℗ 2014 Naive
| Released | August 5, 2014 |
| Duration | 1h 19m 38s |
| Record Label | Naive |
| Catalogue No. | OP30557 |
| Genre | Classical (Choral - Sacred) |
Monteverdi: Vespri Solenni per la Festa di San Marco
Concerto Italiano, Rinaldo Alessandrini
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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responsorium: deus in adiutorium meum intende
Claudio Monteverdi; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Luca Dordolo; Gianluca Ferrarini; Salvo Vitale |
2:27 | |||
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1.2
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antiphona: egregius christi petrus apostolus
Claudio Monteverdi; Gianluca Ferrarini |
0:32 | |||
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1.3
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psalmus 109: dixit dominus
Claudio Monteverdi; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Gianluca Ferrarini; Luca Dordolo; Raffaele Giordani; Matteo Bellotto; Salvo Vitale; Concerto Italiano; Rinaldo Alessandrini |
9:28 | |||
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1.4
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sonata in loco antiphonae: canzon ottava a 8
Giovanni Gabrieli; Concerto Italiano; Rinaldo Alessandrini |
5:39 | |||
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1.5
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antiphona: doctrinam apostolicam evangeliste marco committens
Claudio Monteverdi; Gianluca Ferrarini |
0:36 | |||
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1.6
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psalmus 110: confitebor tibi domine
Claudio Monteverdi; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Gianluca Ferrarini; Luca Dordolo; Raffaele Giordani; Matteo Bellotto; Salvo Vitale; Concerto Italiano; Rinaldo Alessandrini |
4:42 | |||
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1.7
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motectus in loco antiphonae: christe adoramus te
Claudio Monteverdi; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Raffaele Giordani; Matteo Bellotto |
3:31 | |||
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1.8
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antiphona: ad hec disponente dei gratia
Claudio Monteverdi; Gianluca Ferrarini |
0:47 | |||
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1.9
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psalmus 111: beatus vir
Claudio Monteverdi; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Gianluca Ferrarini; Luca Dordolo; Raffaele Giordani; Matteo Bellotto; Salvo Vitale; Concerto Italiano; Rinaldo Alessandrini |
7:45 | |||
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1.10
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sonata in loco antiphonae: sonata a 8
Francesco Usper; Concerto Italiano; Rinaldo Alessandrini |
4:03 | |||
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1.11
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antiphona: beate sancte marce
Claudio Monteverdi; Gianluca Ferrarini |
0:22 | |||
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1.12
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psalmus 112: laudate pueri
Claudio Monteverdi; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Gianluca Ferrarini; Luca Dordolo; Raffaele Giordani; Matteo Bellotto; Salvo Vitale; Concerto Italiano; Rinaldo Alessandrini |
7:00 | |||
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1.13
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motectus in loco antiphonae: cantate domino
Claudio Monteverdi; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Luca Dordolo; Raffaele Giordani; Salvo Vitale |
2:11 | |||
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1.14
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antiphona: sancte evangelista marce
Claudio Monteverdi; Gianluca Ferrarini |
0:34 | |||
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1.15
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psalmus 116: laudate dominum
Claudio Monteverdi; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Gianluca Ferrarini; Luca Dordolo; Raffaele Giordani; Matteo Bellotto; Salvo Vitale; Concerto Italiano; Rinaldo Alessandrini |
3:39 | |||
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1.16
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sonata in loco antiphonae: sonata a 6 per violino, cornetto, tre tromboni, et liuto tiorbato
Giovanni Battista Buonamente; Concerto Italiano; Rinaldo Alessandrini |
3:40 | |||
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1.17
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hymnus: athleta christi belliger
Claudio Monteverdi; Luca Dordolo; Raffaele Giordani; Salvo Vitale; Concerto Italiano; Rinaldo Alessandrini |
2:40 | |||
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1.18
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versus/responsorium: pulchra facie et alacri vultu/deprecare, pastor bone
Claudio Monteverdi; Gianluca Ferrarini; Raffaele Giordani; Matteo Bellotto; Concerto Italiano; Rinaldo Alessandrini |
2:42 | |||
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1.19
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antiphona: post angelicam allocutionem
Claudio Monteverdi; Gianluca Ferrarini; Concerto Italiano |
1:26 | |||
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1.20
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Magnificat I (completed by R. Alessandrini)
Claudio Monteverdi; Rinaldo Alessandrini; Monica Piccinini; Anna Simboli; Andrea Arrivabene; Gianluca Ferrarini; Luca Dordolo; Raffaele Giordani; Matteo Bellotto; Salvo Vitale; Concerto Italiano; Rinaldo Alessandrini |
15:54 | |||
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Digital Booklet
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"The cornetti and trombones sound majestic, but it is the clarity, tonal purity and vivid diction of the vocal soloists and ensemble that make this a triumph.”
