℗ 2015 Signum Records / Classical Opera
Released | October 2, 2015 |
Duration | 1h 56m 49s |
Record Label | Signum Records |
Catalogue No. | SIGCD433 |
Genre | Classical (Opera) |
Mozart: Il Re Pastore
Classical Opera, Ian Page
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Mitridate, re di Ponto, K. 87 (74a): Overture
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1.1
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Allegro
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
2:52 | |||
1.2
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Andante grazioso
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
2:06 | |||
1.3
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Presto
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
3:26 | |||
Mitridate, re di Ponto, K. 87 (74a): Act 1
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1.4
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Scene 1: Recitative. "Vieni, Signor" (Arbate, Sifare)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
5:30 | |||
1.5
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Scene 2: Recitative. "Se a me s’unisce Arbate" (Sifare, Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
3:09 | |||
1.6
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Scene 2: No. 1. Aria. "Al destin, che la minaccia" (Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
6:13 | |||
1.7
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Scene 3: Recitative. "Qual tumulto nell’alma" (Sifare)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:09 | |||
1.8
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Scene 3: No. 2. Aria. "Soffre il mio cor con pace" (Sifare)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
4:37 | |||
1.9
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Scene 4: Recitative. "Sin a quando, o Regina" (Farnace, Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
2:09 | |||
1.10
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Scene 5: Recitative. "Ferma, o germano" (Sifare, Farnace, Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
3:36 | |||
1.11
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Scene 6: Recitative. "All’ire freno, Principi, olà" (Arbate, Sifare, Farnace)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
0:34 | |||
1.12
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Scene 6: No. 3. Aria. "L’odio nel cor frenate" (Arbate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
4:16 | |||
1.13
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Scene 7: Recitative. "Principe, che facemmo!" (Farnace, Sifare, Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:11 | |||
1.14
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Scene 7: No. 4. Aria. "Nel sen mi palpita" (Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
2:06 | |||
1.15
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Scene 8: Recitative. "Un tale addio, germano" (Farnace, Sifare)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
0:32 | |||
1.16
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Scene 8: No. 5. Aria. "Parto: Nel gran cimento" (Sifare)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
3:02 | |||
1.17
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Scene 9: Recitative. ”Eccovi in un momento sconvolti” (Farnace, Marzio)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
6:06 | |||
1.18
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Scene 9: No. 6. Aria. ”Venga pur, minacci e frema” (Farnace)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:15 | |||
1.19
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Scene 10: No. 7. Marcia. Maestoso
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
2:11 | |||
1.20
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Scene 10: No. 8. Cavata. "Se di lauri il crine adorno” (Mitridate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
6:27 | |||
2.1
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Scene 10: Recitative. ”Tu mi revedi, Arbate” (Mitridate, Ismene, Arbate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
