℗ 2015 Genuin
| Released | September 4, 2015 |
| Duration | 1h 25m 20s |
| Record Label | Genuin |
| Catalogue No. | GEN15374 |
| Genre | Classical (Instrumental) |
Johann Sebastian Bach: The Art of Fugue BWV 1080
Schaghajegh Nosrati
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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The Art of Fugue, BWV 1080
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1.1
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Contrapunctus I
Johann Sebastian Bach; Schaghajegh Nosrati |
4:18 | |||
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1.2
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Contrapunctus II
Johann Sebastian Bach; Schaghajegh Nosrati |
3:11 | |||
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1.3
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Contrapunctus III
Johann Sebastian Bach; Schaghajegh Nosrati |
3:15 | |||
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1.4
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Contrapunctus IV
Johann Sebastian Bach; Schaghajegh Nosrati |
3:24 | |||
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1.5
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Contrapunctus V
Johann Sebastian Bach; Schaghajegh Nosrati |
4:00 | |||
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1.6
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Contrapunctus VI a 4 in Stylo Francese
Johann Sebastian Bach; Schaghajegh Nosrati |
3:51 | |||
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1.7
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Contrapunctus VII a 4 per Augmentationem et Diminutionem
Johann Sebastian Bach; Schaghajegh Nosrati |
5:26 | |||
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1.8
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Contrapunctus VIII a 3
Johann Sebastian Bach; Schaghajegh Nosrati |
5:10 | |||
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1.9
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Contrapunctus IX a 4 alla Duodecima
Johann Sebastian Bach; Schaghajegh Nosrati |
2:38 | |||
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1.10
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Contrapunctus X a 4 alla Decima
Johann Sebastian Bach; Schaghajegh Nosrati |
5:39 | |||
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1.11
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Contrapunctus XI a 4
Johann Sebastian Bach; Schaghajegh Nosrati |
5:03 | |||
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1.12
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Canon per Augmentationem in Contrario Motu
Johann Sebastian Bach; Schaghajegh Nosrati |
3:54 | |||
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1.13
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Canon alla Ottava
Johann Sebastian Bach; Schaghajegh Nosrati |
3:40 | |||
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1.14
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Canon alla Decima in Contrapunto alla Terza
Johann Sebastian Bach; Schaghajegh Nosrati |
4:08 | |||
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1.15
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Canon alla Duodecima in Contrapunto alla Quinta
Johann Sebastian Bach; Schaghajegh Nosrati |
3:32 | |||
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1.16
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Contrapunctus inversus a 4, Forma recta
Johann Sebastian Bach; Schaghajegh Nosrati |
4:16 | |||
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1.17
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Contrapunctus inversus XII a 4, Forma inversa
Johann Sebastian Bach; Schaghajegh Nosrati |
3:58 | |||
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1.18
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Contrapunctus inversus a 3, Forma recta
Johann Sebastian Bach; Schaghajegh Nosrati |
2:10 | |||
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1.19
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Contrapunctus inversus a 3, Forma inversa
Johann Sebastian Bach; Schaghajegh Nosrati |
2:18 | |||
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1.20
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Fuga a 3 [4] Soggetti
Johann Sebastian Bach; Schaghajegh Nosrati |
11:29 | |||
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Digital Booklet
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"Nosrati has lived and breathed this music since she was a teenager ... a brave choice for a debut ... will take pride of place as the longest in your collection ... beautifully recorded in a fine but non-churchy acoustic ... impressive and musically satisfying ... played with a passion for life and art that in many ways is beyond criticism."
- MusicWeb International
Young, highly acclaimed German-born pianist Schaghajegh Nosrati presents Bach’s opus ultimum, The Art of Fugue, on this auspicious recording. Her ease and exceptional maturity interpreting Bach has impressed great musicians like Sir András Schiff, who describes her performance here as "highly impressive and profoundly moving." In her hands, Bach's seemingly bulky work comes forth naturally, turning into a great narrative.
96 kHz / 24-bit PCM – Genuin Studio Masters
Recorded at Mendelssohnsaal, Gewandhaus Leipzig, Germany, January 5 – 8, 2015 Recording producer/Tonmeister: Karsten Zimmermann Editing: Christian Jaeger, Karsten Zimmermann, Holger Busse Piano tuner: Stephan Wittig Text: Schaghajegh Nosrati, Hanover English Translation: Erik Dorset, Leipzig Booklet Editing: Johanna Brause, Leipzig Photography: Irène Zandel, Hanover Autograph BWV 1080,19 p. 9: © bpk/Staatsbibliothek zu Berlin Graphic design: Thorsten Stapel, Münster
Recorded at Mendelssohnsaal, Gewandhaus Leipzig, Germany, January 5 – 8, 2015 Recording producer/Tonmeister: Karsten Zimmermann Editing: Christian Jaeger, Karsten Zimmermann, Holger Busse Piano tuner: Stephan Wittig Text: Schaghajegh Nosrati, Hanover English Translation: Erik Dorset, Leipzig Booklet Editing: Johanna Brause, Leipzig Photography: Irène Zandel, Hanover Autograph BWV 1080,19 p. 9: © bpk/Staatsbibliothek zu Berlin Graphic design: Thorsten Stapel, Münster
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.88 -9.18 to -0.48 | -24.54 -28.84 to -20.52 | -21.91 -26.20 to -17.90 | 12 11 to 14 | |
| 1 | Contrapunctus I | -4.91 | -27.57 | -24.7 | 14 |
| 2 | Contrapunctus II | -4.55 | -23.29 | -20.7 | 12 |
| 3 | Contrapunctus III | -7.84 | -26.00 | -23.3 | 11 |
| 4 | Contrapunctus IV | -4.83 | -23.04 | -20.4 | 12 |
| 5 | Contrapunctus V | -0.48 | -24.73 | -22.0 | 13 |
| 6 | Contrapunctus VI a 4 in Stylo Francese | -3.03 | -22.18 | -19.6 | 13 |
| 7 | Contrapunctus VII a 4 per Augmentationem et Diminutionem | -5.16 | -27.17 | -24.6 | 13 |
| 8 | Contrapunctus VIII a 3 | -3.11 | -22.16 | -19.7 | 12 |
| 9 | Contrapunctus IX a 4 alla Duodecima | -2.04 | -20.52 | -17.9 | 11 |
| 10 | Contrapunctus X a 4 alla Decima | -6.88 | -26.69 | -24.2 | 12 |
| 11 | Contrapunctus XI a 4 | -2.06 | -20.91 | -18.3 | 12 |
| 12 | Canon per Augmentationem in Contrario Motu | -6.41 | -23.90 | -21.3 | 12 |
| 13 | Canon alla Ottava | -2.68 | -22.23 | -19.7 | 12 |
| 14 | Canon alla Decima in Contrapunto alla Terza | -6.85 | -26.47 | -23.8 | 12 |
| 15 | Canon alla Duodecima in Contrapunto alla Quinta | -3.91 | -21.65 | -19.0 | 12 |
| 16 | Contrapunctus inversus a 4, Forma recta | -9.18 | -28.64 | -26.0 | 12 |
| 17 | Contrapunctus inversus XII a 4, Forma inversa | -8.02 | -28.84 | -26.2 | 11 |
| 18 | Contrapunctus inversus a 3, Forma recta | -4.59 | -23.10 | -20.4 | 11 |
| 19 | Contrapunctus inversus a 3, Forma inversa | -5.12 | -23.81 | -21.1 | 12 |
| 20 | Fuga a 3 [4] Soggetti | -5.99 | -27.92 | -25.3 | 14 |