℗ 2016 Affetto Recordings
Released | March 25, 2016 |
Duration | 43m 18s |
Record Label | Affetto Recordings |
Catalogue No. | AF1503 |
Genre | Classical (Chamber Music) |
J.S. Bach: Sonatas for Viola da Gamba and Harpsichord, BWV 1027-1029
Kate Dillingham, Jory Vinikour
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
Viola da gamba Sonata in G Major, BWV 1027 (arr. for Cello & Harpsichord)
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1.1
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I. Adagio
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
3:52 | |||
1.2
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II. Allegro ma non tanto
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
3:48 | |||
1.3
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III. Andante
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
2:42 | |||
1.4
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IV. Allegro moderato
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
3:15 | |||
Viola da gamba Sonata in D Major, BWV 1028 (arr. for Cello & Harpsichord)
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1.5
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I. Adagio
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
1:59 | |||
1.6
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II. Allegro
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
4:08 | |||
1.7
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III. Andante
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
4:54 | |||
1.8
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IV. Allegro molto
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
4:28 | |||
Viola da gamba Sonata in G Minor, BWV 1029 (arr. for Cello & Harpsichord)
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1.9
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I. Vivace
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
5:26 | |||
1.10
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II. Adagio
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
7:42 | |||
1.11
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III. Allegro
Anonymous; Johann Sebastian Bach; Kate Dillingham; Jory Vinikour |
1:04 | |||
Digital Booklet
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Cellist Kate Dillingham and harpsichordist Jory Vinikour present this collection of works originally composed for viola da gamba and harpsichord, interpreted here in arrangements for cello and harpsichord. The historically informed performance includes the world premiere recording of the Schirmer Dillingham/Greenhouse Edition.
96 kHz / 24-bit PCM – Affetto Recordings Studio Masters
Recorded June 3-5, 2015 at Miller Chapel, Princeton Theological Seminary, Princeton, NJ Producer: Sam Ward Recording Engineer: John C. Baker Edited and mastered by Sam Ward Graphic Design: Jana DeWitt design Cover photo: Keisuke Hoashi Booklet photos: John C. Baker
Recorded June 3-5, 2015 at Miller Chapel, Princeton Theological Seminary, Princeton, NJ Producer: Sam Ward Recording Engineer: John C. Baker Edited and mastered by Sam Ward Graphic Design: Jana DeWitt design Cover photo: Keisuke Hoashi Booklet photos: John C. Baker
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.60 -5.61 to -1.47 | -21.73 -24.00 to -19.67 | -18.90 -21.10 to -16.90 | 12 11 to 13 | |
1 | I. Adagio | -2.28 | -21.62 | -18.7 | 12 |
2 | II. Allegro ma non tanto | -2.87 | -20.99 | -18.2 | 12 |
3 | III. Andante | -5.61 | -23.90 | -21.1 | 11 |
4 | IV. Allegro moderato | -2.34 | -20.92 | -18.1 | 12 |
5 | I. Adagio | -4.50 | -23.28 | -20.5 | 11 |
6 | II. Allegro | -1.79 | -20.00 | -17.2 | 12 |
7 | III. Andante | -1.47 | -21.15 | -18.2 | 12 |
8 | IV. Allegro molto | -1.47 | -22.59 | -19.8 | 13 |
9 | I. Vivace | -1.60 | -20.88 | -18.3 | 12 |
10 | II. Adagio | -2.97 | -24.00 | -20.9 | 12 |
11 | III. Allegro | -1.70 | -19.67 | -16.9 | 12 |