℗ 2015 Genuin
| Released | September 4, 2015 |
| Duration | 1h 10m 19s |
| Record Label | Genuin |
| Catalogue No. | GEN15352 |
| Genre | Classical (Instrumental) |
En sol: Musique pour le Roi-Soleil: Works by Jean-Henri d'Anglebert, Louis Couperin, François Couperin, Gaspard Le Roux, Élisabeth-Claude Jacquet de La Guerre & Joseph Nicolas Pancrace Royer
Rebecca Maurer
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Pièces de clavecin, 1689
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1.1
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Prélude in g-Moll
Jean Henri d'Anglebert; Rebecca Maurer |
1:50 | |||
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1.2
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Air d’Apollon du Triomphe de l’Amour (arr. by J.H. d'Anglebert)
Jean-Baptiste Lully; Rebecca Maurer |
3:37 | |||
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L'art de toucher le clavecin, 1716
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1.3
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Troisième Prélude
François Couperin; Rebecca Maurer |
0:58 | |||
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Premier Livre de Pièces de clavecin, Premier ordre, 1713
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1.4
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Allemande l'Auguste
François Couperin; Rebecca Maurer |
3:27 | |||
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1.5
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Première Courante
François Couperin; Rebecca Maurer |
1:34 | |||
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1.6
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Seconde Courante
François Couperin; Rebecca Maurer |
2:11 | |||
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1.7
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Sarabande la Majestueuse
François Couperin; Rebecca Maurer |
2:54 | |||
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1.8
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Gavotte
François Couperin; Rebecca Maurer |
1:25 | |||
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1.9
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La Milordine. Gigue
François Couperin; Rebecca Maurer |
1:44 | |||
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Pièces de clavecin, 1689
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1.10
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Chaconne de Phaeton (arr. by J.H. d'Anglebert)
Jean-Baptiste Lully; Rebecca Maurer |
4:02 | |||
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Pièces de clavessin, Premier Livre, 1687
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1.11
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Prélude in g-Moll
Élisabeth-Claude Jacquet de La Guerre; Rebecca Maurer |
2:08 | |||
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Pièces de clavecin
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1.12
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Passacaille in g-Moll
Louis Couperin; Rebecca Maurer |
5:10 | |||
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Pièces de clavecin, 1689
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1.13
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Gigue Mr. de Lully (arr. by J.H. d'Anglebert)
Jean-Baptiste Lully; Rebecca Maurer |
1:27 | |||
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1.14
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Passacaille d'Armide (arr. by J.H. d'Anglebert)
Jean-Baptiste Lully; Rebecca Maurer |
4:40 | |||
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1.15
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Sarbande. Dieu des Enfers (arr. by J.H. d'Anglebert)
Jean-Baptiste Lully; Rebecca Maurer |
1:32 | |||
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Pièces de clavecin
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1.16
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Passacaille
Louis Couperin; Rebecca Maurer |
5:27 | |||
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1.17
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Tombeau de Monsieur de Blancrocher
Louis Couperin; Rebecca Maurer |
4:48 | |||
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Second Livre de Pièces de clavecin, Sixiême ordre, 1717
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1.18
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Les Baricades Mistérieuses
François Couperin; Rebecca Maurer |
2:38 | |||
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Pièces de clavessin, 1705
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1.19
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I. Prélude
Gaspard Le Roux; Rebecca Maurer |
1:10 | |||
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1.20
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II. Allemande
Gaspard Le Roux; Rebecca Maurer |
2:47 | |||
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1.21
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III. Courante
Gaspard Le Roux; Rebecca Maurer |
1:44 | |||
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1.22
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IV. Le Bel-ébat
Gaspard Le Roux; Rebecca Maurer |
1:21 | |||
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1.23
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V. La Piece sans Titre
Gaspard Le Roux; Rebecca Maurer |
1:17 | |||
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1.24
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VI. Gigue
Gaspard Le Roux; Rebecca Maurer |
1:50 | |||
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Pièces de clavecin, Premier Livre, 1746
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1.25
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Le Vertigo
Joseph Nicolas Pancrace Royer; Rebecca Maurer |
5:21 | |||
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L'art de toucher le clavecin, 1716
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1.26
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Septième Prélude
François Couperin; Rebecca Maurer |
3:17 | |||
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Digital Booklet
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"Rebecca Maurer delivers fine performances. D'Anglebert's transcriptions come off very well, with good attention to their dramatic origin. Louis Couperin's Passacaille is one of the highlights."
- MusicWeb International
Harpsichordist Rebecca Maurer weaves pieces from the most brilliant era of the harpsichord to form a musical tapestry full of allusions and cross references. The works presented on this ICMA nominated album date back to the time of the Sun King, Louis XIV. She performs this repertoire on a historical Ruckers harpsichord, strengthening the magic even more: the result is poetic music in a magnificent garment, played with perfect timing and an extraordinary sense of tonal colour and sweeping lines.
