J.S. Bach: Violin Sonatas - Partitas
Christian Tetzlaff
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Violin Sonata No. 1 in G Minor, BWV 1001
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1.1
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I. Adagio
Johann Sebastian Bach; Christian Tetzlaff |
3:40 | |||
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1.2
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II. Fuga
Johann Sebastian Bach; Christian Tetzlaff |
5:11 | |||
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1.3
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III. Siciliana
Johann Sebastian Bach; Christian Tetzlaff |
3:10 | |||
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1.4
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IV. Presto
Johann Sebastian Bach; Christian Tetzlaff |
3:09 | |||
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Violin Partita No. 1 in B Minor, BWV 1002
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1.5
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I. Allemande
Johann Sebastian Bach; Christian Tetzlaff |
4:09 | |||
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1.6
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II. Double
Johann Sebastian Bach; Christian Tetzlaff |
2:23 | |||
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1.7
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III. Courante
Johann Sebastian Bach; Christian Tetzlaff |
2:53 | |||
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1.8
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IV. Double
Johann Sebastian Bach; Christian Tetzlaff |
3:12 | |||
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1.9
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V. Sarabande
Johann Sebastian Bach; Christian Tetzlaff |
3:44 | |||
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1.10
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VI. Double
Johann Sebastian Bach; Christian Tetzlaff |
3:12 | |||
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1.11
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VII. Tempo di borea
Johann Sebastian Bach; Christian Tetzlaff |
3:06 | |||
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1.12
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VIII. Double
Johann Sebastian Bach; Christian Tetzlaff |
2:55 | |||
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Violin Sonata No. 2 in A Minor, BWV 1003
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1.13
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I. Grave
Johann Sebastian Bach; Christian Tetzlaff |
3:53 | |||
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1.14
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II. Fuga
Johann Sebastian Bach; Christian Tetzlaff |
7:33 | |||
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1.15
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III. Andante
Johann Sebastian Bach; Christian Tetzlaff |
5:01 | |||
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1.16
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IV. Allegro
Johann Sebastian Bach; Christian Tetzlaff |
5:02 | |||
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Violin Partita No. 2 in D Minor, BWV 1004
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2.1
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I. Allemande
Johann Sebastian Bach; Christian Tetzlaff |
4:15 | |||
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2.2
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II. Courante
Johann Sebastian Bach; Christian Tetzlaff |
2:22 | |||
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2.3
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III. Sarabande
Johann Sebastian Bach; Christian Tetzlaff |
3:56 | |||
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2.4
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IV. Gigue
Johann Sebastian Bach; Christian Tetzlaff |
3:54 | |||
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2.5
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V. Chaconne
Johann Sebastian Bach; Christian Tetzlaff |
14:08 | |||
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Violin Sonata No. 3 in C Major, BWV 1005
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2.6
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I. Adagio
Johann Sebastian Bach; Christian Tetzlaff |
3:56 | |||
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2.7
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II. Fuga
Johann Sebastian Bach; Christian Tetzlaff |
9:42 | |||
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2.8
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III. Largo
Johann Sebastian Bach; Christian Tetzlaff |
3:33 | |||
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2.9
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IV. Allegro assai
Johann Sebastian Bach; Christian Tetzlaff |
4:42 | |||
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Violin Partita No. 3 in E Major, BWV 1006
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2.10
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I. Preludio
Johann Sebastian Bach; Christian Tetzlaff |
3:20 | |||
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2.11
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II. Loure
Johann Sebastian Bach; Christian Tetzlaff |
4:20 | |||
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2.12
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III. Gavotte en rondeau
Johann Sebastian Bach; Christian Tetzlaff |
2:54 | |||
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2.13
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IV. Menuet I
Johann Sebastian Bach; Christian Tetzlaff |
1:36 | |||
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2.14
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V. Menuet II
Johann Sebastian Bach; Christian Tetzlaff |
2:23 | |||
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2.15
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VI. Bourrée
Johann Sebastian Bach; Christian Tetzlaff |
1:19 | |||
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2.16
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VII. Gigue
Johann Sebastian Bach; Christian Tetzlaff |
1:40 | |||
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Digital Booklet
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Renowned German violinist Christian Tetzlaff presents the second recording of J.S. Bach's sonatas and partitas for solo violin in his illustrious career. Written while Bach was residing in Köthen, these are some of the most beloved and challenging works in the violin repertoire, and Tetzlaff gives these iconic pieces technically brilliant yet consistently warm and lively performances.
96 kHz / 24-bit PCM – Ondine Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.83 -10.93 to -0.83 | -23.74 -32.01 to -18.61 | -20.04 -28.70 to -14.90 | 13 11 to 15 | |
| 1.1 | I. Adagio | -0.93 | -23.85 | -19.5 | 14 |
| 1.2 | II. Fuga | -0.83 | -18.61 | -14.9 | 11 |
| 1.3 | III. Siciliana | -1.50 | -24.82 | -20.9 | 14 |
| 1.4 | IV. Presto | -0.83 | -20.81 | -17.8 | 13 |
| 1.5 | I. Allemande | -2.81 | -24.36 | -20.7 | 15 |
| 1.6 | II. Double | -6.87 | -28.04 | -24.5 | 13 |
| 1.7 | III. Courante | -2.51 | -23.92 | -20.7 | 13 |
| 1.8 | IV. Double | -4.71 | -25.03 | -21.9 | 14 |
| 1.9 | V. Sarabande | -2.58 | -25.17 | -21.3 | 13 |
| 1.10 | VI. Double | -10.93 | -32.01 | -28.7 | 13 |
| 1.11 | VII. Tempo di borea | -0.83 | -21.09 | -17.8 | 14 |
| 1.12 | VIII. Double | -2.32 | -24.18 | -20.6 | 14 |
| 1.13 | I. Grave | -2.80 | -25.19 | -20.5 | 14 |
| 1.14 | II. Fuga | -0.86 | -19.64 | -16.1 | 12 |
| 1.15 | III. Andante | -4.97 | -26.01 | -21.9 | 13 |
| 1.16 | IV. Allegro | -1.04 | -21.66 | -18.3 | 14 |
| 2.1 | I. Allemande | -1.74 | -23.07 | -19.3 | 13 |
| 2.2 | II. Courante | -2.55 | -23.71 | -20.1 | 13 |
| 2.3 | III. Sarabande | -4.08 | -25.14 | -20.6 | 13 |
| 2.4 | IV. Gigue | -0.86 | -22.01 | -18.8 | 14 |
| 2.5 | V. Chaconne | -0.83 | -21.70 | -17.4 | 13 |
| 2.6 | I. Adagio | -2.20 | -24.51 | -20.5 | 14 |
| 2.7 | II. Fuga | -0.85 | -19.71 | -16.4 | 12 |
| 2.8 | III. Largo | -3.77 | -26.75 | -22.4 | 14 |
| 2.9 | IV. Allegro assai | -4.79 | -23.73 | -20.6 | 12 |
| 2.10 | I. Preludio | -1.22 | -21.25 | -17.9 | 13 |
| 2.11 | II. Loure | -3.92 | -26.17 | -21.8 | 13 |
| 2.12 | III. Gavotte en rondeau | -2.32 | -22.49 | -18.9 | 13 |
| 2.13 | IV. Menuet I | -3.60 | -23.88 | -20.2 | 12 |
| 2.14 | V. Menuet II | -3.66 | -24.71 | -20.8 | 12 |
| 2.15 | VI. Bourrée | -3.86 | -23.40 | -19.7 | 13 |
| 2.16 | VII. Gigue | -3.17 | -23.16 | -19.7 | 13 |