℗ 2014 ACT Music and Vision
Released | September 1, 2014 |
Duration | 55m 44s |
Record Label | ACT Music and Vision |
Catalogue No. | ACT9621-2 |
Genre | Jazz (Contemporary) |
Duo Art: New Folks
Philip Catherine, Martin Wind
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
1.1
|
Old Folks
Philip Catherine; Martin Wind |
5:04 | |||
1.2
|
Fried Bananas
Philip Catherine; Martin Wind |
4:21 | |||
1.3
|
Hello George (For G. Shearing)
Philip Catherine; Martin Wind |
3:54 | |||
1.4
|
Blues In The Closet
Philip Catherine; Martin Wind |
3:20 | |||
1.5
|
How deep is the ocean?
Philip Catherine; Martin Wind |
4:15 | |||
1.6
|
Jenny Wren
Philip Catherine; Martin Wind |
2:53 | |||
1.7
|
Song For D
Philip Catherine; Martin Wind |
6:07 | |||
1.8
|
Sublime
Philip Catherine; Martin Wind |
4:39 | |||
1.9
|
Pivoine
Philip Catherine; Martin Wind |
2:41 | |||
1.10
|
L'éternel désir
Philip Catherine; Martin Wind |
5:37 | |||
1.11
|
Standing at the Window Waving Goodbye
Philip Catherine; Martin Wind |
5:02 | |||
1.12
|
Toscane
Philip Catherine; Martin Wind |
2:52 | |||
1.13
|
Winter Moon
Philip Catherine; Martin Wind |
4:59 |
"They meld marvellously on a programme which mixes their own originals in with standards ... (they) sound like they have been playing together for decades ..."
- TheJazzBreakfast.com
"... another winner. Guitarist Philip Catherine and bassist Martin Wind form a duo so subtle of mood and texture and so compelling in their textural variety and song choices that their programme never relinquishes its quiet grip ... I’ve run out of superlatives ... their tones are rich and resonant, their interplay telepathic ... the recording is marvellously detailed. There’s nothing I didn’t like here."
- MusicWeb International
Belgian jazz guitar legend Philip Catherine and German bassist Martin Wind come from different generations but share a common love for melodic jazz with swing roots. On this album, the two musicians complement each other perfectly: Catherine’s playing is technically unique and never seems to stop revealing new lyrical guitar sounds, but it is not merely his technique and dexterity that set him apart. What makes him unique is his acoustic guitar sound and an improvisational style based not on other guitarists, but on some of the great horn players in jazz. Wind’s bass is always strong yet elegant and lush on this collection of standards and originals.
44.1 kHz / 24-bit PCM – ACT Music and Vision Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.23 -0.23 to -0.23 | -14.70 -17.01 to -12.87 | -12.81 -15.10 to -11.10 | 9 7 to 10 | |
1 | Old Folks | -0.23 | -15.16 | -13.3 | 9 |
2 | Fried Bananas | -0.23 | -12.87 | -11.1 | 7 |
3 | Hello George (For G. Shearing) | -0.23 | -14.04 | -12.5 | 8 |
4 | Blues In The Closet | -0.23 | -14.52 | -12.2 | 9 |
5 | How deep is the ocean? | -0.23 | -15.14 | -13.3 | 9 |
6 | Jenny Wren | -0.23 | -15.24 | -13.5 | 9 |
7 | Song For D | -0.23 | -14.27 | -12.5 | 8 |
8 | Sublime | -0.23 | -14.92 | -12.9 | 8 |
9 | Pivoine | -0.23 | -14.28 | -12.4 | 9 |
10 | L'éternel désir | -0.23 | -13.87 | -11.8 | 8 |
11 | Standing at the Window Waving Goodbye | -0.23 | -14.61 | -12.9 | 9 |
12 | Toscane | -0.23 | -17.01 | -15.1 | 10 |
13 | Winter Moon | -0.23 | -15.15 | -13.0 | 8 |