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℗ 2021 Natalie Imbruglia under exclusive licence to BMG Rights Management (UK) Limited
Released | September 24, 2021 |
Duration | 52m 07s |
Record Label | BMG Rights Management (UK) Ltd |
Genre | Rock |
![Parental Advisory](http://djtbgc1k6t9wg.cloudfront.net/static/img/v2/parental-advisory.png)
1.1
|
Build It Better
Natalie Imbruglia |
3:23 | |||
1.2
|
Nothing Missing
Natalie Imbruglia |
3:14 | |||
1.3
|
What It Feels Like
Natalie Imbruglia |
3:53 | |||
1.4
|
On My Way
Natalie Imbruglia |
3:36 | |||
1.5
|
Maybe It's Great EXPLICIT
Natalie Imbruglia |
3:54 | |||
1.6
|
Just Like Old Times
Natalie Imbruglia |
3:39 | |||
1.7
|
When You Love Too Much
Natalie Imbruglia |
3:07 | |||
1.8
|
Not Sorry
Natalie Imbruglia |
3:11 | |||
1.9
|
Human Touch
Natalie Imbruglia |
4:16 | |||
1.10
|
Change of Heart
Natalie Imbruglia |
3:47 | |||
1.11
|
Invisible Things
Natalie Imbruglia |
3:14 | |||
1.12
|
Dive to the Deep
Natalie Imbruglia |
3:54 | |||
1.13
|
River
Natalie Imbruglia |
4:04 | |||
1.14
|
Firebird
Natalie Imbruglia |
4:55 |
Natalie Imbruglia's fourth album Firebird was written in an array of international locations alongside Albert Hammond Jr of The Strokes, Romeo Stodart of The Magic Numbers, KT Tunstall, Eg White (Adele, Dua Lipa, Sam Smith), Luke Fitton (Little Mix, Girls Aloud), Fiona Bevan (One Direction, Ed Sheeran), Rachel Furner (Little Mix, Jason Derulo, Craig David) and more, touching on themes of independence, vulnerability, the juxtaposition of strength and fragility, revealing Natalie’s newfound sense of confidence.
In contrast, the album was almost entirely recorded in lockdown, produced remotely by Natalie and My Riot with additional production from Albert Hammond Jr, Gus Oberg (The Strokes, Albert Hammond Jnr) and Romeo Stodart (Magic Numbers).
Discussing the album, Natalie says “Making this album has been such a profound and satisfying experience. Having gone through a long period of what essentially was writer’s block, it was sometimes hard to envisage getting to this place. Before the pandemic, I started the process of writing this album in London and soon after, I headed to Nashville. With each session and new collaborator, I started to gain confidence, find my voice again, and craft the sound and style that felt authentic to me. It’s been such a privilege to work with such an array of talent on Firebird. I just can’t wait for people to finally hear it.”
48 kHz / 24-bit PCM – BMG Rights Management (UK) Ltd Studio Masters
Track 2 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track 2 – 44.1 kHz / 24-bit PCM, mastered in 48 kHz / 24-bit
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.17 -1.08 to -0.03 | -11.57 -15.80 to -9.91 | -8.85 -12.60 to -7.20 | 6 6 to 8 | |
1 | Build It Better | -0.10 | -10.78 | -8.2 | 6 |
2 | Nothing Missing | -0.10 | -10.24 | -7.7 | 6 |
3 | What It Feels Like | -0.10 | -10.89 | -8.1 | 6 |
4 | On My Way | -0.10 | -10.28 | -7.2 | 6 |
5 | Maybe It's Great | -0.10 | -9.91 | -7.3 | 6 |
6 | Just Like Old Times | -0.03 | -11.66 | -9.0 | 6 |
7 | When You Love Too Much | -1.08 | -15.80 | -12.6 | 8 |
8 | Not Sorry | -0.10 | -11.32 | -8.8 | 6 |
9 | Human Touch | -0.10 | -11.20 | -8.9 | 7 |
10 | Change of Heart | -0.10 | -11.73 | -8.9 | 7 |
11 | Invisible Things | -0.10 | -11.18 | -8.2 | 6 |
12 | Dive to the Deep | -0.10 | -12.02 | -9.1 | 6 |
13 | River | -0.10 | -11.31 | -8.6 | 6 |
14 | Firebird | -0.10 | -13.72 | -11.3 | 7 |