℗ 2021 Parlophone Records Limited; A Warner Classics/Erato release,
| Released | August 6, 2021 |
| Duration | 1h 06m 53s |
| Record Label | Warner Classics |
| Genre | Classical |
À sa guitare
Philippe Jaroussky, Thibaut Garcia
Available in MQA and 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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Poulenc / Transcr. Garcia
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1.1
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À sa guitare, FP 79a
Francis Poulenc; Philippe Jaroussky; Thibaut Garcia |
2:37 | |||
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The Firste Booke of Songes
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1.2
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No. 17, Come Again! Sweet Love Doth Now Invite
John Dowland; Philippe Jaroussky; Thibaut Garcia |
2:54 | |||
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Giordani / Transcr. Jacques
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1.3
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Caro mio ben (Formerly Attributed to Tommaso Giordani)
Giuseppe Giordani; Philippe Jaroussky; Thibaut Garcia |
2:35 | |||
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Il primo libro delle musiche
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1.4
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Chi desia di saper
Francesca Caccini; Philippe Jaroussky; Thibaut Garcia |
2:15 | |||
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Granados / Transcr. Garcia
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1.5
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12 Tonadillas en estilo antiguo: No. 5, El mirar de la maja
Enrique Granados; Philippe Jaroussky; Thibaut Garcia |
2:37 | |||
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Schubert / Transcr. Jacques
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1.6
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Erlkönig, Op. 1, D. 328
Franz Schubert; Philippe Jaroussky; Thibaut Garcia |
4:09 | |||
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1.7
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Sarabande pour guitare, FP 179
Francis Poulenc; Thibaut Garcia |
2:16 | |||
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Barbara / Transcr. Garcia
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1.8
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Septembre
Barbara; Philippe Jaroussky; Thibaut Garcia |
3:38 | |||
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Purcell / Transcr. Garcia
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1.9
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If Music Be the Food of Love, Z. 379
Henry Purcell; Philippe Jaroussky; Thibaut Garcia |
2:02 | |||
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Dowland / Transcr. Garcia
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1.10
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A Musicall Banquet: No. 3, In Darkness Let Me Dwell
John Dowland; Philippe Jaroussky; Thibaut Garcia |
3:47 | |||
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Bonfá / Transcr. Garcia & Ferreira
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1.11
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Manhã de carnaval (From "Orfeu Negro")
Luiz Bonfá; Philippe Jaroussky; Thibaut Garcia |
4:09 | |||
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1.12
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Xodó da baiana
Dilermando Reis; Thibaut Garcia |
1:55 | |||
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Mozart / Transcr. Jacques
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1.13
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Abendempfindung, K. 523
Wolfgang Amadeus Mozart; Philippe Jaroussky; Thibaut Garcia |
4:41 | |||
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Paisiello / Transcr. Jacques
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1.14
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L'amor contrastato, ossia la molinara, Act II: "Nel cor più non mi sento"
Giovanni Paisiello; Philippe Jaroussky; Thibaut Garcia |
2:37 | |||
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Ramírez / Transcr. Garcia
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1.15
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Alfonsina y el mar
Ariel Ramírez; Philippe Jaroussky; Thibaut Garcia |
5:09 | |||
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Fauré / Transcr. Jacques
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1.16
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3 Songs, Op. 8: No. 1, Au bord de l'eau
Gabriel Fauré; Philippe Jaroussky; Thibaut Garcia |
1:51 | |||
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Fauré / Transcr. Garcia
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1.17
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2 Songs, Op. 43: No. 2, Nocturne
Gabriel Fauré; Philippe Jaroussky; Thibaut Garcia |
2:29 | |||
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Rossini / Transcr. Garcia
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1.18
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Tancredi, Act I: "Di tanti palpiti"
Gioacchino Rossini; Philippe Jaroussky; Thibaut Garcia |
2:39 | |||
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Rodríguez / Transcr. De Azpiazu
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1.19
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La cumparsita
Gerardo Matos Rodríguez; Thibaut Garcia |
2:37 | |||
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Purcell / Transcr. Garcia
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1.20
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Dido and Aeneas, Z. 626, Act III: "When I Am Laid in Earth"
Henry Purcell; Philippe Jaroussky; Thibaut Garcia |
3:20 | |||
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13 Canciones españolas antiguas
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1.21
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No. 1, Anda, jaleo
Federico García Lorca; Philippe Jaroussky; Thibaut Garcia |
1:56 | |||
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Britten / Transcr. Garcia
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1.22
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Folksong Arrangements, Vol. II "France": No. 6, Il est quelqu'un sur terre
Benjamin Britten; Philippe Jaroussky; Thibaut Garcia |
4:40 | |||
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Digital Booklet
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The first joint album from countertenor Philippe Jaroussky and guitarist Thibaut Garcia, À sa guitare takes its name from a song by the 20th century French composer Francis Poulenc. But its frame of reference is extraordinarily wide – both culturally and stylistically. Its 22 tracks range across 400 years and music by composers and songwriters from France, Britain, Austria, Italy, Spain, Brazil, Argentina and the USA.
