℗ 2005 PentaTone
 

W. A. Mozart: Violin Concertos Nos. 3 & 4, Adagio K. 261, Rondo K. 269

Julia Fischer, Netherlands Chamber Orchestra, Yakov Kreizberg

Available in 96 kHz / 24-bit AIFF, FLAC and 2.8224 MHz DSD / DSF high-resolution audio formats

  • Select Format
    • AIFF 96.0 kHz | 24-bit
    • FLAC 96.0 kHz | 24-bit
    • DSF 2.8224 MHz DSD
Add to cart
discounted price
 
Violin Concerto No. 3 in G Major, K. 216  
1
I. Allegro (Candenza: Julia Fischer)
Wolfgang Amadeus Mozart; Julia Fischer; Netherlands Chamber Orchestra; Yakov Kreizberg
9:05
2
II. Adagio (Cadenza: Yakov Kreizberg)
Wolfgang Amadeus Mozart; Julia Fischer; Netherlands Chamber Orchestra; Yakov Kreizberg
8:21
3
III. Rondeau. Allegro - Andante - Allegretto - Allegro (Candenzas: Sam Franko, Julia Fischer)
Wolfgang Amadeus Mozart; Julia Fischer; Netherlands Chamber Orchestra; Yakov Kreizberg
6:11
Violin Concerto No. 4 in D Major, K. 218  
4
I. Allegro (Candenza: Julia Fischer)
Wolfgang Amadeus Mozart; Julia Fischer; Netherlands Chamber Orchestra; Yakov Kreizberg
8:31
5
II. Andante cantabile (Cadenza: Julia Fischer)
Wolfgang Amadeus Mozart; Julia Fischer; Netherlands Chamber Orchestra; Yakov Kreizberg
7:08
6
III. Rondeau. Andante grazioso (Candenza: Joseph Joachim)
Wolfgang Amadeus Mozart; Julia Fischer; Netherlands Chamber Orchestra; Yakov Kreizberg
6:50
7
Adagio for Violin and Orchestra in E Major, K. 261 (Cadenza: Julia Fischer)
Wolfgang Amadeus Mozart; Julia Fischer; Netherlands Chamber Orchestra; Yakov Kreizberg
7:55
8
Rondo for Violin and Orchestra in B-Flat Major, K. 269 (Cadenza: Julia Fischer)
Wolfgang Amadeus Mozart; Julia Fischer; Netherlands Chamber Orchestra; Yakov Kreizberg
6:23
Digital Booklet
Total Playing Time    60:24
"Julia Fischer shows real poise and elegance in Mozart violin concertos ..."
- BBC Music Magazine

"... full of disciplined subtlety and astonishing interpretative maturity ... the traditional style performance lacking nothing in warmth. The relaxed, cantabile style of her playing in the final movement serves the dancelike nature of Mozart's music."
- Gramophone

"Clarity fuses with warmth ... the finale is etched with a certain smiling swagger and Fischer ensures that tonal shading is always musically deployed. It’s a most enjoyable reading ... I was particularly taken by the warm and supportive cushion Kreizberg provides in the Adagio.
- MusicWeb International

Violinist Julia Fischer, her frequent conductor collaborator Yakov Kreizberg and the Netherlands Chamber Orchestra come together for this recording of two of Mozart's earliest violin concertos. The programme is rounded out with Mozart's Adagio and Rondo, both for violin and orchestra. Fischer, in her early twenties when this album was recorded, was only slightly older than Mozart was when he composed these two concertos.
96 kHz / 24-bit PCM and 2.8224 MHz DSD – PentaTone Studio Masters

Recording facility: Polyhymnia International BV
Microphones: Neumann Neumann KM 130, Schoeps MK 25, DPA 4006, with Polyhymnia microphone buffer electronics.
Microphone pre-amps: Custom build by Polyhymnia International BV and outputs directly connected to Meitner DSD AD converter.
DSD recording, editing and mixing: Pyramix Virtual Studio by Merging Technologies
Monitored on B&W Nautilus loudspeakers.
Microphone, interconnect and loudspeaker cables by van den Hul.

For Your Consideration | More ▸

Anders Jormin: Between Always and Never Anders Jormin; Lena Willemark; Jönköping Sinfonietta; Jönköping Chamber Choir; Fredrik Burstedt
88.2
Silence On Joue: Take 2 Angèle Dubeau & La Pietà
96
Bartók: Bluebeard's Castle (Opera in One Act) Andrea Meláth; Gustáv Beláček; Bournemouth Symphony Orchestra; Marin Alsop
44.1
String Quartet: An AIDS Activist's Memoir in Music Acacia Quartet
88.2
Honegger & Ibert: L'Aiglon (Live In Montreal / 2015) Anne-Catherine Gillet; Marc Barrard; Étienne Dupuis; Philippe Sly; Hélène Guilmette; Marie-Nicole Lemieux; Orchestre Symphonique de Montréal; Kent Nagano
96
Fata Morgana: Song by Pavel Haas Anita Watson; Anna Starushkevych; Nicky Spence; James Platt; Lada Valešová; Navarra Quartet
96
Piano Music of Cuba Alexandre Moutouzkine
96192
13 Valses Aldo Ciccolini
96
Bach Privat Andreas Staier; Georg Nigl; Roel Dieltiens; Anna Lucia Richter; Petra Müllejans
96
Pascal Dusapin: Item Arne Deforce; Benjamin Dieltjens
44.1
Rachmaninov - Chopin: Cello Sonatas Alisa Weilerstein; Inon Barnatan
96
Daniel Purcell: The Judgment of Paris Anna Dennis; Amy Freston; Ciara Hendrick; Samuel Boden; Ashley Riches; Spiritato; Julian Perkins
96
Mozart: The Violin Concertos - Sinfonia Concertante Anne-Sophie Mutter; London Philharmonic Orchestra
96
Leoš Janáček: Mša glagolskaja (Glagolitic Mass) - Taras Bulba (Rhapsody for Orchestra) Aga Mikolaj; Iris Vermillion; Stuart Neill; Arutjun Kotchinian; Rundfunkchor Berlin; Rundfunk-Sinfonieorchester Berlin; Marek Janowski
96dsd 2.8
Lieder by Wolf and Brahms Alastair Miles; Marie-Nöelle Kendall
44.1

Offers & New Releases

exclusive benefits for mailing list members

Subscribe Now

What is High-Resolution Audio?

High-resolution audio offers the highest-fidelity available, far surpassing the sound quality of traditional CDs. When you listen to music on a CD or tracks purchased via consumer services such as iTunes, you are hearing a low-resolution version of what was actually recorded and mastered in the studio. ProStudioMasters offers the original studio masters — exactly as the artist, producers and sound engineers mastered them — for download, directly to you.

What do I need for playback?

You may need additional software / hardware to take full advantage of the higher 24-bit high-res audio formats, but any music lover that has heard 16-bit vs 24-bit will tell you it's worth it!

Software for Mac OS X

Software for Windows

Hardware Suggestions