- The Sunday Times
"By some marvellous trick of musical alchemy, Rinaldo Alessandrini and Concerto Italiano conjure up an account of Monteverdi’s Vespers that presents this familiar work as if it were a completely new discovery. The freshness of their performance goes beyond considerations of scholarship and authenticity to reach the essential, life-enhancing spirit of the music, which here calls out to the listener with evangelical force."
- Classic FM
Unanimously recognized as one of the leading interpreters of Monteverdi, Rinaldo Alessandrini's recordings have become standard references. In celebration of the 30th anniversary of his orchestra Concerto Italiano, Rinaldo returns to his preferred composer creating, in the magnificent Basilica of Mantova, an imaginative Vespers service for San Marco assembled from various parts of the Selva Morale. This album spent three weeks on the UK classical charts upon its release in the summer of 2014.
44.1 kHz / 24-bit PCM – Naive Studio Masters
Recording Producer, editing & mastering: Jean-Pierre Loisil Balance engineer: Laure casenave-péré Recorded in December 2013 at the Basilica Santa Barbara, Mantua (Italy) Recording system (Kali Son) Microphones: Neumann M 149 & TLM 170, DPA 4052, Schoeps MK21, MK4V, MK4 Preamplifiers & converters: DAD AX24, Horus Audio converter Editing system: Pyramix Article and sung texts translated by Michel chasteau (French), Charles Johnston (English) Cover photo: Vittore carpaccio (1460-1525), Lion of St Mark’s, 1516, Venice, Palazzo ducale © Luisa ricciarini/Leemage Inside photo: Rinaldo alessandrini © Éric larrayadieu
Recording Producer, editing & mastering: Jean-Pierre Loisil Balance engineer: Laure casenave-péré Recorded in December 2013 at the Basilica Santa Barbara, Mantua (Italy) Recording system (Kali Son) Microphones: Neumann M 149 & TLM 170, DPA 4052, Schoeps MK21, MK4V, MK4 Preamplifiers & converters: DAD AX24, Horus Audio converter Editing system: Pyramix Article and sung texts translated by Michel chasteau (French), Charles Johnston (English) Cover photo: Vittore carpaccio (1460-1525), Lion of St Mark’s, 1516, Venice, Palazzo ducale © Luisa ricciarini/Leemage Inside photo: Rinaldo alessandrini © Éric larrayadieu
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -9.78 -25.25 to -0.32 | -29.91 -43.52 to -18.43 | -26.65 -41.60 to -14.70 | 12 8 to 14 | |
| 1 | responsorium: deus in adiutorium meum intende | -0.32 | -18.43 | -14.7 | 11 |
| 2 | antiphona: egregius christi petrus apostolus | -20.27 | -39.63 | -37.2 | 12 |
| 3 | psalmus 109: dixit dominus | -0.62 | -22.79 | -18.6 | 13 |
| 4 | sonata in loco antiphonae: canzon ottava a 8 | -4.24 | -24.86 | -21.7 | 13 |
| 5 | antiphona: doctrinam apostolicam evangeliste marco committens | -18.59 | -38.58 | -34.8 | 12 |
| 6 | psalmus 110: confitebor tibi domine | -5.68 | -25.32 | -22.1 | 12 |
| 7 | motectus in loco antiphonae: christe adoramus te | -2.16 | -23.31 | -20.1 | 11 |
| 8 | antiphona: ad hec disponente dei gratia | -17.10 | -37.94 | -34.1 | 11 |
| 9 | psalmus 111: beatus vir | -4.19 | -26.54 | -23.5 | 14 |
| 10 | sonata in loco antiphonae: sonata a 8 | -5.00 | -25.38 | -22.3 | 12 |
| 11 | antiphona: beate sancte marce | -22.78 | -42.96 | -40.6 | 8 |
| 12 | psalmus 112: laudate pueri | -5.31 | -27.42 | -24.0 | 14 |
| 13 | motectus in loco antiphonae: cantate domino | -5.54 | -22.86 | -19.7 | 12 |
| 14 | antiphona: sancte evangelista marce | -25.25 | -43.52 | -41.6 | 11 |
| 15 | psalmus 116: laudate dominum | -6.38 | -25.76 | -21.6 | 11 |
| 16 | sonata in loco antiphonae: sonata a 6 per violino, cornetto, tre tromboni, et liuto tiorbato | -8.84 | -28.11 | -25.1 | 12 |
| 17 | hymnus: athleta christi belliger | -10.71 | -29.30 | -26.1 | 13 |
| 18 | versus/responsorium: pulchra facie et alacri vultu/deprecare, pastor bone | -14.34 | -35.24 | -32.0 | 12 |
| 19 | antiphona: post angelicam allocutionem | -15.96 | -37.69 | -34.7 | 14 |
| 20 | Magnificat I (completed by R. Alessandrini) | -2.28 | -22.50 | -18.5 | 13 |