96 kHz / 24-bit PCM – Genuin Studio Masters
Recorded at Musée d’art et d’histoire, Neuchâtel, Switzerland, October 12 -14, 2014 Recording producer / Tonmeister: Michael Silberhorn Editing: Hannes Fritsch, Michael Silberhorn Harpsichord tuning and maintenance: Pierre-Laurent Haesler Harpsichord: Ioannes Ruckers (1632/1745) Pitch: A=395·Temperament:1/5–commameantone English translation: Matthew Harris French translation: Laurence Wuilhemin Booklet Editing: Johanna Brause, Leipzig Photography: Birgit Meixner (cover), Michael Silberhorn (cover harpsichord motive, p. 15), Anna Katharina Kuenzle (back cover harpsichord motive) The Emblem of the Sun King © bpk | RMN - Grand Palais | Christian Jean | Jean Schormans The young Louis XIV © bpk / BnF, Dist. RMN-GP Layout: Sabine Kahlke-Rosenthal, Leipzig Graphic Design: Thorsten Stapel, Münster
Recorded at Musée d’art et d’histoire, Neuchâtel, Switzerland, October 12 -14, 2014 Recording producer / Tonmeister: Michael Silberhorn Editing: Hannes Fritsch, Michael Silberhorn Harpsichord tuning and maintenance: Pierre-Laurent Haesler Harpsichord: Ioannes Ruckers (1632/1745) Pitch: A=395·Temperament:1/5–commameantone English translation: Matthew Harris French translation: Laurence Wuilhemin Booklet Editing: Johanna Brause, Leipzig Photography: Birgit Meixner (cover), Michael Silberhorn (cover harpsichord motive, p. 15), Anna Katharina Kuenzle (back cover harpsichord motive) The Emblem of the Sun King © bpk | RMN - Grand Palais | Christian Jean | Jean Schormans The young Louis XIV © bpk / BnF, Dist. RMN-GP Layout: Sabine Kahlke-Rosenthal, Leipzig Graphic Design: Thorsten Stapel, Münster
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.79 -9.05 to -0.71 | -24.08 -28.56 to -20.93 | -20.55 -24.80 to -16.70 | 12 11 to 13 | |
| 1 | Prélude in g-Moll | -6.21 | -24.56 | -20.6 | 12 |
| 2 | Air d’Apollon du Triomphe de l’Amour (arr. by J.H. d'Anglebert) | -5.26 | -24.35 | -20.9 | 13 |
| 3 | Troisième Prélude | -4.37 | -22.79 | -19.1 | 12 |
| 4 | Allemande l'Auguste | -5.52 | -23.67 | -20.3 | 13 |
| 5 | Première Courante | -7.50 | -23.89 | -20.6 | 11 |
| 6 | Seconde Courante | -5.20 | -23.01 | -19.5 | 13 |
| 7 | Sarabande la Majestueuse | -3.94 | -23.90 | -20.4 | 13 |
| 8 | Gavotte | -8.24 | -24.06 | -20.8 | 11 |
| 9 | La Milordine. Gigue | -5.36 | -22.00 | -18.5 | 11 |
| 10 | Chaconne de Phaeton (arr. by J.H. d'Anglebert) | -5.36 | -22.26 | -18.9 | 12 |
| 11 | Prélude in g-Moll | -5.92 | -26.24 | -22.7 | 12 |
| 12 | Passacaille in g-Moll | -7.51 | -25.34 | -22.2 | 13 |
| 13 | Gigue Mr. de Lully (arr. by J.H. d'Anglebert) | -3.68 | -21.85 | -18.3 | 12 |
| 14 | Passacaille d'Armide (arr. by J.H. d'Anglebert) | -4.54 | -22.27 | -18.8 | 13 |
| 15 | Sarbande. Dieu des Enfers (arr. by J.H. d'Anglebert) | -7.54 | -25.33 | -21.8 | 12 |
| 16 | Passacaille | -3.74 | -23.73 | -20.2 | 13 |
| 17 | Tombeau de Monsieur de Blancrocher | -7.73 | -28.56 | -24.8 | 13 |
| 18 | Les Baricades Mistérieuses | -7.82 | -24.18 | -21.0 | 11 |
| 19 | I. Prélude | -8.03 | -27.10 | -23.5 | 12 |
| 20 | II. Allemande | -8.48 | -25.50 | -22.3 | 11 |
| 21 | III. Courante | -3.81 | -23.41 | -19.7 | 13 |
| 22 | IV. Le Bel-ébat | -5.68 | -22.95 | -19.4 | 11 |
| 23 | V. La Piece sans Titre | -4.79 | -23.93 | -20.2 | 13 |
| 24 | VI. Gigue | -4.49 | -22.83 | -19.2 | 12 |
| 25 | Le Vertigo | -0.71 | -20.93 | -16.7 | 12 |
| 26 | Septième Prélude | -9.05 | -27.51 | -23.8 | 12 |