman | -9.14 | -28.51 | -25.8 | 12 |
1.4 | II. Power Lines | -0.30 | -19.73 | -15.6 | 12 |
1.5 | III. Foxhurst | -0.31 | -22.34 | -17.5 | 14 |
1.6 | IV. L.I.E. | -0.23 | -16.76 | -13.2 | 10 |
1.7 | V. Claremont | -8.88 | -25.93 | -23.3 | 9 |
1.8 | Fear-Release | -0.24 | -24.25 | -16.7 | 14 |
2.1 | I. — | -19.19 | -38.48 | -33.9 | 14 |
2.2 | II. — | -0.30 | -17.62 | -12.2 | 8 |
2.3 | III. — | -1.77 | -34.63 | -28.1 | 20 |
2.4 | IV. — | -16.52 | -44.46 | -36.9 | 18 |
2.5 | V. — | -8.17 | -37.12 | -33.8 | 17 |
2.6 | VI. — | -9.14 | -37.27 | -34.7 | 10 |
2.7 | VII. — | -0.30 | -27.98 | -18.8 | 17 |
2.8 | VIII. — | -0.30 | -27.22 | -21.3 | 18 |
2.9 | IX. — | -27.69 | -46.84 | -41.6 | 9 |