℗ 2017 J.S. Bach-Stiftung
| Released | January 20, 2017 |
| Duration | 1h 35m 11s |
| Record Label | J.S. Bach-Stiftung |
| Genre | Classical |
Handel: L'Allegro, il Penseroso ed il Moderato, HWV 55
Joanne Lunn, Charles Daniels, Peter Harvey, Chor und Orchester der J.S. Bach-Stiftung, Rudolf Lutz
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
|
Radamisto, HWV 12a
|
|||||
|
1.1
|
Overture
George Frideric Handel; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:27 | |||
|
L'Allegro, il Penseroso ed il Moderato, HWV 55
|
|||||
|
1.2
|
Part I: Accompagnato: Hence, loathed Melancholy (Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:46 | |||
|
1.3
|
Part I: Accompagnato: Hence, vain deluding joys (Alto)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:03 | |||
|
1.4
|
Part I: Air: Come, thou Goddess fair and free (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:24 | |||
|
1.5
|
Part I: Come rather, Goddess, sage and holy (Alto)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
3:01 | |||
|
1.6
|
Part I: Air: Haste thee, nymph (Tenor, Chorus)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:06 | |||
|
1.7
|
Part I: Chor: Haste thee, nymph (Tenor, Chorus)
George Frideric Handel; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:03 | |||
|
1.8
|
Part I: Air: Come and trip it (Tenor, Chorus)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:20 | |||
|
1.9
|
Part I: Chor: Come and trip it (Tenor, Chorus)
George Frideric Handel; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:12 | |||
|
1.10
|
Part I: Accompagnato: There, held in holy passion still (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:33 | |||
|
1.11
|
Part I: Chor: Join with thee (Chorus)
George Frideric Handel; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:57 | |||
|
1.12
|
Part I: Recitativo: Hence, loathed Melancholy (Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:21 | |||
|
1.13
|
Part I: Recitative: If I give thee honour due (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:11 | |||
|
1.14
|
Part I: Air: Mirth, admit me of thy crew (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
3:26 | |||
|
1.15
|
Part I: Recitative: First and chief, on golden wing (soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:55 | |||
|
1.16
|
Part I: Air: Sweet Bird That Shunn'st the Noise of Folly (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
12:10 | |||
|
1.17
|
Part I: Recitative: If I give thee honour due (L'Allegro: Bass)
George Frideric Handel; Peter Harvey; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:11 | |||
|
1.18
|
Part I: Air: Mirth, admit me of thy crew (Bass)
George Frideric Handel; Peter Harvey; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:01 | |||
|
1.19
|
Part I: Air: Oft, on a plat of rising ground (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
3:14 | |||
|
1.20
|
Part I: Recitative: If I give thee honour due (L'Allegro: Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:11 | |||
|
1.21
|
Part I: Air: Let me wander not unseen (Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:35 | |||
|
1.22
|
Part I: Accompagnato: Mountains, on whose barren breast (Bass)
George Frideric Handel; Peter Harvey; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:36 | |||
|
1.23
|
Part I: Air: Or let the merry bells ring round (Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:11 | |||
|
1.24
|
Part I: And young and old come forth to play (Chorus)
George Frideric Handel; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:38 | |||
|
2.1
|
Part II: Accompagnato: Hence, vain deluding Joys (Il Penseroso: Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:25 | |||
|
2.2
|
Part II: Air: But oh, sad virgin (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
6:19 | |||
|
2.3
|
Part II: Recitative: Thus, Night, oft see me (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:25 | |||
|
2.4
|
Part II: Bass solo (L'Allegro: Bass) and Chorus - Populous cities please me then
George Frideric Handel; Peter Harvey; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
3:12 | |||
|
2.5
|
Part II: Accompagnato: Me, when the Sun begins to fling (Il Penseroso: Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:46 | |||
|
2.6
|
Part II: Air: Hide me from Day's garnish eye (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:34 | |||
|
2.7
|
Part II: Air: I'll to the well-trod stage anon (Il Allegro: Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:49 | |||
|
2.8
|
