℗ 2021 BR-Klassik
| Released | November 5, 2021 |
| Duration | 49m 45s |
| Record Label | BR-Klassik |
| Catalogue No. | 900117 |
| Genre | Classical (Sacred) |
Mozart: Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr) [Live]
Genia Kühmeier, Chor des Bayerischen Rundfunks, Bavarian Radio Symphony Orchestra, Mariss Jansons, Elisabeth Kulman, Mark Padmore, Adam Plachetka
Available in 48 kHz / 24-bit AIFF, FLAC audio formats
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Requiem in D Minor, K. 626 "Missa pro defunctis" (Completed by F.X. Süßmayr)
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1.1
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I. Introitus. Requiem aeternam (Live)
Wolfgang Amadeus Mozart; Genia Kühmeier; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:27 | |||
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1.2
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II. Kyrie eleison (Live)
Wolfgang Amadeus Mozart; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:43 | |||
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1.3
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IIIa. Dies irae (Live)
Wolfgang Amadeus Mozart; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
1:49 | |||
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1.4
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IIIb. Tuba mirum (Live)
Wolfgang Amadeus Mozart; Genia Kühmeier; Elisabeth Kulman; Mark Padmore; Adam Plachetka; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:20 | |||
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1.5
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IIIc. Rex tremendae (Live)
Wolfgang Amadeus Mozart; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
1:50 | |||
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1.6
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IIId. Recordare (Live)
Wolfgang Amadeus Mozart; Genia Kühmeier; Elisabeth Kulman; Mark Padmore; Adam Plachetka; Bavarian Radio Symphony Orchestra; Mariss Jansons |
5:33 | |||
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1.7
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IIIe. Confutatis (Live)
Wolfgang Amadeus Mozart; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
2:45 | |||
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1.8
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IIIf. Lacrimosa (Live)
Wolfgang Amadeus Mozart; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:13 | |||
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1.9
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IVa. Offertorium. Domine Jesu Christe (Live)
Wolfgang Amadeus Mozart; Genia Kühmeier; Elisabeth Kulman; Mark Padmore; Adam Plachetka; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:05 | |||
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1.10
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IVb. Offertorium. Hostias (Live)
Wolfgang Amadeus Mozart; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:08 | |||
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1.11
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V. Sanctus (Live)
Wolfgang Amadeus Mozart; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
1:36 | |||
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1.12
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VI. Benedictus (Live)
Wolfgang Amadeus Mozart; Genia Kühmeier; Elisabeth Kulman; Mark Padmore; Adam Plachetka; Bavarian Radio Symphony Orchestra; Mariss Jansons |
4:57 | |||
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1.13
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VII. Agnus Dei (Live)
Wolfgang Amadeus Mozart; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
3:19 | |||
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1.14
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VIII. Communio. Lux aeterna (Live)
Wolfgang Amadeus Mozart; Genia Kühmeier; Chor des Bayerischen Rundfunks; Bavarian Radio Symphony Orchestra; Mariss Jansons |
6:00 | |||
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Digital Booklet
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Mozart's Requiem in D minor from 1791 is considered to be one of the most important settings of the Latin mass for the dead, although it is the last work by the composer to be unfinished. Immediately after Mozart's premature death, his pupil Franz Xaver Süßmayr developed a completion that is still valued today because of its close proximity to the original and is performed regularly - despite several newer versions created over time, which Süßmayr sometimes carefully improved or very own approaches follow. - Following Mozart's Requiem KV 626 from 1791, Sigismund von Neukomm's Libera me, Domine follows, the responsory from the liturgy of the exequies, which Neukomm had composed in 1821 as a liturgical completion of Mozart's Requiem for a performance in Rio de Janeiro - the Salzburg composer Neukomm had emigrated to Brazil in 1816.
The version presented here for the Bavarian Radio Choir is based on Mozart's traditional sources and on Süßmayr's additions; At several points, however, it comes to new insights, which are implemented with careful caution and humble respect for Mozart's great original. Following Mozart's Requiem, Neukomm's Responsorium Libera me, Domine will be heard . And for musical, liturgical and chronological reasons the program begins with Mozart's Vesperae solennes de ConfessoreKV 339 of 1780. The psalms and the Magnificat of the Vesperae are liturgically framed by antiphons taken from the festive Vespers De Confessore Pontifici (in honor of an avowed bishop) of the Gregorian Liber usualis.
This live edition features the late Mariss Jansons' expert interpretation of the piece, performed live!
48 kHz / 24-bit PCM – BR-Klassik Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -0.83 -2.94 to -0.61 | -20.93 -27.35 to -17.03 | -17.22 -23.60 to -14.00 | 12 11 to 15 | |
| 1 | I. Introitus. Requiem aeternam (Live) | -0.61 | -20.48 | -16.6 | 12 |
| 2 | II. Kyrie eleison (Live) | -0.61 | -18.87 | -16.1 | 11 |
| 3 | IIIa. Dies irae (Live) | -0.61 | -17.03 | -14.0 | 11 |
| 4 | IIIb. Tuba mirum (Live) | -2.94 | -27.35 | -23.6 | 14 |
| 5 | IIIc. Rex tremendae (Live) | -0.61 | -20.14 | -16.1 | 12 |
| 6 | IIId. Recordare (Live) | -0.63 | -24.70 | -20.7 | 15 |
| 7 | IIIe. Confutatis (Live) | -0.61 | -22.21 | -18.1 | 13 |
| 8 | IIIf. Lacrimosa (Live) | -0.61 | -20.90 | -16.6 | 12 |
| 9 | IVa. Offertorium. Domine Jesu Christe (Live) | -0.61 | -20.90 | -17.7 | 13 |
| 10 | IVb. Offertorium. Hostias (Live) | -0.61 | -20.39 | -16.9 | 12 |
| 11 | V. Sanctus (Live) | -0.61 | -17.39 | -14.2 | 11 |
| 12 | VI. Benedictus (Live) | -1.34 | -22.84 | -19.5 | 14 |
| 13 | VII. Agnus Dei (Live) | -0.61 | -20.29 | -15.1 | 11 |
| 14 | VIII. Communio. Lux aeterna (Live) | -0.61 | -19.61 | -15.9 | 12 |