℗ 2013 Alpha Classics / Outhere Music
| Released | June 25, 2013 |
| Duration | 1h 05m 59s |
| Record Label | Alpha |
| Catalogue No. | ALPHA190 |
| Genre | Classical (Concertos) |
Antonio Vivaldi: Concerti per l'Orchestra di Dresda
Les Ambassadeurs, Alexis Kossenko
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Concerto for Violin, 2 Oboes, Bassoon and 2 Horns in F Major, RV 569
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1.1
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I. Allegro
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
4:45 | |||
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1.2
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II. Grave
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
2:33 | |||
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1.3
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III. Allegro
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
4:54 | |||
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Concerto in F Major, RV 568
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1.4
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I. Allegro assai
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
4:27 | |||
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1.5
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II. Grave
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
4:45 | |||
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1.6
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III. Allegro assai
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
4:05 | |||
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Concerto Grosso in D Major, RV 562, "Concerto per la solennita di S Lorenzo"
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1.7
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I. Allegro
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
5:19 | |||
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1.8
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II. Grave
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
3:51 | |||
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1.9
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III. Allegro
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
7:25 | |||
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Concerto Grosso in F Major, RV 571
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1.10
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I. Allegro
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
4:08 | |||
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1.11
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II. Largo
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
2:27 | |||
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1.12
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III. Allegro
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
3:26 | |||
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Concerto grosso in F Major, RV 574
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1.13
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I. Allegro
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
4:18 | |||
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1.14
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II. Grave
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
3:38 | |||
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1.15
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III. Allegro
Antonio Vivaldi; Zefira Valova; Anna Starr; Markus Muller; Anneke Scott; Joseph Walters; Les Ambassadeurs; Alexis Kossenko |
4:02 | |||
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Concerto in F Major, RV 568
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1.16
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II. Grave
Antonio Vivaldi; Anna Starr; Markus Muller; Allan Rasmussen |
1:56 | |||
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Digital Booklet
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"The performances by Les Ambassadeurs are admirable. The players show impressive technical skills. The players of the natural horns deserve special mention as they greatly contribute to this highly compelling recording. The character of the repertoire, the standard of the performances fully merit Recording of the Month."
- MusicWeb International
Les Ambassadeurs launch a series of albums devoted to the repertory of the Dresdner Hofkapelle at the time of Bach, with the aim of rediscovering the splendid sound of an ensemble considered the finest orchestra in the world in its time. On this recording, Les Ambassadeurs pursue a mission of rediscovery: they bring back to life these still-asleep masterpieces, showcasing a true and deep understanding of what musical philosophy brought the Dresden Hofkapelle to the highest level of execution. Although the concertos assembled here by Les Ambassadeurs bear no explicit dedication, there can be little doubt that they were expressly written for the Dresden orchestra: they feature the instrumentation typical of the court Kapelle, with its horns and oboes vying for prominence with the violin.
44.1 kHz / 24-bit PCM – Alpha Studio Masters
Enregistré du 7 au 9 juillet 2012 au Studio Lutoslawski de la Radio, Varsovie (Pologne) Prise de son, direction artistique, montage & mastering : Aline Blondiau Direction de production & photos : Julien Dubois Editions : Pauline Pujol Graphisme : Sarah Lazarevic Textes du livret : Alexis Kossenko Traductions : John Tyler Tuttle Illustrations : Digipack : Naufrage dans la tempête près d’une côte rocheuse. Huile sur toile, milieu 17e siècle de Pieter Mulier II le Jeune (ou Pietro Mulieribus ou Pietro Cavaliere Tempesta) (1637-1701) © National Maritime Museum, Greenwich/Leemage Page 14 : Johann Adolf Hasse : Licenza Manuscrit Mus.2477-F-73, Sächsische Landesbibliothek Staats - und Universitätsbibliothek Dresden Page 29 : Antonio Vivaldi : Concerto en do mineur RV 202 Manuscrit Mus.2389-O-122, Sächsische Landesbibliothek Staats - und Universitätsbibliothek Dresden
Enregistré du 7 au 9 juillet 2012 au Studio Lutoslawski de la Radio, Varsovie (Pologne) Prise de son, direction artistique, montage & mastering : Aline Blondiau Direction de production & photos : Julien Dubois Editions : Pauline Pujol Graphisme : Sarah Lazarevic Textes du livret : Alexis Kossenko Traductions : John Tyler Tuttle Illustrations : Digipack : Naufrage dans la tempête près d’une côte rocheuse. Huile sur toile, milieu 17e siècle de Pieter Mulier II le Jeune (ou Pietro Mulieribus ou Pietro Cavaliere Tempesta) (1637-1701) © National Maritime Museum, Greenwich/Leemage Page 14 : Johann Adolf Hasse : Licenza Manuscrit Mus.2477-F-73, Sächsische Landesbibliothek Staats - und Universitätsbibliothek Dresden Page 29 : Antonio Vivaldi : Concerto en do mineur RV 202 Manuscrit Mus.2389-O-122, Sächsische Landesbibliothek Staats - und Universitätsbibliothek Dresden
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.14 -10.66 to 0.00 | -23.31 -31.68 to -19.99 | -19.86 -27.50 to -16.90 | 12 11 to 15 | |
| 1 | I. Allegro | 0.00 | -20.39 | -17.0 | 13 |
| 2 | II. Grave | -5.81 | -26.41 | -22.4 | 11 |
| 3 | III. Allegro | -2.52 | -22.46 | -19.4 | 13 |
| 4 | I. Allegro assai | -2.56 | -20.30 | -17.4 | 11 |
| 5 | II. Grave | -4.88 | -27.33 | -23.3 | 13 |
| 6 | III. Allegro assai | -1.70 | -21.48 | -18.3 | 13 |
| 7 | I. Allegro | -1.61 | -21.51 | -18.0 | 12 |
| 8 | II. Grave | -8.77 | -29.18 | -25.0 | 12 |
| 9 | III. Allegro | -0.09 | -23.98 | -20.2 | 15 |
| 10 | I. Allegro | -0.13 | -19.99 | -16.9 | 12 |
| 11 | II. Largo | -10.66 | -31.68 | -27.5 | 13 |
| 12 | III. Allegro | -1.54 | -20.54 | -17.6 | 12 |
| 13 | I. Allegro | -0.22 | -20.56 | -17.5 | 14 |
| 14 | II. Grave | -2.80 | -22.27 | -18.4 | 11 |
| 15 | III. Allegro | -0.81 | -21.57 | -18.5 | 13 |
| 16 | II. Grave | -6.21 | -23.32 | -20.3 | 11 |