℗ 2016 PentaTone
| Released | September 2, 2016 |
| Duration | 1h 15m 46s |
| Record Label | PentaTone |
| Catalogue No. | PTC5186561 |
| Genre | Classical (Instrumental) |
Overtures to Bach
Matt Haimovitz
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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Overture
Philip Glass; Matt Haimovitz |
5:36 | |||
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Cello Suite No. 1 in G Major, BWV 1007
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1.2
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I. Prélude
Johann Sebastian Bach; Matt Haimovitz |
2:15 | |||
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1.3
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The Veronica
Du Yun; Matt Haimovitz |
11:57 | |||
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Cello Suite No. 2 in D Minor, BWV 1008
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1.4
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I. Prélude
Johann Sebastian Bach; Matt Haimovitz |
3:56 | |||
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1.5
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Run
Vijay Iyer; Matt Haimovitz |
7:28 | |||
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Cello Suite No. 3 in C Major, BWV 1009
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1.6
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I. Prélude
Johann Sebastian Bach; Matt Haimovitz |
3:20 | |||
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1.7
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La memoria
Roberto Sierra; Matt Haimovitz |
9:09 | |||
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Cello Suite No. 4 in E Flat Major, BWV 1010
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1.8
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I. Prélude
Johann Sebastian Bach; Matt Haimovitz |
3:08 | |||
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1.9
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Es War
David Sanford; Matt Haimovitz |
8:34 | |||
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Cello Suite No. 5 in C Minor, BWV 1011
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1.10
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I. Prélude
Johann Sebastian Bach; Matt Haimovitz |
5:27 | |||
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1.11
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Lili'uokalani
Luna Pearl Woolf; Matt Haimovitz |
10:28 | |||
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Cello Suite No. 6 in D Major, BWV 1012
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1.12
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I. Prélude
Johann Sebastian Bach; Matt Haimovitz |
4:28 | |||
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Digital Booklet
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Grammy Award - Producer of the Year, Classical, 2016
Juno Award nomination - Classical Album of the Year: Solo or Chamber Ensemble, 2017
Grammy-nominated cellist Matt Haimovitz reaches a new zenith of his continuously-evolving and intense engagement with the Bach cello suites on Overtures to Bach, six commissions that anticipate and reflect each of the suites, paired with the Prélude from the suite it introduces. With Haimovitz performing on cello and cello piccolo, these original overtures expand upon the multitude of spiritual, cross-cultural and vernacular references found in the Bach, building a bridge from the master’s time to modern day.
96 kHz / 24-bit PCM – PentaTone Studio Masters
Recorded December 15 - 18, 2015 and March 14, 2016 at the American Academy of Arts and Letters, New York, New York Track 12 recorded April 19, 2015 at the American Academy of Arts and Letters, New York, New York Producer: David Frost Recording engineer: Tom Lazarus Recording engineer (track 12): Richard King Mixing and mastering: Tom Lazarus, Silas Brown and David Frost Editing engineer: Will Howie Design: Joost de Boo Product manager: Angelina Jambrekovic Booklet photos: Daniel Carroll, Luna Pearl Woolf (Philip Glass) Front cover photo © Daniel Forniés Sòria
Recorded December 15 - 18, 2015 and March 14, 2016 at the American Academy of Arts and Letters, New York, New York Track 12 recorded April 19, 2015 at the American Academy of Arts and Letters, New York, New York Producer: David Frost Recording engineer: Tom Lazarus Recording engineer (track 12): Richard King Mixing and mastering: Tom Lazarus, Silas Brown and David Frost Editing engineer: Will Howie Design: Joost de Boo Product manager: Angelina Jambrekovic Booklet photos: Daniel Carroll, Luna Pearl Woolf (Philip Glass) Front cover photo © Daniel Forniés Sòria
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.44 -8.15 to -0.50 | -27.82 -31.26 to -25.45 | -24.22 -26.60 to -21.20 | 15 12 to 18 | |
| 1 | Overture | -6.95 | -30.36 | -26.6 | 15 |
| 2 | I. Prélude | -8.15 | -28.35 | -25.2 | 13 |
| 3 | The Veronica | -4.16 | -31.26 | -26.5 | 16 |
| 4 | I. Prélude | -5.95 | -27.56 | -24.1 | 13 |
| 5 | Run | -0.50 | -25.45 | -21.7 | 15 |
| 6 | I. Prélude | -7.17 | -27.06 | -24.1 | 12 |
| 7 | La memoria | -1.57 | -25.69 | -21.2 | 16 |
| 8 | I. Prélude | -7.95 | -28.82 | -25.9 | 13 |
| 9 | Es War | -0.50 | -27.06 | -22.7 | 18 |
| 10 | I. Prélude | -2.81 | -27.61 | -24.6 | 15 |
| 11 | Lili'uokalani | -3.31 | -27.87 | -24.2 | 16 |
| 12 | I. Prélude | -4.28 | -26.72 | -23.8 | 16 |