℗ 2016 Groupe Analekta
| Released | March 18, 2016 |
| Duration | 58m 10s |
| Record Label | Groupe Analekta, Inc |
| Catalogue No. | AN2 9160 |
| Genre | Classical (Chamber Music) |
Bis
Kerson Leong, Philip Chiu
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Hungarian Dance No. 1 in G Minor (transc. by J. Joaquim)
Johannes Brahms; Kerson Leong; Philip Chiu |
3:15 | |||
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1.2
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Hungarian Dance No. 17 in F-Sharp Minor (transc. by F. Kreisler)
Johannes Brahms; Kerson Leong; Philip Chiu |
4:00 | |||
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1.3
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Liebesfreud
Fritz Kreisler; Kerson Leong; Philip Chiu |
3:37 | |||
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1.4
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Liebesleid
Fritz Kreisler; Kerson Leong; Philip Chiu |
3:45 | |||
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Orfeo ed Euridice
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1.5
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Melodie (transc. by F. Kreisler)
Christoph Willibald Gluck; Kerson Leong; Philip Chiu |
3:13 | |||
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Romanian Folk Dances, Sz. 68
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1.6
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I. Jocul cu bâtă (transc. by Z. Szekely)
Béla Bartók; Kerson Leong; Philip Chiu |
1:24 | |||
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1.7
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II. Brâul (transc. by Z. Szekely)
Béla Bartók; Kerson Leong; Philip Chiu |
0:28 | |||
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1.8
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III. Pe loc (transc. by Z. Szekely)
Béla Bartók; Kerson Leong; Philip Chiu |
1:19 | |||
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1.9
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IV. Buciumeana (transc. by Z. Szekely)
Béla Bartók; Kerson Leong; Philip Chiu |
1:25 | |||
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1.10
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V. Poarga Românească (transc. by Z. Szekely)
Béla Bartók; Kerson Leong; Philip Chiu |
0:32 | |||
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1.11
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VI. Mărunțel (transc. by Z. Szekely)
Béla Bartók; Kerson Leong; Philip Chiu |
1:01 | |||
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1.12
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Fairy Tale, Op. 20, No. 1 in B-Flat Minor (transc. by J. Heifetz)
Nikolai Medtner; Kerson Leong; Philip Chiu |
3:02 | |||
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Three Preludes
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1.13
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I. Allegro ben ritmato e deciso (transc. by J. Heifetz)
George Gershwin; Kerson Leong; Philip Chiu |
1:41 | |||
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1.14
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II. Andante con moto e poco rubato (transc. by J. Heifetz)
George Gershwin; Kerson Leong; Philip Chiu |
3:35 | |||
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1.15
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III. Allegro ben ritmato e deciso (transc. by J. Heifetz)
George Gershwin; Kerson Leong; Philip Chiu |
1:21 | |||
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1.16
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Vocalise, Op. 34, No. 14 (transc. by M. Press)
Sergei Rachmaninoff; Kerson Leong; Philip Chiu |
4:49 | |||
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Suite bergamasque, L. 75
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1.17
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III. Clair de lune (transc. by A. Roelens)
Claude Debussy; Kerson Leong; Philip Chiu |
5:11 | |||
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1.18
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La plus que lente, L. 121 (transc. by L. Roques)
Claude Debussy; Kerson Leong; Philip Chiu |
4:33 | |||
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1.19
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Albumblatt (transc. by A. Wilhelmy)
Richard Wagner; Kerson Leong; Philip Chiu |
4:32 | |||
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1.20
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Hebrew Melody, Op. 33
Joseph Yulyevich Achron; Kerson Leong; Philip Chiu |
5:27 | |||
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Digital Booklet
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On his debut album, award-winning young violin virtuso Kerson Leong presents a range of 19th and 20th century lyrical and Romantic works, ranging from Richard Wagner to Béla Bartók. Accompanied at the piano by Phlip Chiu, Leong has chosen his pieces with care, including Jascha Heifetz's transcription of Nikolai Medtner’s rarely played Fairy Tale, originally written for piano.
"I wanted to balance flavours, to juxtapose lesser-known pieces with some that people would instantly recognize and could relate to ... every repertoire brings out a different side of me. I especially love chamber music, because when you get to do it with more and more people, like with Philip Chiu, there is a special communication going on.”
