Martin-Pierre D'Alvimare: 3 Sonatas
Paola Perrucci
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
Harp Sonata in G Minor, Op. 2 No. 2
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1.1
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I. Largo espressivo
Martin-Pierre D'Alvimare; Paola Perrucci |
2:00 | |||
1.2
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II. Vivace agitato
Martin-Pierre D'Alvimare; Paola Perrucci |
6:32 | |||
1.3
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III. Menuet
Martin-Pierre D'Alvimare; Paola Perrucci |
6:24 | |||
Harp Sonata in E Flat Major, Op. 9 No. 3
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1.4
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I. Allegro
Martin-Pierre D'Alvimare; Paola Perrucci |
9:07 | |||
1.5
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II. Adagio
Martin-Pierre D'Alvimare; Paola Perrucci |
7:30 | |||
1.6
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III. Rondo pastorale
Martin-Pierre D'Alvimare; Paola Perrucci |
4:02 | |||
Grandes sonate in F Minor, Op. 18 No. 3
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1.7
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I. Agitato con moto
Martin-Pierre D'Alvimare; Paola Perrucci |
12:53 | |||
1.8
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II. Andantino
Martin-Pierre D'Alvimare; Paola Perrucci |
2:32 | |||
1.9
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III. Rondo allegretto
Martin-Pierre D'Alvimare; Paola Perrucci |
7:28 |
Italian harpist Paola Perrucci presents a collection of three solo sonatas by the little-known early 19th-century French composer Martin-Pierre D'Alvimare. Harpist to Queen Hortense of Holland (Napoleon's stepdaughter) for a time, D'Alvimare compositional style is clear and light but with shades of Romantic drama, making this release—expertly performed by Perrucci—a welcome addition to the recorded harp repertoire.
44.1 kHz / 24-bit PCM – Dynamic Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.02 -7.42 to -0.20 | -26.23 -28.55 to -24.58 | -23.23 -25.90 to -21.70 | 15 13 to 18 | |
1 | I. Largo espressivo | -4.97 | -28.55 | -24.9 | 13 |
2 | II. Vivace agitato | -3.04 | -24.58 | -21.7 | 13 |
3 | III. Menuet | -7.42 | -28.30 | -25.9 | 15 |
4 | I. Allegro | -1.13 | -25.12 | -22.3 | 16 |
5 | II. Adagio | -1.89 | -25.95 | -22.5 | 16 |
6 | III. Rondo pastorale | -6.30 | -26.69 | -23.7 | 13 |
7 | I. Agitato con moto | -0.20 | -25.26 | -22.7 | 18 |
8 | II. Andantino | -1.87 | -26.21 | -23.2 | 15 |
9 | III. Rondo allegretto | -0.40 | -25.39 | -22.2 | 17 |