Immortal Bach: Works by J.S. Bach, R. Bocca, C. Boccadoro, K. Nystedt, I. Xenakis and J. Cage
Simone Rubino
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Cello Suite No. 3 in C Major, BWV 1009
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1.1
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I. Prélude (arr. by E. Egüez)
Johann Sebastian Bach; Eduardo Egüez; Simone Rubino |
3:50 | |||
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1.2
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II. Allemande (arr. by E. Egüez)
Johann Sebastian Bach; Eduardo Egüez; Simone Rubino |
3:51 | |||
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1.3
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Esegesi
Roberto Bocca; Simone Rubino |
5:11 | |||
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1.4
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III. Courante (arr. by E. Egüez)
Johann Sebastian Bach; Eduardo Egüez; Simone Rubino |
2:53 | |||
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1.5
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Power Station
Carlo Boccadoro; Simone Rubino |
6:40 | |||
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1.6
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IV. Sarabande (arr. by E. Egüez)
Johann Sebastian Bach; Eduardo Egüez; Simone Rubino |
3:28 | |||
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1.7
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Immortal Bach (after J.S. Bach's Komm, süßer Tod, BWV 478) (arr. for 4 Marimbas)
Knut Nystedt; Simone Rubino; Sergey Mikhaylenko; Christian Felix Benning; Patrick Stapleton |
6:35 | |||
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1.8
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V. Bourrées I & II (arr. by E. Egüez)
Johann Sebastian Bach; Eduardo Egüez; Simone Rubino |
3:52 | |||
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1.9
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Rebonds B
Iannis Xenakis; Simone Rubino |
6:04 | |||
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1.10
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VI. Gigue (arr. by E. Egüez)
Johann Sebastian Bach; Eduardo Egüez; Simone Rubino |
3:05 | |||
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1.11
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Third Construction
John Cage; Simone Rubino; Sergey Mikhaylenko; Christian Felix Benning; Patrick Stapleton |
11:45 | |||
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Digital Booklet
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Up-and-coming young percussionist Simone Rubino presents Immortal Bach, a collection of works composed and inspired by J.S. Bach. 20th-century and contemporary pieces by Roberto Bocca, Carlo Boccadoro, Knut Nystedt, Iannis Xenakis, and John Cage are interwoven with Eduardo Egüez's arrangement of Bach's famous Cello Suite No. 3 in C Major, creating a dynamic assortment of works which combine Baroque, jazz, and contemporary art music sonorities to glorious effect, expertly performed by Rubino.
48 kHz / 24-bit PCM – Genuin Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.33 -7.21 to -0.30 | -20.67 -30.44 to -16.65 | -17.78 -28.30 to -14.00 | 12 11 to 14 | |
| 1 | I. Prélude (arr. by E. Egüez) | -0.30 | -18.20 | -15.5 | 11 |
| 2 | II. Allemande (arr. by E. Egüez) | -0.78 | -19.04 | -16.7 | 12 |
| 3 | Esegesi | -0.30 | -19.37 | -16.0 | 12 |
| 4 | III. Courante (arr. by E. Egüez) | -0.30 | -17.57 | -15.2 | 11 |
| 5 | Power Station | -0.30 | -20.78 | -15.9 | 13 |
| 6 | IV. Sarabande (arr. by E. Egüez) | -4.29 | -25.71 | -22.3 | 13 |
| 7 | Immortal Bach (after J.S. Bach's Komm, süßer Tod, BWV 478) (arr. for 4 Marimbas) | -7.21 | -30.44 | -28.3 | 13 |
| 8 | V. Bourrées I & II (arr. by E. Egüez) | -0.30 | -19.62 | -17.1 | 11 |
| 9 | Rebonds B | -0.30 | -19.25 | -17.6 | 14 |
| 10 | VI. Gigue (arr. by E. Egüez) | -0.30 | -16.65 | -14.0 | 11 |
| 11 | Third Construction | -0.30 | -20.71 | -17.0 | 12 |