℗ 2008 Songlines Recordings
| Released | December 1, 2015 |
| Duration | 57m 19s |
| Record Label | Songlines Recordings |
| Catalogue No. | SGL SA1571-2 |
| Genre | Jazz |
One Dance Alone
Wayne Horvitz Gravitas Quartet
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
July II
Wayne Horvitz Gravitas Quartet |
6:10 | |||
|
1.2
|
A Walk in the Rain
Wayne Horvitz Gravitas Quartet |
6:21 | |||
|
1.3
|
July III
Wayne Horvitz Gravitas Quartet |
4:44 | |||
|
1.4
|
A Fond Farewell
Wayne Horvitz Gravitas Quartet |
4:20 | |||
|
1.5
|
July I
Wayne Horvitz Gravitas Quartet |
4:42 | |||
|
1.6
|
To Say Your Name
Wayne Horvitz Gravitas Quartet |
7:16 | |||
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1.7
|
Waltz from Woman of Tokyo
Wayne Horvitz Gravitas Quartet |
5:52 | |||
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1.8
|
One Dance Alone
Wayne Horvitz Gravitas Quartet |
2:54 | |||
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1.9
|
Good Shepherd
Wayne Horvitz Gravitas Quartet |
7:39 | |||
|
1.10
|
We Never Met
Wayne Horvitz Gravitas Quartet |
3:10 | |||
|
1.11
|
Undecided
Wayne Horvitz Gravitas Quartet |
4:11 |
"... an adventurous statement from a leading pianist and composer in the alternative jazz area ... shows how a seemingly classically-oriented chamber ensemble can blend in jazz and blues elements of creative improvisation and come up with new expressive possibilities ..."
- Audiophile Audition
"... proves the quartet is as capable of expressing the subtle joys of a simple melody as it is navigating the intricate counterpoint and dramatic shifts in mood of the title track. Like a rainy day punctuated by clear skies and brief rays of sunshine, One Dance Alone presents Horvitz's contemplative writing in a unique instrumental context."
- All About Jazz
Bringing together four uniquely defined voices of new music, jazz and improvised composition, Wayne Horvitz's Gravitas Quartet explores the depths of texture, sonority, rhythm and ensemble fluidity available to masters with a broad palette. Some of the compositions on this 2008 release sound like classical chamber music, but improvisation plays a major role and there’s a lot of synergy in the way the music comes together. Horvitz's piano runs, motifs and clusters suggest links to impressionism and occasionally to atonality.
88.2 kHz / 24-bit PCM – Songlines Recordings Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.42 -5.74 to -0.31 | -24.83 -28.01 to -21.37 | -21.66 -24.70 to -18.30 | 13 12 to 17 | |
| 1 | July II | -1.29 | -23.71 | -20.3 | 13 |
| 2 | A Walk in the Rain | -1.74 | -22.82 | -20.0 | 14 |
| 3 | July III | -0.88 | -28.01 | -24.7 | 17 |
| 4 | A Fond Farewell | -0.79 | -24.05 | -20.5 | 13 |
| 5 | July I | -0.31 | -21.37 | -18.3 | 13 |
| 6 | To Say Your Name | -0.79 | -27.28 | -23.8 | 14 |
| 7 | Waltz from Woman of Tokyo | -5.72 | -26.38 | -23.6 | 12 |
| 8 | One Dance Alone | -4.23 | -24.19 | -21.1 | 12 |
| 9 | Good Shepherd | -5.74 | -26.18 | -22.9 | 12 |
| 10 | We Never Met | -2.03 | -24.93 | -22.1 | 12 |
| 11 | Undecided | -3.08 | -24.24 | -21.0 | 13 |