℗ 2015 Deutsche Grammophon GmbH, Berlin under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc.
| Released | September 11, 2015 |
| Duration | 1h 06m 38s |
| Record Label | Archiv |
| Genre | Classical |
Gluck: Orpheo ed Euridice, Vol. 1: Orpheo (Highlights of the Versions for Vienna (1762) and Paris (1774) (Live))
Franco Fagioli, Malin Hartelius, Emmanuelle De Negri, Accentus, Insula Orchestra, Laurence Equilbey
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Orpheo: Vienna Version (1762)
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1.1
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Overtura (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
3:10 | |||
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Orpheo: Vienna Version (1762): Act I
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1.2
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Scene 1: Coro. "Ah, se intorno a quest'urna funestra" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Accentus; Insula Orchestra; Laurence Equilbey |
3:11 | |||
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1.3
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Scene 1: Ballo. Larghetto (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
1:45 | |||
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1.4
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Scene 1: Coro. "Ah, se intorno a quest'urna funestra" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
2:23 | |||
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1.5
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Scene 1: Aria. "Chiamo il mio ben così" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
4:13 | |||
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1.6
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Scene 2: Aria. "Gli sguardi trattieni" (Live)
Christoph Willibald von Gluck; Emmanuelle De Negri; Insula Orchestra; Laurence Equilbey |
2:39 | |||
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Orpheo: Paris Version (1774): Act I
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1.7
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Scene 2: Aria. "Addio, o miei sospiri!" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
4:40 | |||
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Orpheo: Vienna Version (1762): Act II
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1.8
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Scene 1: Ballo. Maestoso - Coro. "Chi mai dell'Erebo" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:43 | |||
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1.9
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Scene 1: Ballo. Presto - Coro. "Chi mai dell'Erebo" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:39 | |||
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1.10
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Scene 1: Aria con Coro. "Deh, placatevi con me" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Accentus; Insula Orchestra; Laurence Equilbey |
3:01 | |||
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1.11
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Scene 1: Coro. "Misero giovine" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
0:50 | |||
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1.12
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Scene 1: Aria. "Mille pene, ombre moleste" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
0:58 | |||
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1.13
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Scene 1: Coro I. "Ah, quale incognito" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
0:36 | |||
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1.14
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Scene 1: Aria. "Men tiranne, ah! voi sareste" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
0:42 | |||
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1.15
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Scene 1: Coro II. "Ah, quale incognito" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:05 | |||
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Orpheo: Paris Version (1774): Act II
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1.16
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Scene 1: Air des Furies (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
4:00 | |||
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1.17
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Scene 2: Ballet des ombres heureuses (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
6:12 | |||
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Orpheo: Vienna Version (1762): Act II
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1.18
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Scene 2: Arioso. "Che puro ciel! Che chiaro sol!" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Accentus; Insula Orchestra; Laurence Equilbey |
5:13 | |||
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1.19
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Scene 2: Coro. "Vieni a' regni del riposo" (Live)
Christoph Willibald von Gluck; Accentus; Insula Orchestra; Laurence Equilbey |
1:51 | |||
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Orpheo: Vienna Version (1762): Act III
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1.20
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Scene 1: Duetto. "Vieni, appaga il tuo consorte!" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Malin Hartelius; Insula Orchestra; Laurence Equilbey |
3:26 | |||
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1.21
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Scene 1: Aria. "Che fiero momento" (Live)
Christoph Willibald von Gluck; Malin Hartelius; Insula Orchestra; Laurence Equilbey |
3:21 | |||
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1.22
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Scene 1: Aria. "Che farò senza Euridice?" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Insula Orchestra; Laurence Equilbey |
4:27 | |||
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1.23
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Scene 3: Ballo II. Allegro (Live)
Christoph Willibald von Gluck; Insula Orchestra; Laurence Equilbey |
2:43 | |||
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1.24
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Scene 3: Coro. "Trionfi Amore" (Live)
Christoph Willibald von Gluck; Franco Fagioli; Malin Hartelius; Emmanuelle De Negri; Accentus; Insula Orchestra; Laurence Equilbey |
2:50 | |||
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Digital Booklet
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"... Fagioli's sound is sweet and rich ... (he) swoops from chesty tenor up to soprano and back again (sometimes in one breath) and he fills out Gluck's lines with rich vibrato and plenty of ornamentation ... a beautiful and dramatic performance ..."
- The Times of London
This live recording contains highlights of two versions of Gluck’s Orfeo et Euridice performed by an all-star cast featuring countertenor Franco Fagioli in the title role. Conductor Laurence Equilbey leads period instrument orchestra Insula and chamber choir Accentus on both the 1762 Vienna version and the 1774 Paris version of the score. Fagioli is joined by sopranos Malin Hartelius and Emmanuelle de Negri on this album which marks Fagioli’s first complete recording of an operatic title role.
"It is a great honour to work with Deutsche Grammophon. I am delighted with Orfeo ed Euridice and look forward to many other projects in the future."
