℗ 2017 Divine Art
| Released | September 15, 2017 |
| Duration | 1h 06m 44s |
| Record Label | Divine Art |
| Genre | Classical |
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1.1
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Réminiscences de "Norma", Op. 20 (after V. Bellini)
Alfred Jaëll; Andrew Wright |
11:17 | |||
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Il pirata
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1.2
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Col sorriso d'innocenza (arr. by A. Wright for Piano)
Vincenzo Bellini; Andrew Wright; Andrew Wright |
3:06 | |||
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1.3
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Andante Finale for the Left Hand "Lucia di Lammermoor", Op. 13 (After G. Donizetti)
Theodor Leschetizky; Andrew Wright |
5:04 | |||
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1.4
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Fantasia on "Moses", Op. 33 (After G. Rossini)
Sigismond Thalberg; Andrew Wright |
15:21 | |||
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Aus "Lohengrin", S. 446
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1.5
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No. 3. Lohengrins Verweis an Elsa (after R. Wagner)
Franz Liszt; Andrew Wright |
4:37 | |||
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1.6
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Paraphrase on "Miserere" from "Il Trovatore" (after G. Verdi)
Andrew Wright; Andrew Wright |
5:30 | |||
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12 Transcriptions, Op. 6
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1.7
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No. 1. Cavatine de "Robert le diable" (after G. Meyerbeer)
Theodor Kullak; Andrew Wright |
5:07 | |||
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1.8
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La mort de "Thaïs" (after J. Massenet)
Camille Saint-Saëns; Andrew Wright |
8:45 | |||
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1.9
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Phantasiestück über Motive aus "Rienzi", S. 439 (after R. Wagner)
Franz Liszt; Andrew Wright |
7:57 | |||
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Digital Booklet
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This is the second volume in The Operatic Pianist series from Scottish pianist Andrew Wright. An exploration of the 19th-century practice of transcribing operatic tunes for performance on both the concert stage and in the domestic parlour, this volume sees Wright bring to life arias from Verdi's Il Trovatore, Bellini's Norma and Wagner's Rienzi as arranged by Liszt, Saint-Saëns, Thalberg, and Wright himself.
44.1 kHz / 24-bit PCM – Divine Art Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.85 -2.95 to -1.53 | -21.40 -27.16 to -17.93 | -17.98 -24.10 to -14.70 | 12 10 to 16 | |
| 1 | Réminiscences de "Norma", Op. 20 (after V. Bellini) | -1.54 | -20.88 | -17.2 | 12 |
| 2 | Col sorriso d'innocenza (arr. by A. Wright for Piano) | -2.43 | -22.53 | -19.4 | 13 |
| 3 | Andante Finale for the Left Hand "Lucia di Lammermoor", Op. 13 (After G. Donizetti) | -2.00 | -22.32 | -19.3 | 12 |
| 4 | Fantasia on "Moses", Op. 33 (After G. Rossini) | -1.56 | -19.83 | -16.7 | 11 |
| 5 | No. 3. Lohengrins Verweis an Elsa (after R. Wagner) | -2.95 | -27.16 | -24.1 | 16 |
| 6 | Paraphrase on "Miserere" from "Il Trovatore" (after G. Verdi) | -1.55 | -17.93 | -14.7 | 10 |
| 7 | No. 1. Cavatine de "Robert le diable" (after G. Meyerbeer) | -1.55 | -21.10 | -17.4 | 12 |
| 8 | La mort de "Thaïs" (after J. Massenet) | -1.55 | -22.51 | -18.0 | 13 |
| 9 | Phantasiestück über Motive aus "Rienzi", S. 439 (after R. Wagner) | -1.53 | -18.35 | -15.0 | 10 |