“The album is a journey between different cultures, different continents and different languages,” says Philippe Jaroussky, “but each piece is a world in itself. The idea was to take some risks … sometimes moving to a completely different world between one track and the next.”
“We can evoke hugely different colours as we juggle between renaissance music and a song by Barbara,” explains Thibaut Garcia. “It’s our job to play with a palette of colours to produces something unique … We put a great deal of thought into the album, but we also put our hearts into it.”
96 kHz / 24-bit PCM – Warner Classics Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -2.94 -7.58 to -0.20 | -26.72 -32.97 to -23.00 | -22.87 -29.30 to -19.10 | 15 12 to 21 | |
| 1 | À sa guitare, FP 79a | -1.35 | -27.80 | -23.3 | 14 |
| 2 | No. 17, Come Again! Sweet Love Doth Now Invite | -4.55 | -24.91 | -20.8 | 12 |
| 3 | Caro mio ben (Formerly Attributed to Tommaso Giordani) | -3.14 | -26.98 | -23.0 | 15 |
| 4 | Chi desia di saper | -0.20 | -23.00 | -19.1 | 16 |
| 5 | 12 Tonadillas en estilo antiguo: No. 5, El mirar de la maja | -1.87 | -27.47 | -23.3 | 15 |
| 6 | Erlkönig, Op. 1, D. 328 | -0.21 | -24.29 | -20.4 | 16 |
| 7 | Sarabande pour guitare, FP 179 | -7.58 | -32.97 | -29.3 | 16 |
| 8 | Septembre | -4.09 | -27.71 | -23.8 | 15 |
| 9 | If Music Be the Food of Love, Z. 379 | -4.14 | -26.16 | -22.3 | 14 |
| 10 | A Musicall Banquet: No. 3, In Darkness Let Me Dwell | -2.11 | -26.74 | -22.6 | 15 |
| 11 | Manhã de carnaval (From "Orfeu Negro") | -5.33 | -26.37 | -22.8 | 13 |
| 12 | Xodó da baiana | -4.64 | -28.90 | -26.4 | 15 |
| 13 | Abendempfindung, K. 523 | -0.21 | -25.21 | -21.1 | 16 |
| 14 | L'amor contrastato, ossia la molinara, Act II: "Nel cor più non mi sento" | -2.85 | -25.52 | -21.7 | 15 |
| 15 | Alfonsina y el mar | -1.39 | -26.89 | -22.8 | 17 |
| 16 | 3 Songs, Op. 8: No. 1, Au bord de l'eau | -3.47 | -26.75 | -23.1 | 14 |
| 17 | 2 Songs, Op. 43: No. 2, Nocturne | -5.35 | -28.72 | -24.5 | 14 |
| 18 | Tancredi, Act I: "Di tanti palpiti" | -0.21 | -23.33 | -19.7 | 15 |
| 19 | La cumparsita | -0.79 | -28.09 | -25.2 | 21 |
| 20 | Dido and Aeneas, Z. 626, Act III: "When I Am Laid in Earth" | -3.14 | -27.35 | -22.9 | 15 |
| 21 | No. 1, Anda, jaleo | -1.84 | -23.71 | -19.9 | 13 |
| 22 | Folksong Arrangements, Vol. II "France": No. 6, Il est quelqu'un sur terre | -6.15 | -28.99 | -25.2 | 14 |