℗ 2016 Grand Piano
| Released | April 1, 2016 |
| Duration | 1h 34m 45s |
| Record Label | Grand Piano |
| Catalogue No. | GP703-04 |
| Genre | Classical (Instrumental) |
Mosolov: Complete Works for Solo Piano
Olga Andryushchenko
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Piano Sonata No. 1 in C Minor, Op. 3
Alexander Mosolov; Olga Andryushchenko |
10:55 | |||
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2 Nocturnes, Op. 15
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1.2
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No. 1. Elegiaco, poco stentato
Alexander Mosolov; Olga Andryushchenko |
3:28 | |||
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1.3
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No. 2. Adagio
Alexander Mosolov; Olga Andryushchenko |
3:28 | |||
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3 Small Pieces, Op. 23a
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1.4
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No. 1. —
Alexander Mosolov; Olga Andryushchenko |
0:55 | |||
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1.5
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No. 2. —
Alexander Mosolov; Olga Andryushchenko |
0:47 | |||
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1.6
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No. 3. —
Alexander Mosolov; Olga Andryushchenko |
0:43 | |||
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2 Dances, Op. 23b
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1.7
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No. 1. Allegro molto, sempre marcato
Alexander Mosolov; Olga Andryushchenko |
2:02 | |||
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1.8
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No. 2. Allegretto
Alexander Mosolov; Olga Andryushchenko |
2:15 | |||
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Piano Sonata No. 2 in B Minor, Op. 4 "From Old Notebooks"
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1.9
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I. Sonata
Alexander Mosolov; Olga Andryushchenko |
10:28 | |||
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1.10
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II. Adagio
Alexander Mosolov; Olga Andryushchenko |
6:38 | |||
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1.11
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III. Final
Alexander Mosolov; Olga Andryushchenko |
6:29 | |||
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2.1
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Piano Sonata No. 4, Op. 11
Alexander Mosolov; Olga Andryushchenko |
11:46 | |||
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Turkmenian Nights
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2.2
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I. Andante con moto
Alexander Mosolov; Olga Andryushchenko |
4:07 | |||
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2.3
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II. Lento
Alexander Mosolov; Olga Andryushchenko |
5:15 | |||
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2.4
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III. Allegro
Alexander Mosolov; Olga Andryushchenko |
2:19 | |||
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Piano Sonata No. 5 in D Minor, Op. 12
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2.5
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I. Lento grave – Allegro affanato
Alexander Mosolov; Olga Andryushchenko |
5:48 | |||
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2.6
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II. Elegia
Alexander Mosolov; Olga Andryushchenko |
5:42 | |||
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2.7
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III. Scherzo marziale
Alexander Mosolov; Olga Andryushchenko |
3:06 | |||
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2.8
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IV. Adagio languente e patetico
Alexander Mosolov; Olga Andryushchenko |
8:34 | |||
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Digital Booklet
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Olga Andryushchenko shines a spotlight on prominent Soviet experimentalist composer Alexander Vasilyevich Mosolov, famed for his futurist orchestral piece The Iron Foundry written in 1926. Andryushchenko performs Mosolov's four surviving piano sonatas, works which underline his reputation as one of the boldest and most complex Russian composers of his time who forged new directions through his use of motor rhythms, percussive attacks and melodic angularity. Imprisoned for eight months in 1937, he later sank into undeserved obscurity.
96 kHz / 24-bit PCM – Grand Piano Studio Masters
44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit. Recording Venue: CMS Studio, Moscow, Russia (Disc 1) Sovetskij Kompositor, Moscow (1 and 5), Universal Edition, Wien (2) Triton, Leningrad (1928) (3-4) (Disc 2) Sovetskij Kompositor, Moscow (1 and 3) Universal Edition, Wien (2) Producer and Editor: Galina Katunina Mastering Engineer: Slava Poprugin Engineer: Sergey Solodovnikov Piano Technician: Artjom Deev Piano: Steinway D Booklet Notes: Anthony Short German translation by Cris Posslac Artist photograph: Nicola Christov Composer portrait: Inna Barsova Cover Art: Tony Price: Moissac Abstract Study 4
44.1 kHz / 24-bit PCM, mastered in 96 kHz / 24-bit. Recording Venue: CMS Studio, Moscow, Russia (Disc 1) Sovetskij Kompositor, Moscow (1 and 5), Universal Edition, Wien (2) Triton, Leningrad (1928) (3-4) (Disc 2) Sovetskij Kompositor, Moscow (1 and 3) Universal Edition, Wien (2) Producer and Editor: Galina Katunina Mastering Engineer: Slava Poprugin Engineer: Sergey Solodovnikov Piano Technician: Artjom Deev Piano: Steinway D Booklet Notes: Anthony Short German translation by Cris Posslac Artist photograph: Nicola Christov Composer portrait: Inna Barsova Cover Art: Tony Price: Moissac Abstract Study 4
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.09 -4.93 to 0.00 | -22.98 -29.02 to -19.40 | -18.87 -23.90 to -15.70 | 13 11 to 16 | |
| 1.1 | Piano Sonata No. 1 in C Minor, Op. 3 | -0.90 | -20.95 | -17.4 | 13 |
| 1.2 | No. 1. Elegiaco, poco stentato | -3.46 | -27.51 | -21.7 | 14 |
| 1.3 | No. 2. Adagio | -2.90 | -24.41 | -20.4 | 14 |
| 1.4 | No. 1. — | -2.51 | -22.47 | -18.4 | 13 |
| 1.5 | No. 2. — | -1.56 | -23.72 | -19.8 | 11 |
| 1.6 | No. 3. — | -3.77 | -23.76 | -18.7 | 11 |
| 1.7 | No. 1. Allegro molto, sempre marcato | -4.93 | -24.16 | -20.2 | 12 |
| 1.8 | No. 2. Allegretto | -2.07 | -24.00 | -19.6 | 12 |
| 1.9 | I. Sonata | -0.49 | -21.78 | -17.5 | 13 |
| 1.10 | II. Adagio | -3.62 | -26.02 | -21.1 | 13 |
| 1.11 | III. Final | -1.53 | -20.32 | -17.2 | 12 |
| 2.1 | Piano Sonata No. 4, Op. 11 | -1.49 | -23.87 | -18.6 | 14 |
| 2.2 | I. Andante con moto | -2.08 | -20.06 | -17.3 | 12 |
| 2.3 | II. Lento | -1.97 | -21.59 | -18.3 | 12 |
| 2.4 | III. Allegro | -0.96 | -20.91 | -17.7 | 12 |
| 2.5 | I. Lento grave – Allegro affanato | -1.71 | -22.27 | -17.4 | 13 |
| 2.6 | II. Elegia | -2.45 | -29.02 | -23.9 | 16 |
| 2.7 | III. Scherzo marziale | 0.00 | -19.40 | -15.7 | 12 |
| 2.8 | IV. Adagio languente e patetico | -1.25 | -20.47 | -17.6 | 13 |