2:12 | |||
2.2
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Scene 11: Recitative. ”Su la temuta destra” (Sifare, Mitridate, Farnace, Ismene)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
4:56 | |||
2.3
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Scene 11: No. 9. Aria. ”In faccia all’oggetto” (Ismene)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
2:28 | |||
2.4
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Scene 12: Recitative. ”Teme Ismene a ragion” (Mitridate, Arbate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:57 | |||
2.5
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Scene 13: Accompanied Recitative. ”Respira alfin, respira” (Mitridate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
3:25 | |||
2.6
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Scene 13: No. 10, Aria, “Quel ribelle e quell’ingrato” (Mitridate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
6:04 | |||
Mitridate, re di Ponto, K. 87 (74a): Act 2
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2.7
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Scene 1: Recitative. “Questo è l’amor, Farnace” (Ismene, Farnace)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
0:47 | |||
2.8
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Scene 1: No. 11. Aria. “Va, l’error mio palesa” (Farnace)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:08 | |||
2.9
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Scene 2: Recitative. “Perfido, ascolta” (Ismene, Mitridate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
7:03 | |||
2.10
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Scene 3: Recitative. “Eccomi a’ cenni tuoi” (Aspasia, Mitridate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
0:12 | |||
2.11
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Scene 4: Recitative. “Respiro, oh Dei!” (Aspasia, Sifare, Mitridate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:36 | |||
2.12
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Scene 4: No. 12. Aria. “Tu che fedel mi sei” (Mitridate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:15 | |||
2.13
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Scene 5: Recitative. “Che dirò? Che ascoltai?” (Sifare, Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
4:31 | |||
2.14
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Scene 6: Recitative. “Alla tua fede il padre, Sifare, applaude” (Arbate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
0:22 | |||
2.15
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Scene 7: Recitative. “Oh giorno di dolore!” (Aspasia, Sifare)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
2:47 | |||
2.16
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Scene 7: Accompanied Recitative. “Non più, Regina” (Sifare, Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
3:54 | |||
2.17
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Scene 7: No. 13. Aria. “Lungi da te, mio bene” (Sifare)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
0:37 | |||
2.18
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Scene 8: Accompanied Recitative. ”Grazie ai Numi partì” (Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:03 | |||
2.19
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Scene 8: No. 14. Aria. “Nel grave tormento” (Aspasia)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
1:50 | |||
2.20
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Scene 9: Recitative. “Qui, dove la vendetta si prepara” (Mitridate, Ismene, Arbate)
Wolfgang Amadeus Mozart; Classical Opera; Ian Page |
6:15 |
"The series of Mozart operas being recorded under the direction of Classical Opera’s director Ian Page has already established him as one of the most stylishly authoritative interpreters of the composer working today."
- Opera
Conductor Ian Page leads his Mozart-focussed period instrument ensemble Classical Opera on this programme, one volume in their critically acclaimed, ongoing exploration of Mozart's complete opera cycle.
