℗ 2015 Decca Music Group Limited under exclusive license to Universal Music Classics, a Division of UMG Recordings, Inc
| Released | October 1, 2015 |
| Duration | 38m 45s |
| Record Label | Decca/London |
| Genre | Classical |
Dupré At Saint-Sulpice, Vol. 4: Bach: Six Schübler Chorales - Fantasia in C Minor - Fantasia In G Major (Remastered 2015)
Marcel Dupré
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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6 Chorales (“Schübler” Chorales)
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1.1
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Wachet auf, ruft uns die Stimme (Awake, the voice is calling us), BWV 645
Johann Sebastian Bach; Marcel Dupré |
3:29 | |||
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1.2
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Wo soll ich fliehen hin (Whither shall I flee), BWV 646
Johann Sebastian Bach; Marcel Dupré |
1:55 | |||
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1.3
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Wer nur den lieben Gott lässt walten (He that suffereth God to guide him), BWV 647
Johann Sebastian Bach; Marcel Dupré |
2:32 | |||
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1.4
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Meine Seele erhebet den Herren (My soul doth magnify the Lord), BWV 648
Johann Sebastian Bach; Marcel Dupré |
2:57 | |||
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1.5
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Ach bleib bei uns, Herr Jesu Christ (Abide with us, o Lord), BWV 649
Johann Sebastian Bach; Marcel Dupré |
3:05 | |||
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1.6
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Kommst du nun, Jesu, vom Himmel herunter auf Erden (Comest Thou, Jesus, down from heaven to earth?), BWV 650
Johann Sebastian Bach; Marcel Dupré |
4:01 | |||
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1.7
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Fantasia in C Minor, BWV 562
Johann Sebastian Bach; Marcel Dupré |
6:26 | |||
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1.8
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Fantasia In G Major, BWV 572
Johann Sebastian Bach; Marcel Dupré |
14:20 | |||
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Digital Booklet
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Organist and composer Marcel Dupré devotes this fourth volume of his celebrated five-album Saint-Sulpice series to the music of Bach. Produced under the Mercury Living Presence banner, Dupré recorded all five albums in Paris over a nine day period in July 1959. Requiring shipment of an equipment-filled truck from the US, the sessions began at about 9 p.m. each evening and lasted into the early hours, a tiring experience for the 73 year old Dupré, whose hands progressively stiffened on the heavy key action of the great St. Sulpice organ. The series proved to be a massive success when first released and these albums have remained popular for more than five decades.
96 kHz / 24-bit PCM – Decca/London Studio Masters
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. Bach’s “Schübler” Chorales were recorded July 3 and 4, 1959 and the two Fantasias July 10 and 11, 1959, at the gallery organ of the church of Saint-Sulpice, Paris, on 3-track half-inch tape, using three Schoeps M201 omni-directional condenser microphones. All were released on SR90230. Recording Supervisor: Wilma Cozart Technical Supervisor: C. Robert Fine Producer: Harold Lawrence Chief Engineer: Robert Eberenz Analog to digital transfer by John K. Chester, from first-generation 3-track master tapes Plangent Process and Audio Restoration by Jamie Howarth 3- to 2-channel Conversion and Mastering for Compact Disc by Thomas Fine Remastering ℗ 2015 Decca Music Group Limited Cover Photo: Interior of Saint-Sulpice, Paris, by Frank Horvat, Magnum Booklet Back: The organ at Saint-Sulpice Photo: From the collection of Bruno Chaumet Reissue Producer: Raymond McGill Consulting Engineer: Thomas Fine The Reissue Producer, Consulting Engineer and the AAAMD wish to thank Barry Holden and Paul Moseley for their support in bringing this project to fruition. Art Direction & Design: WLP Ltd
This title is a high-resolution digital transfer of material originating from an analogue recording. It may be limited in bandwidth and dynamic range by the technology available at the time of its original creation, and is offered as a high-quality documentation of a historical release. Bach’s “Schübler” Chorales were recorded July 3 and 4, 1959 and the two Fantasias July 10 and 11, 1959, at the gallery organ of the church of Saint-Sulpice, Paris, on 3-track half-inch tape, using three Schoeps M201 omni-directional condenser microphones. All were released on SR90230. Recording Supervisor: Wilma Cozart Technical Supervisor: C. Robert Fine Producer: Harold Lawrence Chief Engineer: Robert Eberenz Analog to digital transfer by John K. Chester, from first-generation 3-track master tapes Plangent Process and Audio Restoration by Jamie Howarth 3- to 2-channel Conversion and Mastering for Compact Disc by Thomas Fine Remastering ℗ 2015 Decca Music Group Limited Cover Photo: Interior of Saint-Sulpice, Paris, by Frank Horvat, Magnum Booklet Back: The organ at Saint-Sulpice Photo: From the collection of Bruno Chaumet Reissue Producer: Raymond McGill Consulting Engineer: Thomas Fine The Reissue Producer, Consulting Engineer and the AAAMD wish to thank Barry Holden and Paul Moseley for their support in bringing this project to fruition. Art Direction & Design: WLP Ltd
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.11 -10.87 to -0.89 | -21.71 -27.62 to -17.66 | -19.75 -25.10 to -16.60 | 10 9 to 11 | |
| 1 | Wachet auf, ruft uns die Stimme (Awake, the voice is calling us), BWV 645 | -2.51 | -18.47 | -17.5 | 9 |
| 2 | Wo soll ich fliehen hin (Whither shall I flee), BWV 646 | -9.88 | -26.22 | -23.7 | 10 |
| 3 | Wer nur den lieben Gott lässt walten (He that suffereth God to guide him), BWV 647 | -5.87 | -21.89 | -19.4 | 10 |
| 4 | Meine Seele erhebet den Herren (My soul doth magnify the Lord), BWV 648 | -4.07 | -21.02 | -19.2 | 9 |
| 5 | Ach bleib bei uns, Herr Jesu Christ (Abide with us, o Lord), BWV 649 | -3.12 | -20.31 | -19.1 | 10 |
| 6 | Kommst du nun, Jesu, vom Himmel herunter auf Erden (Comest Thou, Jesus, down from heaven to earth?), BWV 650 | -10.87 | -27.62 | -25.1 | 10 |
| 7 | Fantasia in C Minor, BWV 562 | -3.71 | -17.66 | -16.6 | 9 |
| 8 | Fantasia In G Major, BWV 572 | -0.89 | -20.48 | -17.4 | 11 |