℗ 2016 New Amsterdam
| Released | January 29, 2016 |
| Duration | 55m 40s |
| Record Label | New Amsterdam |
| Catalogue No. | NWAM073 |
| Genre | Classical (Instrumental) |
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Replicate
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1.1
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Part 1
Daniel Wohl; Iktus Percussion; Daniel Wohl |
6:04 | |||
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1.2
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Part 2
Daniel Wohl; Iktus Percussion; Daniel Wohl |
11:03 | |||
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1.3
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Formless
Daniel Wohl; Mivos Quartet; Mantra Percussion Quartet; Daniel Wohl |
5:31 | |||
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1.4
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Holographic Intro
Daniel Wohl; Bang on a Can All-Stars; Daniel Wohl |
1:16 | |||
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1.5
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Holographic
Daniel Wohl; Bang on a Can All-Stars; Daniel Wohl |
8:09 | |||
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1.6
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Pixel (Version for Percussion Quartet & Electronics)
Daniel Wohl; Mantra Percussion Quartet; Daniel Wohl |
2:17 | |||
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1.7
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Source
Daniel Wohl; Olga Bell; Caroline Shaw; Daniel Wohl |
8:18 | |||
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1.8
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Progression
Daniel Wohl; Mivos Quartet; Mantra Percussion Quartet; Daniel Wohl |
6:52 | |||
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1.9
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Shapes
Daniel Wohl; Lucky Dragons; Mivos Quartet; Daniel Wohl |
6:10 | |||
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Digital Booklet
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"... many alluring moments ..."
- The New York Times
"... seems like the product of some wild-eyed professor mixing up aural compounds in a laboratory. The vast catalogue of sounds Wohl has crafted mesmerizes ... he has created an arresting space where electronics and acoustic instruments commingle with cinematic vibrancy ... the music is both aggressive and gorgeous ... dense tapestries of sound, yet no single thread appears gratuitous ... quietly erases the line between electronic and acoustic music, while potentially appealing to many curious ears, from fans of Aphex Twin to followers of new chamber music."
- NPR
Called "a gifted alchemist in sound" by NPR, Daniel Wohl blurs the edges between electronic and acoustic sounds on Holographic, a star-studded multimedia project commissioned by the Saint Paul Chamber Orchestra and art centres and museums in the US. Some of the talented performers who appear on this highly acclaimed recording include the Bang on a Can All-Stars, Mantra Percussion, Iktus Percussion, Lucky Dragons, the Mivos Quartet and vocalists Olga Bell from Dirty Projectors and Pulitzer Prize winner Caroline Shaw from Roomful of Teeth.
44.1 kHz / 24-bit PCM – New Amsterdam Studio Masters
Track 4 contains material which has been processed by a perceptual audio coding algorithm.
Track 4 contains material which has been processed by a perceptual audio coding algorithm.
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.19 -0.20 to -0.10 | -13.26 -20.28 to -10.00 | -10.78 -15.80 to -8.70 | 7 5 to 12 | |
| 1 | Part 1 | -0.20 | -10.00 | -8.7 | 5 |
| 2 | Part 2 | -0.10 | -11.49 | -9.4 | 6 |
| 3 | Formless | -0.20 | -11.79 | -10.8 | 5 |
| 4 | Holographic Intro | -0.20 | -13.15 | -10.4 | 7 |
| 5 | Holographic | -0.20 | -11.17 | -8.7 | 5 |
| 6 | Pixel (Version for Percussion Quartet & Electronics) | -0.20 | -15.99 | -12.6 | 9 |
| 7 | Source | -0.20 | -12.38 | -10.0 | 6 |
| 8 | Progression | -0.20 | -13.06 | -10.6 | 8 |
| 9 | Shapes | -0.20 | -20.28 | -15.8 | 12 |