℗ 2016 Deutsche Grammophon GmbH, Berlin under exclusive license to Verve Label Group, a Division of UMG Recordings, Inc.
| Released | September 30, 2016 |
| Duration | 1h 15m 20s |
| Record Label | DG |
| Genre | Classical |
Rossini
Franco Fagioli, Armonia Atenea, George Petrou
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Demetrio e Polibio
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1.1
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Act I: Scene 2. "Pien di contento in seno"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou |
4:10 | |||
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Matilde di Shabran - Neapolitan Version
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1.2
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Act II: Scene 9. "Sazia tu fossi alfine"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou |
2:09 | |||
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1.3
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Act II: Scene 9. "Ah, perché, perché la morte"
Gioachino Rossini; Franco Fagioli; Petros Magoulas; Costas Siskos; Armonia Atenea; George Petrou |
9:30 | |||
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Adelaide di Borgogna
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1.4
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Act II: Scene 16. "Serti intrecciar le vergini"
Gioachino Rossini; Armonia Atenea Choir; Armonia Atenea; George Petrou |
2:23 | |||
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1.5
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Act II: Scene 16. "Questi che a me presenta"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou |
0:53 | |||
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1.6
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Act II: Scene 16. "Vieni, tuo sposo e amante"
Gioachino Rossini; Franco Fagioli; Armonia Atenea Choir; Armonia Atenea; George Petrou |
3:00 | |||
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1.7
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Act II: Scene 16. "Al trono tuo primiero"
Gioachino Rossini; Franco Fagioli; Armonia Atenea Choir; Armonia Atenea; George Petrou |
3:44 | |||
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Tancredi
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1.8
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Act I: Scene 3. "O sospirato lido"
Gioachino Rossini; Franco Fagioli; Sergiu Nastasa; Armonia Atenea; George Petrou |
5:26 | |||
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1.9
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Act I: Scene 3. "Dolci d'amor parole"
Gioachino Rossini; Franco Fagioli; Sergiu Nastasa; Armonia Atenea; George Petrou |
6:20 | |||
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Adelaide di Borgogna
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1.10
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Act I: Scene 2. "Salve, Italia"
Gioachino Rossini; Armonia Atenea Choir; Armonia Atenea; George Petrou |
1:44 | |||
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1.11
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Act I: Scene 2. "O sacra alla virtù"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou |
1:53 | |||
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1.12
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Act I: Scene 2. "Soffri la tua sventura ... Amica speme"
Gioachino Rossini; Franco Fagioli; Dimitris Vamvas; Armonia Atenea; George Petrou |
5:36 | |||
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Semiramide
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1.13
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Act I: Scene 2. "Eccomi alfine in Babilonia"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou |
5:59 | |||
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1.14
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Act I: Scene 2. "Ah, quel giorno ognor rammento"
Gioachino Rossini; Franco Fagioli; Armonia Atenea; George Petrou |
6:28 | |||
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Eduardo e Cristina
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1.15
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Act II: Scene 12. "Nel misero tuo stato"
Gioachino Rossini; Armonia Atenea Choir; Armonia Atenea; George Petrou |
4:04 | |||
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1.16
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Act II: Scene 12. "Ah! Chi sa dirmi se la sposa"
Gioachino Rossini; Franco Fagioli; Armonia Atenea Choir; Armonia Atenea; George Petrou |
2:04 | |||
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1.17
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Act II: Scene 12. "La pietà che in sen serbate"
Gioachino Rossini; Franco Fagioli; Christos Kechris; Armonia Atenea Choir; Armonia Atenea; George Petrou |
9:57 | |||
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Digital Booklet
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"... there’s a cultish following around some of today’s countertenors and one of those is the young Argentinian Franco Fagioli ... he is quite a performer."
- The Guardian
On his Deutsche Grammophon solo debut, Grammy-winning Argentinian countertenor Franco Fagioli presents several "trouser roles" from Rossini’s operas that approach the delightful confusion between voice and gender, particularly in the rarely performed serious operas with many male characters whose substantial roles were written for women and not for castrati. Fagioli is accompanied here by ECHO Klassik-winning conductor George Petrou and his Armonia Atenea orchestra.
96 kHz / 24-bit PCM – DG Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.12 -8.19 to -0.35 | -23.45 -27.71 to -19.37 | -19.72 -23.90 to -15.80 | 13 12 to 15 | |
| 1 | Act I: Scene 2. "Pien di contento in seno" | -1.41 | -22.70 | -19.4 | 13 |
| 2 | Act II: Scene 9. "Sazia tu fossi alfine" | -2.04 | -23.40 | -19.6 | 13 |
| 3 | Act II: Scene 9. "Ah, perché, perché la morte" | -2.26 | -23.52 | -20.4 | 13 |
| 4 | Act II: Scene 16. "Serti intrecciar le vergini" | -1.71 | -20.92 | -17.6 | 12 |
| 5 | Act II: Scene 16. "Questi che a me presenta" | -8.19 | -26.91 | -23.2 | 12 |
| 6 | Act II: Scene 16. "Vieni, tuo sposo e amante" | -3.37 | -23.94 | -20.3 | 12 |
| 7 | Act II: Scene 16. "Al trono tuo primiero" | -0.48 | -20.29 | -16.4 | 12 |
| 8 | Act I: Scene 3. "O sospirato lido" | -3.78 | -27.71 | -23.9 | 15 |
| 9 | Act I: Scene 3. "Dolci d'amor parole" | -2.32 | -24.52 | -20.6 | 13 |
| 10 | Act I: Scene 2. "Salve, Italia" | -0.65 | -19.37 | -15.8 | 12 |
| 11 | Act I: Scene 2. "O sacra alla virtù" | -3.01 | -24.48 | -20.9 | 13 |
| 12 | Act I: Scene 2. "Soffri la tua sventura ... Amica speme" | -0.57 | -23.12 | -19.6 | 14 |
| 13 | Act I: Scene 2. "Eccomi alfine in Babilonia" | -3.57 | -27.53 | -23.5 | 15 |
| 14 | Act I: Scene 2. "Ah, quel giorno ognor rammento" | -1.23 | -23.55 | -20.0 | 13 |
| 15 | Act II: Scene 12. "Nel misero tuo stato" | -0.53 | -21.71 | -16.6 | 12 |
| 16 | Act II: Scene 12. "Ah! Chi sa dirmi se la sposa" | -0.61 | -24.02 | -20.5 | 13 |
| 17 | Act II: Scene 12. "La pietà che in sen serbate" | -0.35 | -21.00 | -16.9 | 12 |