℗ 2017 Tundra
| Released | January 6, 2017 |
| Duration | 52m 05s |
| Record Label | Tundra |
| Catalogue No. | TUN005 |
| Genre | Classical (Chamber Music) |
George Lewis: The Will to Adorn
International Contemporary Ensemble
Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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1.1
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The Will to Adorn
George Lewis; International Contemporary Ensemble; Steven Schick |
14:21 | |||
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1.2
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Shadowgraph, 5
George Lewis; International Contemporary Ensemble |
5:15 | |||
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1.3
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Artificial Life 2007
George Lewis; International Contemporary Ensemble |
4:58 | |||
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Born Obbligato
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1.4
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I. —
George Lewis; International Contemporary Ensemble; David Fulmer |
6:44 | |||
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1.5
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II. —
George Lewis; International Contemporary Ensemble; David Fulmer |
2:59 | |||
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1.6
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III. —
George Lewis; International Contemporary Ensemble; David Fulmer |
3:26 | |||
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1.7
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IV. —
George Lewis; International Contemporary Ensemble; David Fulmer |
3:55 | |||
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1.8
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V. —
George Lewis; International Contemporary Ensemble; David Fulmer |
1:30 | |||
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1.9
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VI. —
George Lewis; International Contemporary Ensemble; David Fulmer |
5:48 | |||
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1.10
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In Memoriam Albert Lee Murray
Thomas Jefferson Anderson; George Lewis |
3:09 | |||
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Digital Booklet
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Modern music pioneer George Lewis incorporates many facets of his musicianship in his compositions and his collaboration with the International Contemporary Ensemble (ICE) documented here underlines the wide net that he casts. The recording opens with the title track, a boisterous and colourful ensemble work that manifests exuberance through explosive, embellished lines, glitchy off-kilter grooves and subtly shaded microtonal chords. Born Obbligato was written for ICE as a companion piece to Beethoven’s Septet Op. 20 and borrows structural and textural ideas from Beethoven, adding percussion to the fourth movement. The album closes with Lewis’s performance of T.J. Anderson’s In Memoriam Albert Lee Murray, composed in honour of a writer and colleague of Anderson.
96 kHz / 24-bit PCM – Tundra Studio Masters
Engineers: Silas Brown (track 1), Ross Karre (track 2 - 3), Jessica Slaven (tracks 4 - 6, 8 - 9), George Lewis (track 7), Ryan Streber (track 10) Recording locations: Track 1 Miller Theatre, Columbia University, NY, NY Track 2 Roulette, Brooklyn, NY Track 3 Preston Bradley Hall, Chicago Cultural Center Track 4 - 6, 8 - 9 Abrons Arts Center Track 7 Clark Studio Theatre, Lincoln Center, NY Track 10 Oktaven Audio, Mt. Vernon, NY
Engineers: Silas Brown (track 1), Ross Karre (track 2 - 3), Jessica Slaven (tracks 4 - 6, 8 - 9), George Lewis (track 7), Ryan Streber (track 10) Recording locations: Track 1 Miller Theatre, Columbia University, NY, NY Track 2 Roulette, Brooklyn, NY Track 3 Preston Bradley Hall, Chicago Cultural Center Track 4 - 6, 8 - 9 Abrons Arts Center Track 7 Clark Studio Theatre, Lincoln Center, NY Track 10 Oktaven Audio, Mt. Vernon, NY
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -1.24 -3.21 to -0.66 | -21.98 -28.55 to -17.91 | -17.96 -23.80 to -14.80 | 13 10 to 17 | |
| 1 | The Will to Adorn | -0.82 | -23.07 | -18.9 | 14 |
| 2 | Shadowgraph, 5 | -1.65 | -28.55 | -23.8 | 17 |
| 3 | Artificial Life 2007 | -3.21 | -24.11 | -19.3 | 11 |
| 4 | I. — | -1.32 | -20.26 | -17.0 | 12 |
| 5 | II. — | -1.06 | -18.94 | -15.5 | 11 |
| 6 | III. — | -1.52 | -22.25 | -18.2 | 13 |
| 7 | IV. — | -0.70 | -24.50 | -20.2 | 14 |
| 8 | V. — | -0.77 | -17.91 | -14.8 | 10 |
| 9 | VI. — | -0.72 | -19.44 | -15.9 | 11 |
| 10 | In Memoriam Albert Lee Murray | -0.66 | -20.74 | -16.0 | 12 |