℗ 2017 OUR Recordings
| Released | July 7, 2017 |
| Duration | 1h 10m 49s |
| Record Label | OUR Recordings |
| Genre | Classical |
Brazilian Landscapes
Michala Petri, Marilyn Mazur, Daniel Murray
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Sonhos I (version for Recorder, Percussion & Guitar)
Paulo Porto Alegre; Michala Petri; Marilyn Mazur; Daniel Murray |
4:45 | |||
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1.2
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Jongo (arr. for Recorder, Percussion & Guitar)
Paulo Bellinati; Anonymous; Michala Petri; Marilyn Mazur; Daniel Murray |
7:00 | |||
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1.3
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Pingue-pongue (arr. for Recorder, Percussion & Guitar)
Paulo Bellinati; Anonymous; Michala Petri; Marilyn Mazur; Daniel Murray |
2:34 | |||
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1.4
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Olha Maria (arr. for Recorder, Percussion & Guitar)
Anonymous; Antônio Carlos Jobim; Michala Petri; Marilyn Mazur; Daniel Murray |
4:13 | |||
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1.5
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Cauteloso (arr. for Recorder, Percussion & Guitar)
Daniel Murray; Michala Petri; Marilyn Mazur; Daniel Murray |
6:50 | |||
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1.6
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Fon-fon (arr. for Recorder, Percussion & Guitar)
Anonymous; Ernesto Nazareth; Michala Petri; Marilyn Mazur; Daniel Murray |
2:53 | |||
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Canção e Dança
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1.7
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I. Canção (arr. for Recorder, Percussion & Guitar)
Daniel Murray; Michala Petri; Marilyn Mazur; Daniel Murray |
4:32 | |||
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1.8
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II. Dança (arr. for Recorder, Percussion & Guitar)
Daniel Murray; Michala Petri; Marilyn Mazur; Daniel Murray |
3:22 | |||
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1.9
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Karatê (arr. for Recorder, Percussion & Guitar)
Anonymous; Egberto Gismonti; Michala Petri; Marilyn Mazur; Daniel Murray |
2:30 | |||
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1.10
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A fala da paixão (arr. for Recorder, Percussion & Guitar)
Anonymous; Egberto Gismonti; Michala Petri; Marilyn Mazur; Daniel Murray |
5:22 | |||
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1.11
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São Jorge (arr. for Recorder, Percussion & Guitar)
Anonymous; Hermeto Pascoal; Michala Petri; Marilyn Mazur; Daniel Murray |
6:11 | |||
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8 Miniaturas
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1.12
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No. 1. Homenagem a Debussy (arr. for Recorder, Percussion & Guitar)
Anonymous; Antonio Ribeiro; Michala Petri; Marilyn Mazur; Daniel Murray |
1:20 | |||
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1.13
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No. 2. No Balanço (arr. for Recorder, Percussion & Guitar)
Anonymous; Antonio Ribeiro; Michala Petri; Marilyn Mazur; Daniel Murray |
1:15 | |||
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1.14
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No. 3. Dança (arr. for Recorder, Percussion & Guitar)
Anonymous; Antonio Ribeiro; Michala Petri; Marilyn Mazur; Daniel Murray |
0:51 | |||
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1.15
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No. 4. Valsa triste (arr. for Recorder, Percussion & Guitar)
Anonymous; Antonio Ribeiro; Michala Petri; Marilyn Mazur; Daniel Murray |
1:41 | |||
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1.16
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No. 5. Cirandinha (arr. for Recorder, Percussion & Guitar)
Anonymous; Antonio Ribeiro; Michala Petri; Marilyn Mazur; Daniel Murray |
0:51 | |||
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1.17
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No. 6. Modinha (arr. for Recorder, Percussion & Guitar)
Anonymous; Antonio Ribeiro; Michala Petri; Marilyn Mazur; Daniel Murray |
1:37 | |||
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1.18
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No. 7. Toada (arr. for Recorder, Percussion & Guitar)
Anonymous; Antonio Ribeiro; Michala Petri; Marilyn Mazur; Daniel Murray |
1:27 | |||
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1.19
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No. 8. Final (arr. for Recorder, Percussion & Guitar)
Anonymous; Antonio Ribeiro; Michala Petri; Marilyn Mazur; Daniel Murray |
0:38 | |||
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Chôros
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1.20
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No. 2 (arr. by D. Murray for Recorder, Percussion & Guitar)
Heitor Villa-Lobos; Daniel Murray; Michala Petri; Marilyn Mazur; Daniel Murray |
2:26 | |||
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1.21
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No. 5 "Alma brasileira" (arr. by D. Murray for Recorder, Percussion & Guitar)
Heitor Villa-Lobos; Daniel Murray; Michala Petri; Marilyn Mazur; Daniel Murray |
4:21 | |||
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1.22
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Sonhos II (version for Recorder, Percussion & Guitar)
Paulo Porto Alegre; Michala Petri; Marilyn Mazur; Daniel Murray |
4:10 | |||
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Digital Booklet
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The brainchild of renowned recorder player Michala Petri, Brazilian Landscapes sees her collaborate with percussionist Marilyn Mazur and guitarist Daniel Murray (both of whom are also composers) for an invigorating collection of music by Brazilian composers such as Villa-Lobos and Paulo Bellinati, as well as works by Murray himself.
