℗ 2015 Fuga Libera
| Released | March 31, 2015 |
| Duration | 56m 24s |
| Record Label | Fuga Libera |
| Catalogue No. | FUG722 |
| Genre | Classical (Instrumental) |
|
1.1
|
Improvisation No. 1
Boyan Vodenitcharov; Boyan Vodenitcharov |
4:57 | |||
|
1.2
|
Improvisation No. 2
Boyan Vodenitcharov; Boyan Vodenitcharov |
5:26 | |||
|
1.3
|
Quasi-raga…
Boyan Vodenitcharov; Boyan Vodenitcharov |
4:04 | |||
|
1.4
|
Improvisation No. 3
Boyan Vodenitcharov; Boyan Vodenitcharov |
4:03 | |||
|
1.5
|
Tune No. 1
Boyan Vodenitcharov; Boyan Vodenitcharov |
3:08 | |||
|
1.6
|
Etude rythmique No. 1
Boyan Vodenitcharov; Boyan Vodenitcharov |
7:08 | |||
|
1.7
|
Tune No. 2
Boyan Vodenitcharov; Boyan Vodenitcharov |
5:01 | |||
|
1.8
|
Etude rythmique No. 2
Boyan Vodenitcharov; Boyan Vodenitcharov |
3:10 | |||
|
1.9
|
Tune No. 3
Boyan Vodenitcharov; Boyan Vodenitcharov |
4:13 | |||
|
1.10
|
Rock-rag-mash…
Boyan Vodenitcharov; Boyan Vodenitcharov |
2:03 | |||
|
1.11
|
Tune No. 4
Boyan Vodenitcharov; Boyan Vodenitcharov |
5:08 | |||
|
1.12
|
Etude rythmique No. 3
Boyan Vodenitcharov; Boyan Vodenitcharov |
5:44 | |||
|
1.13
|
Improvisation No. 4
Boyan Vodenitcharov; Boyan Vodenitcharov |
2:19 | |||
|
Digital Booklet
|
"What possible motive can a classical musician today have for sitting and improvising when the very word 'improvisation' has practically become an insult for a large part of the classical music world? Well, his aim would certainly not be to insult anyone whomsoever, even though those among us who feel irritated, intimidated, bothered, scandalized, or indignant at the close presence of improvised music might, in that case, benefit from a little insult …"
- Boyan Vodenitcharov
With this digital-only release, Bulgarian pianist Boyan Vodenitcharov reintroduces improvisation as a musical act in the strict framework of classical music, helping to overlook cultural prejudices and remind us of its primary aim: music. Unjustly excluded from the classical music sphere for more than a century, improvisation has, however, been at the centre of the compositional process for a very long time.
44.1 kHz / 24-bit PCM – Fuga Libera Studio Masters
Recording, Mixing, Mastering Engineer: Yannick Willox (Acousting Recording Service) Recording: Brussels, Royal Conservatory, Concert Hall — 6-7 décembre 2008 Liner Notes : Boyan Vodenitcharov English proofreading : Winnie Smith Cover/inside illustra- tion: Luc Deleu Original plans for the construction of Conservatory headquarters, ca. 1872 Design : Mpointproduction Producer : Kristin Van den Buys Research co-ordinator Konin- klijk Conservatorium Brussel Executive Producer & French proofreading: Aliénor Mahy
Recording, Mixing, Mastering Engineer: Yannick Willox (Acousting Recording Service) Recording: Brussels, Royal Conservatory, Concert Hall — 6-7 décembre 2008 Liner Notes : Boyan Vodenitcharov English proofreading : Winnie Smith Cover/inside illustra- tion: Luc Deleu Original plans for the construction of Conservatory headquarters, ca. 1872 Design : Mpointproduction Producer : Kristin Van den Buys Research co-ordinator Konin- klijk Conservatorium Brussel Executive Producer & French proofreading: Aliénor Mahy
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.03 -7.95 to -0.02 | -23.02 -30.75 to -18.55 | -19.32 -26.40 to -15.30 | 13 12 to 16 | |
| 1 | Improvisation No. 1 | -2.29 | -24.28 | -20.4 | 13 |
| 2 | Improvisation No. 2 | -1.05 | -21.49 | -18.3 | 13 |
| 3 | Quasi-raga… | -0.02 | -20.47 | -17.2 | 12 |
| 4 | Improvisation No. 3 | -0.92 | -26.64 | -20.9 | 16 |
| 5 | Tune No. 1 | -4.18 | -26.93 | -22.1 | 15 |
| 6 | Etude rythmique No. 1 | -0.02 | -18.67 | -15.9 | 13 |
| 7 | Tune No. 2 | -2.18 | -27.30 | -22.6 | 15 |
| 8 | Etude rythmique No. 2 | -0.02 | -18.55 | -15.3 | 12 |
| 9 | Tune No. 3 | -3.61 | -23.30 | -20.2 | 12 |
| 10 | Rock-rag-mash… | -0.20 | -18.88 | -16.1 | 14 |
| 11 | Tune No. 4 | -2.28 | -22.45 | -18.8 | 12 |
| 12 | Etude rythmique No. 3 | -1.73 | -19.54 | -16.9 | 12 |
| 13 | Improvisation No. 4 | -7.95 | -30.75 | -26.4 | 13 |