℗ 2002 Australian Broadcasting Corporation
| Released | April 1, 2002 |
| Duration | 59m 34s |
| Record Label | ABC Classic |
| Genre | Classical (Baroque) |
Piracy: Baroque Music Stolen for the Recorder
Linda Kent, Genevieve Lacey
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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Trio Sonata No. 6 in G Major, BWV 530
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1.1
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I. Vivace (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
3:48 | |||
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1.2
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II. Lente (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
4:34 | |||
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1.3
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III. Allegro (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
3:31 | |||
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1.4
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Invention No. 13 in A Minor, BWV 784
Johann Sebastian Bach; Linda Kent |
1:34 | |||
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1.5
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Invention No. 4 in D Minor, BWV775 (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
0:55 | |||
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1.6
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Invention No. 8 in F Major, BWV779 (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
1:22 | |||
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1.7
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Schübler Chorale No. 1 ‘Wachet auf, ruft uns die Stimme’, BWV645 (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
4:45 | |||
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French Suite No.2 in C Minor, BWV 813
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1.8
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1. Allemande
Johann Sebastian Bach; Linda Kent |
3:09 | |||
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1.9
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A New Ground, ZT682 (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Henry Purcell; Linda Kent; Genevieve Lacey |
2:53 | |||
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Tyrannic Love or The Royal Martyr
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1.10
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Ah! How Sweet It Is to Love (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Henry Purcell; Linda Kent; Genevieve Lacey |
2:03 | |||
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Oedipus, Z.583
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1.11
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Music For A While (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Henry Purcell; Linda Kent; Genevieve Lacey |
3:39 | |||
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Violin Sonata in E Minor, BWV 1023
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1.12
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I. Prelude (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
1:27 | |||
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1.13
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II. Adagio ma non tanto (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
2:41 | |||
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1.14
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IV. Gigue (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Sebastian Bach; Linda Kent; Genevieve Lacey |
2:50 | |||
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1.15
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Sonata Cu Cu (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Johann Heinrich Schmelzer; Linda Kent; Genevieve Lacey |
5:04 | |||
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1.16
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Folies (Arr. for Recorder and Keyboard)
Linda Kent; Genevieve Lacey; Marin Marais; Arcangelo Corelli; Linda Kent; Genevieve Lacey |
8:38 | |||
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1.17
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A Solo By Mr Finch Called The Cuckoo
Edward Finch; Linda Kent; Genevieve Lacey |
3:29 | |||
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1.18
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Lady Anne Bothwell's Lament
Francesco Geminiani; Linda Kent; Genevieve Lacey |
3:12 | |||
44.1 kHz / 24-bit PCM – ABC Classic Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -6.99 -18.75 to -2.21 | -25.05 -37.42 to -21.83 | -21.81 -33.60 to -17.80 | 11 10 to 12 | |
| 1 | I. Vivace (Arr. for Recorder and Keyboard) | -7.45 | -24.56 | -22.2 | 11 |
| 2 | II. Lente (Arr. for Recorder and Keyboard) | -6.74 | -23.69 | -21.3 | 11 |
| 3 | III. Allegro (Arr. for Recorder and Keyboard) | -5.71 | -24.70 | -21.4 | 11 |
| 4 | Invention No. 13 in A Minor, BWV 784 | -9.99 | -25.71 | -23.3 | 10 |
| 5 | Invention No. 4 in D Minor, BWV775 (Arr. for Recorder and Keyboard) | -8.95 | -25.22 | -22.6 | 10 |
| 6 | Invention No. 8 in F Major, BWV779 (Arr. for Recorder and Keyboard) | -8.68 | -27.14 | -23.2 | 11 |
| 7 | Schübler Chorale No. 1 ‘Wachet auf, ruft uns die Stimme’, BWV645 (Arr. for Recorder and Keyboard) | -4.78 | -24.14 | -22.0 | 11 |
| 8 | 1. Allemande | -18.75 | -37.42 | -33.6 | 12 |
| 9 | A New Ground, ZT682 (Arr. for Recorder and Keyboard) | -5.00 | -22.41 | -17.8 | 10 |
| 10 | Ah! How Sweet It Is to Love (Arr. for Recorder and Keyboard) | -2.21 | -21.83 | -18.1 | 10 |
| 11 | Music For A While (Arr. for Recorder and Keyboard) | -5.55 | -23.88 | -19.9 | 10 |
| 12 | I. Prelude (Arr. for Recorder and Keyboard) | -8.29 | -26.16 | -23.4 | 10 |
| 13 | II. Adagio ma non tanto (Arr. for Recorder and Keyboard) | -7.36 | -25.74 | -22.7 | 11 |
| 14 | IV. Gigue (Arr. for Recorder and Keyboard) | -5.78 | -23.08 | -20.5 | 11 |
| 15 | Sonata Cu Cu (Arr. for Recorder and Keyboard) | -5.39 | -24.23 | -20.3 | 12 |
| 16 | Folies (Arr. for Recorder and Keyboard) | -4.64 | -24.43 | -20.4 | 12 |
| 17 | A Solo By Mr Finch Called The Cuckoo | -5.47 | -24.08 | -20.0 | 11 |
| 18 | Lady Anne Bothwell's Lament | -5.02 | -22.57 | -19.8 | 10 |