44.1 kHz / 24-bit PCM – OUR Recordings Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.63 -7.77 to 0.00 | -22.21 -26.77 to -19.19 | -19.09 -23.10 to -15.90 | 12 8 to 15 | |
| 1 | Sonhos I (version for Recorder, Percussion & Guitar) | -4.14 | -26.77 | -23.1 | 13 |
| 2 | Jongo (arr. for Recorder, Percussion & Guitar) | -0.59 | -21.45 | -18.2 | 13 |
| 3 | Pingue-pongue (arr. for Recorder, Percussion & Guitar) | -0.54 | -21.30 | -18.6 | 11 |
| 4 | Olha Maria (arr. for Recorder, Percussion & Guitar) | -0.51 | -20.71 | -17.7 | 11 |
| 5 | Cauteloso (arr. for Recorder, Percussion & Guitar) | -1.24 | -20.19 | -17.2 | 12 |
| 6 | Fon-fon (arr. for Recorder, Percussion & Guitar) | -0.90 | -23.23 | -20.6 | 14 |
| 7 | I. Canção (arr. for Recorder, Percussion & Guitar) | -6.42 | -25.31 | -22.6 | 11 |
| 8 | II. Dança (arr. for Recorder, Percussion & Guitar) | 0.00 | -20.50 | -18.3 | 12 |
| 9 | Karatê (arr. for Recorder, Percussion & Guitar) | -0.78 | -22.33 | -19.5 | 13 |
| 10 | A fala da paixão (arr. for Recorder, Percussion & Guitar) | -4.27 | -22.98 | -20.8 | 11 |
| 11 | São Jorge (arr. for Recorder, Percussion & Guitar) | -0.87 | -22.29 | -18.3 | 12 |
| 12 | No. 1. Homenagem a Debussy (arr. for Recorder, Percussion & Guitar) | -4.15 | -19.19 | -15.9 | 9 |
| 13 | No. 2. No Balanço (arr. for Recorder, Percussion & Guitar) | -7.77 | -22.37 | -19.4 | 8 |
| 14 | No. 3. Dança (arr. for Recorder, Percussion & Guitar) | -0.95 | -22.41 | -18.5 | 15 |
| 15 | No. 4. Valsa triste (arr. for Recorder, Percussion & Guitar) | -3.63 | -22.18 | -19.3 | 10 |
| 16 | No. 5. Cirandinha (arr. for Recorder, Percussion & Guitar) | -1.69 | -19.67 | -16.4 | 11 |
| 17 | No. 6. Modinha (arr. for Recorder, Percussion & Guitar) | -3.03 | -21.26 | -18.5 | 11 |
| 18 | No. 7. Toada (arr. for Recorder, Percussion & Guitar) | -5.51 | -21.63 | -18.4 | 9 |
| 19 | No. 8. Final (arr. for Recorder, Percussion & Guitar) | -2.65 | -22.72 | -18.9 | 12 |
| 20 | No. 2 (arr. by D. Murray for Recorder, Percussion & Guitar) | -2.13 | -20.72 | -16.4 | 11 |
| 21 | No. 5 "Alma brasileira" (arr. by D. Murray for Recorder, Percussion & Guitar) | -1.27 | -23.13 | -20.5 | 13 |
| 22 | Sonhos II (version for Recorder, Percussion & Guitar) | -4.76 | -26.33 | -22.9 | 12 |