℗ 2015 PHI
| Released | April 28, 2015 |
| Duration | 1h 33m 14s |
| Record Label | PHI |
| Catalogue No. | LPH016 |
| Genre | Classical (Choral - Sacred) |
Antonín Dvořák: Requiem, Op. 89, B. 165
Ilse Eerens, Bernarda Fink, Maximilian Schmitt, Nathan Berg, Collegium Vocale Gent, Royal Flemish Philharmonic, Philippe Herreweghe
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Requiem, Op. 89, B. 165
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1.1
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Requiem aeternam (Vocal Quartet, Chorus)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
10:44 | |||
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1.2
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Graduale (Soprano, Chorus)
Antonín Dvořák; Ilse Eerens; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
4:38 | |||
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1.3
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Dies irae (Chorus)
Antonín Dvořák; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
2:28 | |||
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1.4
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Tuba mirum (Alto, Tenor, Bass, Chorus)
Antonín Dvořák; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
8:35 | |||
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1.5
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Quid sum miser (Vocal Quartet, Chorus)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
6:02 | |||
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1.6
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Recordare, Jesu pie (Vocal Quartet)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Philippe Herreweghe; Royal Flemish Philharmonic |
7:03 | |||
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1.7
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Confutatis maledictis (Chorus)
Antonín Dvořák; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
4:42 | |||
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1.8
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Lacrimosa (Vocal Quartet, Chorus)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
6:33 | |||
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2.1
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Offertorium (Vocal Quartet, Chorus)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
10:52 | |||
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2.2
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Hostias (Vocal Quartet, Chorus)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
10:13 | |||
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2.3
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Sanctus (Vocal Quartet, Chorus)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
5:54 | |||
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2.4
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Pie Jesu (Soprano, Alto, Tenor, Chorus)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
4:19 | |||
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2.5
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Agnus Dei (Vocal Quartet, Chorus)
Antonín Dvořák; Ilse Eerens; Bernarda Fink; Maximilian Schmitt; Nathan Berg; Collegium Vocale Gent; Philippe Herreweghe; Royal Flemish Philharmonic |
11:11 | |||
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Digital Booklet
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The Collegium Vocale Gent, the Royal Flemish Philharmonic and Philippe Herreweghe join forces once again on this performance of Antonín Dvorák’s Requiem, a monument of the sacred choral repertoire that marked a new phase in the composer’s musical creation. Conductor Herreweghe draws an interpretation as dense and concentrated as the writing of this masterpiece requires.
96 kHz / 24-bit PCM – PHI Studio Masters
Recording: April 28-30, 2014, deSingel, Antwerp Sound Engineer: Markus Heiland (Tritonus) Editing: Markus Heiland & Andreas Neubronner (Tritonus) Recording Producer, Mastering: Andreas Neubronner (Tritonus) Liner Notes: Tom Janssens Cover picture: photo Michel Dubois (Courtesy Dubois Friedland) Photographs Philippe Herreweghe: Michiel Hendryckx Design: Casier/Fieuws Executive Producer: Aliénor Mahy
Recording: April 28-30, 2014, deSingel, Antwerp Sound Engineer: Markus Heiland (Tritonus) Editing: Markus Heiland & Andreas Neubronner (Tritonus) Recording Producer, Mastering: Andreas Neubronner (Tritonus) Liner Notes: Tom Janssens Cover picture: photo Michel Dubois (Courtesy Dubois Friedland) Photographs Philippe Herreweghe: Michiel Hendryckx Design: Casier/Fieuws Executive Producer: Aliénor Mahy
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.92 -13.34 to -0.10 | -25.33 -36.51 to -17.83 | -19.92 -33.00 to -14.20 | 14 11 to 17 | |
| 1.1 | Requiem aeternam (Vocal Quartet, Chorus) | -0.26 | -24.44 | -18.3 | 15 |
| 1.2 | Graduale (Soprano, Chorus) | -5.05 | -32.16 | -27.1 | 15 |
| 1.3 | Dies irae (Chorus) | -0.26 | -17.83 | -14.2 | 11 |
| 1.4 | Tuba mirum (Alto, Tenor, Bass, Chorus) | -0.30 | -21.25 | -14.4 | 11 |
| 1.5 | Quid sum miser (Vocal Quartet, Chorus) | -2.04 | -29.07 | -23.2 | 17 |
| 1.6 | Recordare, Jesu pie (Vocal Quartet) | -2.76 | -28.65 | -23.9 | 16 |
| 1.7 | Confutatis maledictis (Chorus) | -0.10 | -25.08 | -19.0 | 15 |
| 1.8 | Lacrimosa (Vocal Quartet, Chorus) | -0.10 | -23.87 | -17.4 | 14 |
| 2.1 | Offertorium (Vocal Quartet, Chorus) | -0.26 | -22.23 | -17.2 | 13 |
| 2.2 | Hostias (Vocal Quartet, Chorus) | -0.10 | -22.70 | -16.8 | 13 |
| 2.3 | Sanctus (Vocal Quartet, Chorus) | -0.26 | -21.02 | -15.7 | 12 |
| 2.4 | Pie Jesu (Soprano, Alto, Tenor, Chorus) | -13.34 | -36.51 | -33.0 | 14 |
| 2.5 | Agnus Dei (Vocal Quartet, Chorus) | -0.10 | -24.49 | -18.7 | 15 |