- Kerson Leong
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Groupe Analekta, Inc Studio Masters
Enregistré en juillet 2015 à l’Église St-Augustin-de-Mirabel, Québec, Canada / Recorded in July 2015 in St-Augustin-de-Mirabel Church, Québec, Canada Réalisateur; preneur de son; mixage et mastérisation / Producer; sound engineer; mix and mastering: Carl Talbot (Productions Musicom) Assistant preneur de son / Assistant recording engineer: Alexis Tremblay Éditeurs / Editing: Carlos Prieto, Christopher Johns Remerciements à / Thanks to: Pianos Bolduc Technicien de piano / Piano technician: Nicole Birks Analekta Producteur, directeur artistique / Executive producer, artistic director: François Mario Labbé Directrice de production / Production director: Julie M. Fournier Assistante de production / Production assistant: Kathleen Désilets Photos: © Luc Robitaille Révision / Proofreading: Kathleen Désilets, Peter Christensen Conception et production graphique / Graphic design and production: Pragma création
Enregistré en juillet 2015 à l’Église St-Augustin-de-Mirabel, Québec, Canada / Recorded in July 2015 in St-Augustin-de-Mirabel Church, Québec, Canada Réalisateur; preneur de son; mixage et mastérisation / Producer; sound engineer; mix and mastering: Carl Talbot (Productions Musicom) Assistant preneur de son / Assistant recording engineer: Alexis Tremblay Éditeurs / Editing: Carlos Prieto, Christopher Johns Remerciements à / Thanks to: Pianos Bolduc Technicien de piano / Piano technician: Nicole Birks Analekta Producteur, directeur artistique / Executive producer, artistic director: François Mario Labbé Directrice de production / Production director: Julie M. Fournier Assistante de production / Production assistant: Kathleen Désilets Photos: © Luc Robitaille Révision / Proofreading: Kathleen Désilets, Peter Christensen Conception et production graphique / Graphic design and production: Pragma création
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -5.60 -20.39 to -0.35 | -28.36 -42.22 to -22.18 | -24.23 -36.60 to -17.80 | 14 12 to 16 | |
| 1 | Hungarian Dance No. 1 in G Minor (transc. by J. Joaquim) | -0.35 | -24.74 | -21.1 | 16 |
| 2 | Hungarian Dance No. 17 in F-Sharp Minor (transc. by F. Kreisler) | -0.82 | -25.28 | -21.3 | 15 |
| 3 | Liebesfreud | -2.13 | -25.47 | -21.2 | 15 |
| 4 | Liebesleid | -7.49 | -31.86 | -27.9 | 16 |
| 5 | Melodie (transc. by F. Kreisler) | -11.92 | -33.26 | -29.1 | 12 |
| 6 | I. Jocul cu bâtă (transc. by Z. Szekely) | -4.00 | -25.07 | -21.2 | 14 |
| 7 | II. Brâul (transc. by Z. Szekely) | -14.01 | -32.98 | -28.9 | 13 |
| 8 | III. Pe loc (transc. by Z. Szekely) | -20.39 | -42.22 | -36.6 | 12 |
| 9 | IV. Buciumeana (transc. by Z. Szekely) | -5.24 | -27.50 | -22.6 | 13 |
| 10 | V. Poarga Românească (transc. by Z. Szekely) | -2.49 | -22.69 | -19.8 | 14 |
| 11 | VI. Mărunțel (transc. by Z. Szekely) | -1.04 | -22.18 | -17.8 | 13 |
| 12 | Fairy Tale, Op. 20, No. 1 in B-Flat Minor (transc. by J. Heifetz) | -1.40 | -22.78 | -19.0 | 13 |
| 13 | I. Allegro ben ritmato e deciso (transc. by J. Heifetz) | -2.17 | -24.07 | -20.2 | 14 |
| 14 | II. Andante con moto e poco rubato (transc. by J. Heifetz) | -7.82 | -31.05 | -26.9 | 15 |
| 15 | III. Allegro ben ritmato e deciso (transc. by J. Heifetz) | -0.53 | -23.14 | -19.5 | 13 |
| 16 | Vocalise, Op. 34, No. 14 (transc. by M. Press) | -9.32 | -31.07 | -27.4 | 13 |
| 17 | III. Clair de lune (transc. by A. Roelens) | -8.87 | -32.77 | -28.5 | 14 |
| 18 | La plus que lente, L. 121 (transc. by L. Roques) | -6.10 | -30.45 | -26.1 | 15 |
| 19 | Albumblatt (transc. by A. Wilhelmy) | -3.00 | -27.57 | -22.6 | 14 |
| 20 | Hebrew Melody, Op. 33 | -2.84 | -31.11 | -26.8 | 16 |