- Franco Fagioli
96 kHz / 24-bit PCM – Archiv Studio Masters
Live recording from the Théâtre de Poissy (France), 5 and 7 April 2015 Executive Producer: Renaud Loranger Project Manager: Burkhard Bartsch Recording Producer: Laure Casenave-Péré Sound Engineer: Thomas Dappelo Sound Assistant: Vincent Mons Recording System: Kali Son Microphones: Neumann M149, TLM 170, DPA 4052, 4053, 4011, schoeps MK 4, MK 21. Digital Converter and Preamplifier: DAD AX 32 Recorded in 24bits/ 96 kHz, using Pyramix Performance material: Gluck. Sämtliche Werke, Bärenreiter-Verlag Kassel · Basel · London New York · Praha English, German and French libretto translations by courtesy of Sony Classical, New York Cover Photo © plainpicture/Glasshouse Artists Photos: © ‘bdllah Lasri (de Negri); © Jean-Baptiste Millot (Equilbey); © Julian Laidig (Fagioli); © Claudia Prieler (Hartelius) All others © Camera Lucida Productions Art Direction: Merle Kersten Design: Baumann Communication, Hamburg
Live recording from the Théâtre de Poissy (France), 5 and 7 April 2015 Executive Producer: Renaud Loranger Project Manager: Burkhard Bartsch Recording Producer: Laure Casenave-Péré Sound Engineer: Thomas Dappelo Sound Assistant: Vincent Mons Recording System: Kali Son Microphones: Neumann M149, TLM 170, DPA 4052, 4053, 4011, schoeps MK 4, MK 21. Digital Converter and Preamplifier: DAD AX 32 Recorded in 24bits/ 96 kHz, using Pyramix Performance material: Gluck. Sämtliche Werke, Bärenreiter-Verlag Kassel · Basel · London New York · Praha English, German and French libretto translations by courtesy of Sony Classical, New York Cover Photo © plainpicture/Glasshouse Artists Photos: © ‘bdllah Lasri (de Negri); © Jean-Baptiste Millot (Equilbey); © Julian Laidig (Fagioli); © Claudia Prieler (Hartelius) All others © Camera Lucida Productions Art Direction: Merle Kersten Design: Baumann Communication, Hamburg
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.14 -13.15 to -0.13 | -25.38 -31.60 to -20.73 | -22.05 -28.50 to -17.20 | 13 11 to 15 | |
| 1 | Overtura (Live) | -0.20 | -21.59 | -18.6 | 14 |
| 2 | Scene 1: Coro. "Ah, se intorno a quest'urna funestra" (Live) | -2.90 | -23.08 | -20.0 | 12 |
| 3 | Scene 1: Ballo. Larghetto (Live) | -9.85 | -31.32 | -28.3 | 13 |
| 4 | Scene 1: Coro. "Ah, se intorno a quest'urna funestra" (Live) | -2.99 | -23.68 | -20.5 | 12 |
| 5 | Scene 1: Aria. "Chiamo il mio ben così" (Live) | -3.47 | -26.72 | -23.1 | 14 |
| 6 | Scene 2: Aria. "Gli sguardi trattieni" (Live) | -5.75 | -28.76 | -25.3 | 15 |
| 7 | Scene 2: Aria. "Addio, o miei sospiri!" (Live) | -1.82 | -22.56 | -19.5 | 13 |
| 8 | Scene 1: Ballo. Maestoso - Coro. "Chi mai dell'Erebo" (Live) | -1.51 | -24.01 | -19.9 | 13 |
| 9 | Scene 1: Ballo. Presto - Coro. "Chi mai dell'Erebo" (Live) | -1.49 | -21.53 | -18.5 | 13 |
| 10 | Scene 1: Aria con Coro. "Deh, placatevi con me" (Live) | -2.78 | -25.11 | -21.1 | 14 |
| 11 | Scene 1: Coro. "Misero giovine" (Live) | -0.73 | -22.71 | -18.7 | 13 |
| 12 | Scene 1: Aria. "Mille pene, ombre moleste" (Live) | -9.73 | -30.52 | -27.6 | 13 |
| 13 | Scene 1: Coro I. "Ah, quale incognito" (Live) | -5.71 | -28.16 | -24.9 | 12 |
| 14 | Scene 1: Aria. "Men tiranne, ah! voi sareste" (Live) | -8.00 | -29.05 | -25.9 | 11 |
| 15 | Scene 1: Coro II. "Ah, quale incognito" (Live) | -4.54 | -24.25 | -20.8 | 11 |
| 16 | Scene 1: Air des Furies (Live) | -0.18 | -21.38 | -18.2 | 14 |
| 17 | Scene 2: Ballet des ombres heureuses (Live) | -13.15 | -31.60 | -28.5 | 11 |
| 18 | Scene 2: Arioso. "Che puro ciel! Che chiaro sol!" (Live) | -6.62 | -28.20 | -25.2 | 13 |
| 19 | Scene 2: Coro. "Vieni a' regni del riposo" (Live) | -2.11 | -23.35 | -20.4 | 13 |
| 20 | Scene 1: Duetto. "Vieni, appaga il tuo consorte!" (Live) | -2.27 | -23.62 | -20.2 | 13 |
| 21 | Scene 1: Aria. "Che fiero momento" (Live) | -2.65 | -25.67 | -21.7 | 14 |
| 22 | Scene 1: Aria. "Che farò senza Euridice?" (Live) | -4.77 | -26.62 | -22.8 | 13 |
| 23 | Scene 3: Ballo II. Allegro (Live) | -5.96 | -24.98 | -22.4 | 12 |
| 24 | Scene 3: Coro. "Trionfi Amore" (Live) | -0.13 | -20.73 | -17.2 | 13 |