℗ 2024 Debay Sounds, under exclusive license to UMG Recordings
| Released | April 12, 2024 |
| Duration | 35m 53s |
| Record Label | Capitol Records |
| Genre | Alternative |
Don't Forget Me
Maggie Rogers
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
|
1.1
|
It Was Coming All Along
Maggie Rogers |
3:27 | |||
|
1.2
|
Drunk
Maggie Rogers |
3:25 | |||
|
1.3
|
So Sick Of Dreaming
Maggie Rogers |
3:52 | |||
|
1.4
|
The Kill
Maggie Rogers |
4:12 | |||
|
1.5
|
If Now Was Then
Maggie Rogers |
3:04 | |||
|
1.6
|
I Still Do
Maggie Rogers |
3:36 | |||
|
1.7
|
On & On & On
Maggie Rogers |
2:34 | |||
|
1.8
|
Never Going Home
Maggie Rogers |
3:31 | |||
|
1.9
|
All The Same
Maggie Rogers |
3:47 | |||
|
1.10
|
Don't Forget Me
Maggie Rogers |
4:25 |
Maggie Rogers celebrated the fifth anniversary of her bold debut album, Heard It In A Past Life, in 2023. Now, the Grammy-award nominated songwriter, producer, and performer has released her third studio album Don’t Forget Me via Capitol Records.
Rogers co-produced Don’t Forget Me with Ian Fitchuk (Kacey Musgraves, Maren Morris) at Electric Lady Studios in New York City, writing eight of its ten songs with him and penning two alone. Shawn Everett (Brittany Howard, The War on Drugs) mixed. The album was mastered by Emily Lazar (Beck, Coldplay), who has mastered all of Rogers’ albums to date.
“This record came quickly over the span of five days over the holiday break. One song after another. Two songs a day. Like water on the table. It all just came spilling out. I wanted to make an album that sounded like a Sunday afternoon. Worn in denim. A drive in your favorite car. No make up, but the right amount of lipstick. Something classic. The mohair throw and bottle of Whiskey in Joan Didion’s motel room. An old corvette. Vintage, but not overly Americana. I wanted to make an album to belt at full volume alone in your car, a trusted friend who could ride shotgun and be there when you needed her.”
- Maggie Rogers
96 kHz / 24-bit PCM – Capitol Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.20 -0.20 to -0.20 | -9.77 -14.66 to -7.65 | -7.65 -12.40 to -5.70 | 6 4 to 9 | |
| 1 | It Was Coming All Along | -0.20 | -8.49 | -6.5 | 5 |
| 2 | Drunk | -0.20 | -8.67 | -6.2 | 4 |
| 3 | So Sick Of Dreaming | -0.20 | -9.04 | -7.3 | 5 |
| 4 | The Kill | -0.20 | -7.65 | -5.7 | 4 |
| 5 | If Now Was Then | -0.20 | -8.74 | -6.9 | 5 |
| 6 | I Still Do | -0.20 | -13.66 | -11.2 | 8 |
| 7 | On & On & On | -0.20 | -8.71 | -6.8 | 5 |
| 8 | Never Going Home | -0.20 | -8.73 | -6.6 | 5 |
| 9 | All The Same | -0.20 | -14.66 | -12.4 | 9 |
| 10 | Don't Forget Me | -0.20 | -9.30 | -6.9 | 5 |