℗ 2016 Azica Records
| Released | October 28, 2016 |
| Duration | 1h 02m 49s |
| Record Label | Azica Records |
| Catalogue No. | Azica71309 |
| Genre | Classical (Chamber Music) |
Infusion
Jason Vieaux, Julien Labro
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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3 Danzas Concertantes (arr. for Guitar & Accordion)
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1.1
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No. 1. Allegro
Leo Brouwer; Julien Labro; Jason Vieaux; Julien Labro |
3:51 | |||
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1.2
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No. 2. Andantino (quasi allegretto)
Leo Brouwer; Julien Labro; Jason Vieaux; Julien Labro |
5:02 | |||
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1.3
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No. 3. Toccata
Leo Brouwer; Julien Labro; Jason Vieaux; Julien Labro |
5:30 | |||
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1.4
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Antonia (arr. for Guitar and Accordina)
Pat Metheny; Anonymous; Jason Vieaux; Julien Labro |
6:22 | |||
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Suite Retratos (arr. by J. Labro)
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1.5
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I. Pixinguinha
Radamés Gnattali; Julien Labro; Jason Vieaux; Julien Labro; Peter Dominguez; Jamey Haddad |
8:45 | |||
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1.6
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II. Ernesto Nazareth
Radamés Gnattali; Julien Labro; Jason Vieaux; Julien Labro; Peter Dominguez; Jamey Haddad |
5:37 | |||
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1.7
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III. Anacleto de Medeiros
Radamés Gnattali; Julien Labro; Jason Vieaux; Julien Labro; Peter Dominguez; Jamey Haddad |
6:38 | |||
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1.8
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IV. Chiquinha Gonzaga
Radamés Gnattali; Julien Labro; Jason Vieaux; Julien Labro; Peter Dominguez; Jamey Haddad |
8:09 | |||
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1.9
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Escualo (arr. by J. Labro for Guitar and Bandoneon)
Ástor Piazzolla; Julien Labro; Jason Vieaux; Julien Labro |
7:58 | |||
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1.10
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Everybody Wants to Rule the World (arr. for Guitar and Accordina)
Anonymous; Roland Orzabal; Ian Stanley; Chris Hughes; Jason Vieaux; Julien Labro |
4:57 | |||
With their album Infusion, guitarist Jason Vieaux and accordionist and bandoneon player Julien Labro suggest a subtle alternative path to stylistic integration that effectively presents several diverse performance approaches all under a concert music umbrella. Taking a staple of modern guitar chamber repertoire like Radames Gnattali’s Suite Retratos and infusing it with aspects of different traditions leaves the composer's structural context in place. In his arrangement of the Tears For Fears classic, Everybody Wants to Rule the World, Vieaux diligently reproduces various components of the multitrack original, but he and Labro infuse it with a soloing approach drawn from jazz. In Labro’s stylistically agile arrangement of Piazzolla’s Escualo, the two infuse the song with contemporary references that blend with the original material. The inclusion of Vieaux’s arrangement of Pat Metheny’s Antonia is an appropriate nod to a master of fusion (and infusion), an artist who has added elements of Brazilian music, classical structures and Americana to his unique brand of jazz.
96 kHz / 24-bit PCM – Azica Records Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.73 -2.49 to -0.38 | -22.91 -24.66 to -19.97 | -19.79 -21.80 to -17.10 | 14 13 to 16 | |
| 1 | No. 1. Allegro | -0.38 | -23.93 | -20.9 | 15 |
| 2 | No. 2. Andantino (quasi allegretto) | -0.40 | -24.66 | -21.8 | 16 |
| 3 | No. 3. Toccata | -0.39 | -23.49 | -20.8 | 15 |
| 4 | Antonia (arr. for Guitar and Accordina) | -1.38 | -24.00 | -19.0 | 13 |
| 5 | I. Pixinguinha | -0.45 | -22.90 | -20.8 | 16 |
| 6 | II. Ernesto Nazareth | -0.45 | -21.80 | -19.0 | 13 |
| 7 | III. Anacleto de Medeiros | -2.49 | -23.54 | -21.3 | 14 |
| 8 | IV. Chiquinha Gonzaga | -0.45 | -19.97 | -17.6 | 14 |
| 9 | Escualo (arr. by J. Labro for Guitar and Bandoneon) | -0.38 | -22.78 | -19.6 | 15 |
| 10 | Everybody Wants to Rule the World (arr. for Guitar and Accordina) | -0.57 | -22.00 | -17.1 | 13 |