℗ 2013 Signum Records
Released September 2, 2013
Duration 4h 14m 29s
Record Label Signum Records
Catalogue No. SIGCD360
Genre Classical (Symphony)
 

Mahler: Symphonies Nos. 1-3

Philharmonia Orchestra, Lorin Maazel

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Symphony No. 1  
1.1
I. Langsam, schleppend - Wie ein Naturlaut
Gustav Mahler; Philharmonia Orchestra; Lorin Maazel
16:28
1.2
II. Kräftig bewegt, doch nicht zu schnell
Gustav Mahler; Philharmonia Orchestra; Lorin Maazel
8:26
1.3
III. Feierlich und gemessen, ohne zu schleppen
Gustav Mahler; Philharmonia Orchestra; Lorin Maazel
11:18
1.4
IV. Stürmisch bewegt
Gustav Mahler; Philharmonia Orchestra; Lorin Maazel
20:43
Symphony No. 2 'Resurrection'  
1.5
I. Allegro maestoso
Gustav Mahler; Philharmonia Orchestra; BBC Symphony Chorus; Sally Matthews; Michelle Deyoung; Lorin Maazel
25:00
1.6
II. Andante moderato. Sehr gemächlich
Gustav Mahler; Philharmonia Orchestra; BBC Symphony Chorus; Sally Matthews; Michelle Deyoung; Lorin Maazel
11:28
1.7
III. Scherzo. In ruhig fliessender Bewegung
Gustav Mahler; Philharmonia Orchestra; BBC Symphony Chorus; Sally Matthews; Michelle Deyoung; Lorin Maazel
12:13
1.8
IV. 'Urlicht'. Sehr feierlich, aber schlicht
Gustav Mahler; Philharmonia Orchestra; BBC Symphony Chorus; Sally Matthews; Michelle Deyoung; Lorin Maazel
5:23
1.9
V. Finale
Gustav Mahler; Philharmonia Orchestra; BBC Symphony Chorus; Sally Matthews; Michelle Deyoung; Lorin Maazel
37:23
Symphony No. 3, Part 1  
1.10
I. Kräftig. Entscheiden
Gustav Mahler; Philharmonia Orchestra; Tiffin Boys' Choir; Philharmonia Voices; Sarah Connolly; Lorin Maazel
37:43
Symphony No. 3, Part 2  
1.11
II. Tempo di Menuetto. Sehr mässig
Gustav Mahler; Philharmonia Orchestra; Tiffin Boys' Choir; Philharmonia Voices; Sarah Connolly; Lorin Maazel
11:32
1.12
III. Comodo. Scherzando. Ohne Hast
Gustav Mahler; Philharmonia Orchestra; Tiffin Boys' Choir; Philharmonia Voices; Sarah Connolly; Lorin Maazel
17:38
1.13
IV. Sehr langsam. Misterioso
Gustav Mahler; Philharmonia Orchestra; Tiffin Boys' Choir; Philharmonia Voices; Sarah Connolly; Lorin Maazel
9:09
1.14
V. Lustig im Tempo und keck in Ausdruck
Gustav Mahler; Philharmonia Orchestra; Tiffin Boys' Choir; Philharmonia Voices; Sarah Connolly; Lorin Maazel
4:15
1.15
VI. Langsam. Ruhevoll. Empfunden
Gustav Mahler; Philharmonia Orchestra; Tiffin Boys' Choir; Philharmonia Voices; Sarah Connolly; Lorin Maazel
25:50
Digital Booklet
"I marvelled not only at Maazel’s formidable interpretations but also at the sheer beauty of the orchestral playing and the excellent contributions from chorus and soloists ... Maazel displays his usual grasp of structure and the ability to build tension reminiscent of Toscanini at his best ... the monumental playing of the Philharmonia make for a cataclysmic finale which leaves one totally and magnificently drained." - ClassicalSource.com In 2011, conductor Lorin Maazel recorded the complete cycle of Mahler’s nine symphonies live with the Philharmonia Orchestra and a star-studded ensemble of performers; the nine symphonies to be divided among three box sets. Sadly, Maazel died before the third set would be released in 2015. This installment of the trilogy covers the first three symphonies, including the Symphony No. 3, Mahler's most expansive, with a massive first movement suggesting the awakening of spring, four contrasting middle movements and a slow-building finale. The Symphony No. 2, 'Resurrection' is scored for a vast orchestra, an offstage brass band, two solo singers and massed voices.
44.1 kHz / 24-bit PCM – Signum Records Studio Masters

Symphony No. 1: recorded at Southbank Centre’s Royal Festival Hall, London, 12 April 2011. Symphony No. 2, Resurrection : recorded at Southbank Centre’s Royal Festival Hall, London, 17 April 2011. Symphony No. 3: recorded at Southbank Centre’s Royal Festival Hall, London, 8 May 2011. Producer: Misha Donat Engineer: Jonathan Stokes, Classic Sound Ltd Design: With Relish (for the Philharmonia Orchestra) and Darren Rumney Cover image CLebrecht Music & Arts.
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-3.80
-15.64 to 0.00
-29.14
-38.52 to -22.18
-23.91
-35.20 to -15.30
16
13 to 19
1
I. Langsam, schleppend - Wie ein Naturlaut
-0.48-29.97-23.418
2
II. Kräftig bewegt, doch nicht zu schnell
-3.06-28.74-24.116
3
III. Feierlich und gemessen, ohne zu schleppen
-12.40-38.52-35.217
4
IV. Stürmisch bewegt
0.00-23.48-17.715
5
I. Allegro maestoso
0.00-25.37-19.016
6
II. Andante moderato. Sehr gemächlich
-6.08-33.03-27.217
7
III. Scherzo. In ruhig fliessender Bewegung
0.00-28.13-22.319
8
IV. 'Urlicht'. Sehr feierlich, aber schlicht
-15.64-38.03-34.413
9
V. Finale
0.00-22.99-16.014
10
I. Kräftig. Entscheiden
0.00-23.09-17.714
11
II. Tempo di Menuetto. Sehr mässig
-5.93-33.52-29.717
12
III. Comodo. Scherzando. Ohne Hast
0.00-27.80-21.718
13
IV. Sehr langsam. Misterioso
-10.43-36.30-32.416
14
V. Lustig im Tempo und keck in Ausdruck
-2.98-26.03-22.514
15
VI. Langsam. Ruhevoll. Empfunden
0.00-22.18-15.313

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