℗ 2009 Stunt Records
Released | April 6, 2009 |
Duration | 46m 38s |
Record Label | Stunt Records |
Catalogue No. | STUCD 09032 |
Genre | Jazz |
Old New Borrowed Blue
Magnus Hjorth Trio
Available in 88.2 kHz / 24-bit AIFF, FLAC high resolution audio formats
1.1
|
Qloose
Magnus Hjorth Trio |
2:25 | |||
1.2
|
Ballroom Steps
Magnus Hjorth Trio |
5:36 | |||
1.3
|
Let's Face the Music and Dance
Magnus Hjorth Trio |
2:54 | |||
1.4
|
Good Friday
Magnus Hjorth Trio |
6:45 | |||
1.5
|
The Mistress
Magnus Hjorth Trio |
5:29 | |||
1.6
|
Gumbo
Magnus Hjorth Trio |
4:39 | |||
1.7
|
Stomping at the Savoy
Magnus Hjorth Trio |
5:56 | |||
1.8
|
Barber Rhett
Magnus Hjorth Trio |
4:07 | |||
1.9
|
Sunday Service
Magnus Hjorth Trio |
4:32 | |||
1.10
|
Madhouse
Magnus Hjorth Trio |
4:15 |
"Four Stars ... shows an encyclopedic knowledge of jazz history, ranging from ragtime to post bop ... these are clearly musicians who enjoy playing together and this shines through in the bouncing rhythms and infectious melodies ... this ability to change style on a dime is a special characteristic of the trio, which is all the more impressive since it avoids the pitfall of reducing the musical references to pastiche ... a love letter to jazz in all its different forms ... this is definitely music made for the feet and it easily dances its way into the heart."
- All About Jazz
This second album from award-winning Swedish jazz pianist Magnus Hjorth and his trio was released in 2009 to rave reviews, particularly from All About Jazz which praised the young musician's encyclopedic knowledge of jazz history. The trio delves deep into the very heart of the jazz tradition, learning, adopting and even borrowing from timeless icons Duke Ellington, Thelonious Monk, George Gershwin and Louis Armstrong, while adding new concepts and musical visions. The common denominator is the ubiquitous and undeniably vital keystone in all forms of real jazz, namely the blues. Hjorth, who cites Marcus Roberts as one of his main influences, has also been favourably compared to McCoy Tyner.
88.2 kHz / 24-bit PCM – Stunt Records Studio Masters
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.55 -9.88 to -2.89 | -26.86 -30.91 to -23.84 | -24.46 -27.80 to -21.40 | 13 12 to 14 | |
1 | Qloose | -2.89 | -23.84 | -21.4 | 13 |
2 | Ballroom Steps | -9.88 | -29.04 | -27.0 | 12 |
3 | Let's Face the Music and Dance | -6.86 | -25.33 | -23.4 | 12 |
4 | Good Friday | -3.92 | -24.83 | -22.4 | 14 |
5 | The Mistress | -9.54 | -30.91 | -27.8 | 14 |
6 | Gumbo | -6.32 | -25.71 | -23.4 | 12 |
7 | Stomping at the Savoy | -5.43 | -26.48 | -24.2 | 14 |
8 | Barber Rhett | -5.28 | -25.72 | -23.4 | 14 |
9 | Sunday Service | -7.95 | -30.24 | -27.1 | 14 |
10 | Madhouse | -7.45 | -26.50 | -24.5 | 13 |