96 kHz / 24-bit PCM – Signum Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.82 -19.00 to -1.13 | -30.36 -39.09 to -25.18 | -26.43 -35.70 to -20.70 | 14 9 to 17 | |
1.1 | Allegro | -7.67 | -28.66 | -24.0 | 13 |
1.2 | Andante grazioso | -5.85 | -28.54 | -24.6 | 15 |
1.3 | Presto | -8.06 | -32.26 | -28.4 | 17 |
1.4 | Scene 1: Recitative. "Vieni, Signor" (Arbate, Sifare) | -2.06 | -27.17 | -22.9 | 15 |
1.5 | Scene 2: Recitative. "Se a me s’unisce Arbate" (Sifare, Aspasia) | -6.62 | -30.89 | -27.1 | 17 |
1.6 | Scene 2: No. 1. Aria. "Al destin, che la minaccia" (Aspasia) | -4.31 | -26.85 | -23.0 | 14 |
1.7 | Scene 3: Recitative. "Qual tumulto nell’alma" (Sifare) | -12.94 | -34.10 | -30.7 | 13 |
1.8 | Scene 3: No. 2. Aria. "Soffre il mio cor con pace" (Sifare) | -7.10 | -28.49 | -25.0 | 14 |
1.9 | Scene 4: Recitative. "Sin a quando, o Regina" (Farnace, Aspasia) | -8.78 | -32.44 | -28.6 | 16 |
1.10 | Scene 5: Recitative. "Ferma, o germano" (Sifare, Farnace, Aspasia) | -7.86 | -31.03 | -27.4 | 14 |
1.11 | Scene 6: Recitative. "All’ire freno, Principi, olà" (Arbate, Sifare, Farnace) | -8.94 | -29.49 | -25.6 | 12 |
1.12 | Scene 6: No. 3. Aria. "L’odio nel cor frenate" (Arbate) | -5.62 | -27.13 | -23.2 | 13 |
1.13 | Scene 7: Recitative. "Principe, che facemmo!" (Farnace, Sifare, Aspasia) | -5.78 | -30.82 | -26.9 | 15 |
1.14 | Scene 7: No. 4. Aria. "Nel sen mi palpita" (Aspasia) | -5.74 | -30.71 | -27.0 | 15 |
1.15 | Scene 8: Recitative. "Un tale addio, germano" (Farnace, Sifare) | -7.88 | -32.35 | -28.3 | 14 |
1.16 | Scene 8: No. 5. Aria. "Parto: Nel gran cimento" (Sifare) | -5.58 | -30.88 | -26.7 | 16 |
1.17 | Scene 9: Recitative. ”Eccovi in un momento sconvolti” (Farnace, Marzio) | -2.23 | -26.84 | -22.3 | 15 |
1.18 | Scene 9: No. 6. Aria. ”Venga pur, minacci e frema” (Farnace) | -9.19 | -31.71 | -27.5 | 15 |
1.19 | Scene 10: No. 7. Marcia. Maestoso | -7.06 | -32.62 | -28.5 | 14 |
1.20 | Scene 10: No. 8. Cavata. "Se di lauri il crine adorno” (Mitridate) | -4.31 | -27.01 | -23.0 | 15 |
2.1 | Scene 10: Recitative. ”Tu mi revedi, Arbate” (Mitridate, Ismene, Arbate) | -5.90 | -31.33 | -27.5 | 16 |
2.2 | Scene 11: Recitative. ”Su la temuta destra” (Sifare, Mitridate, Farnace, Ismene) | -1.13 | -25.75 | -21.8 | 14 |
2.3 | Scene 11: No. 9. Aria. ”In faccia all’oggetto” (Ismene) | -3.50 | -29.26 | -25.3 | 17 |
2.4 | Scene 12: Recitative. ”Teme Ismene a ragion” (Mitridate, Arbate) | -7.03 | -31.78 | -28.3 | 15 |
2.5 | Scene 13: Accompanied Recitative. ”Respira alfin, respira” (Mitridate) | -11.82 | -35.42 | -31.7 | 15 |
2.6 | Scene 13: No. 10, Aria, “Quel ribelle e quell’ingrato” (Mitridate) | -7.51 | -29.89 | -26.5 | 14 |
2.7 | Scene 1: Recitative. “Questo è l’amor, Farnace” (Ismene, Farnace) | -10.90 | -32.79 | -28.5 | 14 |
2.8 | Scene 1: No. 11. Aria. “Va, l’error mio palesa” (Farnace) | -6.56 | -32.64 | -28.8 | 12 |
2.9 | Scene 2: Recitative. “Perfido, ascolta” (Ismene, Mitridate) | -4.05 | -29.93 | -26.0 | 15 |
2.10 | Scene 3: Recitative. “Eccomi a’ cenni tuoi” (Aspasia, Mitridate) | -19.00 | -39.09 | -35.7 | 9 |
2.11 | Scene 4: Recitative. “Respiro, oh Dei!” (Aspasia, Sifare, Mitridate) | -4.58 | -31.36 | -27.4 | 15 |
2.12 | Scene 4: No. 12. Aria. “Tu che fedel mi sei” (Mitridate) | -7.42 | -31.24 | -26.6 | 14 |
2.13 | Scene 5: Recitative. “Che dirò? Che ascoltai?” (Sifare, Aspasia) | -5.32 | -28.78 | -24.8 | 16 |
2.14 | Scene 6: Recitative. “Alla tua fede il padre, Sifare, applaude” (Arbate) | -10.99 | -32.27 | -28.0 | 12 |
2.15 | Scene 7: Recitative. “Oh giorno di dolore!” (Aspasia, Sifare) | -4.33 | -26.81 | -22.6 | 14 |
2.16 | Scene 7: Accompanied Recitative. “Non più, Regina” (Sifare, Aspasia) | -7.97 | -29.64 | -26.2 | 14 |
2.17 | Scene 7: No. 13. Aria. “Lungi da te, mio bene” (Sifare) | -7.92 | -30.49 | -26.8 | 13 |
2.18 | Scene 8: Accompanied Recitative. ”Grazie ai Numi partì” (Aspasia) | -6.07 | -30.65 | -27.0 | 14 |
2.19 | Scene 8: No. 14. Aria. “Nel grave tormento” (Aspasia) | -4.75 | -30.02 | -26.3 | 16 |
2.20 | Scene 9: Recitative. “Qui, dove la vendetta si prepara” (Mitridate, Ismene, Arbate) | -2.36 | -25.18 | -20.7 | 14 |