℗ 2015 Skarbo
| Released | September 4, 2015 |
| Duration | 1h 01m 54s |
| Record Label | Skarbo |
| Catalogue No. | DSK4158 |
| Genre | Classical (Chamber Music) |
Croquembouches
Joël Versavaud, Laura Caravello
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Elegie, Op. 24 (arr. by Gabriel Fauré)
Anonymous; Joël Versavaud; Laura Caravello |
6:41 | |||
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Tableaux de provence
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1.2
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I. Farandoulo di Chatouno
Paule Maurice; Joël Versavaud; Laura Caravello |
2:32 | |||
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1.3
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II. Cansoun per ma mio
Paule Maurice; Joël Versavaud; Laura Caravello |
1:24 | |||
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1.4
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III. La Boumiano
Paule Maurice; Joël Versavaud; Laura Caravello |
1:14 | |||
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1.5
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IV. Dis Alyscamps l'amo souspire
Paule Maurice; Joël Versavaud; Laura Caravello |
5:05 | |||
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1.6
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V. Lou Cabridan
Paule Maurice; Joël Versavaud; Laura Caravello |
3:47 | |||
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Croquembouches
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1.7
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VI. Plum pudding
Claude Delvincourt; Joël Versavaud; Laura Caravello |
1:30 | |||
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1.8
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VII. Puits d'amour
Claude Delvincourt; Joël Versavaud; Laura Caravello |
2:39 | |||
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1.9
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XI. Negre en chemise
Claude Delvincourt; Joël Versavaud; Laura Caravello |
2:02 | |||
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1.10
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II. Linzer tart
Claude Delvincourt; Joël Versavaud; Laura Caravello |
1:41 | |||
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1.11
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IV. Grenadine
Claude Delvincourt; Joël Versavaud; Laura Caravello |
2:59 | |||
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1.12
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III. Rahat Loukhoum
Claude Delvincourt; Joël Versavaud; Laura Caravello |
2:59 | |||
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Scaramouche, Op. 165b
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1.13
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I. Vif (arr. by Darius Milhaud)
Anonymous; Joël Versavaud; Laura Caravello |
3:07 | |||
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1.14
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II. Modere (arr. by Darius Milhaud)
Anonymous; Joël Versavaud; Laura Caravello |
3:54 | |||
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1.15
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III. Brazileira (arr. by Darius Milhaud)
Anonymous; Joël Versavaud; Laura Caravello |
2:26 | |||
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3 Songs, Op. 23
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1.16
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Les berceaux, No. 1 (arr. by Darius Milhaud)
Anonymous; Joël Versavaud; Laura Caravello |
2:35 | |||
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15 Etudes for Alto Saxophone & Piano, Op. 188
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1.17
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No. 1. Pour les traits rapides
Charles Koechlin; Joël Versavaud; Laura Caravello |
1:35 | |||
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1.18
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No. 2. Pour les sons lies et le charme de la sonorite
Charles Koechlin; Joël Versavaud; Laura Caravello |
3:45 | |||
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1.19
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No. 10. Pour la qualite du son dans un style soutenu et pour les nuances
Charles Koechlin; Joël Versavaud; Laura Caravello |
3:04 | |||
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1.20
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No. 3. Pour les arpeges
Charles Koechlin; Joël Versavaud; Laura Caravello |
2:00 | |||
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1.21
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Czardas (arr. by Vittorio Monti)
Anonymous; Joël Versavaud; Laura Caravello |
4:55 | |||
This recital by saxophonist Joël Versavaud and pianist Laura Caravello spotlights 20th century French music of different styles, ranging from the title piece Croquembouches, a "gastronomic" suite by Claude Delvincourt, to the Provençal folkloric cycle by Paule Maurice, the very classical pieces by Fauré and Charles Koechlin and the famous Scaramouche by Darius Milhaud with its Brazilian influences. Apart from the transcribed Fauré, the other works here were originally written for saxophone or arranged by the composers themselves.
44.1 kHz / 24-bit PCM – Skarbo Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.40 -2.79 to -0.14 | -17.60 -20.81 to -15.03 | -14.38 -17.60 to -12.20 | 10 8 to 12 | |
| 1 | Elegie, Op. 24 (arr. by Gabriel Fauré) | -0.14 | -17.10 | -13.5 | 9 |
| 2 | I. Farandoulo di Chatouno | -0.14 | -16.13 | -13.3 | 10 |
| 3 | II. Cansoun per ma mio | -2.79 | -19.82 | -15.9 | 9 |
| 4 | III. La Boumiano | -0.14 | -15.03 | -12.2 | 10 |
| 5 | IV. Dis Alyscamps l'amo souspire | -0.14 | -18.43 | -15.0 | 10 |
| 6 | V. Lou Cabridan | -0.14 | -16.09 | -13.0 | 10 |
| 7 | VI. Plum pudding | -0.14 | -17.56 | -14.2 | 11 |
| 8 | VII. Puits d'amour | -0.14 | -17.91 | -14.6 | 10 |
| 9 | XI. Negre en chemise | -0.14 | -16.08 | -13.0 | 10 |
| 10 | II. Linzer tart | -0.14 | -16.57 | -13.4 | 10 |
| 11 | IV. Grenadine | -0.14 | -18.90 | -15.4 | 11 |
| 12 | III. Rahat Loukhoum | -0.21 | -19.59 | -15.9 | 12 |
| 13 | I. Vif (arr. by Darius Milhaud) | -0.14 | -15.65 | -12.9 | 10 |
| 14 | II. Modere (arr. by Darius Milhaud) | -0.91 | -19.82 | -16.8 | 11 |
| 15 | III. Brazileira (arr. by Darius Milhaud) | -0.14 | -15.37 | -12.4 | 10 |
| 16 | Les berceaux, No. 1 (arr. by Darius Milhaud) | -0.14 | -17.24 | -13.7 | 8 |
| 17 | No. 1. Pour les traits rapides | -0.14 | -17.16 | -14.1 | 10 |
| 18 | No. 2. Pour les sons lies et le charme de la sonorite | -0.84 | -18.99 | -16.0 | 11 |
| 19 | No. 10. Pour la qualite du son dans un style soutenu et pour les nuances | -1.31 | -20.81 | -17.6 | 11 |
| 20 | No. 3. Pour les arpeges | -0.14 | -17.47 | -14.2 | 10 |
| 21 | Czardas (arr. by Vittorio Monti) | -0.14 | -17.79 | -14.8 | 11 |