Part II: Air: And ever against eating cares (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:22 | |||
|
2.9
|
Part II:These delights if thou canst give (Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:33 | |||
|
2.10
|
Part II:These delights if thou canst give (Chorus)
George Frideric Handel; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:32 | |||
|
2.11
|
Part II: Recitative - But ley my due feet never fail (Il Penseroso: Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:44 | |||
|
2.12
|
Part II: Recitative: There let the pealing organ blow (Chorus)
George Frideric Handel; Joanne Lunn; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:30 | |||
|
2.13
|
Part II: Chorus: These pleasures, Melancholy, give (Soprano)
George Frideric Handel; Joanne Lunn; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
3:11 | |||
|
2.14
|
Part III: Accompagnato: Hence! Boast not, ye profane (Il Moderato: Bass)
George Frideric Handel; Peter Harvey; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:31 | |||
|
2.15
|
Part III: Air: Come, with native lustre shine (Bass)
George Frideric Handel; Peter Harvey; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:40 | |||
|
2.16
|
Part III: Accompagnato: Sweet Temp'rance (Bass)
George Frideric Handel; Peter Harvey; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:13 | |||
|
2.17
|
Part III: All this company serene (Chorus)
George Frideric Handel; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:26 | |||
|
2.18
|
Part III: Air: Come, with gentle hand restrain (Soprano)
George Frideric Handel; Joanne Lunn; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
1:36 | |||
|
2.19
|
Part III: Recitative: No more short life they then will spend in straying (Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
0:52 | |||
|
2.20
|
Part III: Air - Each action will derive new grace (Tenor)
George Frideric Handel; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:08 | |||
|
2.21
|
Part III: As steals the morn upon the night (Soprano and Tenor)
George Frideric Handel; Joanne Lunn; Charles Daniels; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
6:05 | |||
|
2.22
|
Part III: Chorus: Thy pleasures, Moderation, give
George Frideric Handel; Chor der J.S. Bach-Stiftung; Orchester der J.S. Bach-Stiftung; Rudolf Lutz |
2:46 | |||
Händel's L'Allegro, il Penseroso ed il Moderato is a shepherd’s ode that illustrates the head-to-head of two contrasting personalities joined by a third person, Il Moderato, who aims to reconcile the duelling characters with sober rationality. This live double album from the Chor und Orchester der J.S. Bach-Stiftung was recorded in Switzerland in 2015 and features soprano Joanne Lunn, tenor Charles Daniels and bass Peter Harvey.
44.1 kHz / 24-bit PCM – J.S. Bach-Stiftung Studio Masters
Recording at KKL Luzern, Tonhalle St. Gallen, Tonhalle Zürich, 2015
Recording at KKL Luzern, Tonhalle St. Gallen, Tonhalle Zürich, 2015
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -4.37 -14.00 to -1.71 | -25.69 -34.72 to -17.86 | -21.91 -29.00 to -14.40 | 13 9 to 16 | |
| 1.1 | Overture | -5.82 | -25.11 | -22.1 | 13 |
| 1.2 | Part I: Accompagnato: Hence, loathed Melancholy (Tenor) | -6.04 | -27.93 | -25.0 | 12 |
| 1.3 | Part I: Accompagnato: Hence, vain deluding joys (Alto) | -2.78 | -27.10 | -23.1 | 12 |
| 1.4 | Part I: Air: Come, thou Goddess fair and free (Soprano) | -1.72 | -23.49 | -19.7 | 12 |
| 1.5 | Part I: Come rather, Goddess, sage and holy (Alto) | -5.20 | -25.86 | -22.4 | 13 |
| 1.6 | Part I: Air: Haste thee, nymph (Tenor, Chorus) | -2.76 | -24.89 | -21.6 | 15 |
| 1.7 | Part I: Chor: Haste thee, nymph (Tenor, Chorus) | -1.77 | -20.59 | -17.1 | 13 |
| 1.8 | Part I: Air: Come and trip it (Tenor, Chorus) | -3.51 | -26.32 | -23.0 | 15 |
| 1.9 | Part I: Chor: Come and trip it (Tenor, Chorus) | -3.32 | -23.74 | -20.0 | 12 |
| 1.10 | Part I: Accompagnato: There, held in holy passion still (Soprano) | -1.72 | -24.85 | -21.3 | 13 |
| 1.11 | Part I: Chor: Join with thee (Chorus) | -2.21 | -24.06 | -20.7 | 14 |
| 1.12 | Part I: Recitativo: Hence, loathed Melancholy (Tenor) | -8.03 | -27.73 | -23.1 | 12 |
| 1.13 | Part I: Recitative: If I give thee honour due (Soprano) | -8.58 | -27.29 | -23.2 | 12 |
| 1.14 | Part I: Air: Mirth, admit me of thy crew (Soprano) | -2.36 | -27.27 | -23.8 | 15 |
| 1.15 | Part I: Recitative: First and chief, on golden wing (soprano) | -7.11 | -29.91 | -26.1 | 11 |
| 1.16 | Part I: Air: Sweet Bird That Shunn'st the Noise of Folly (Soprano) | -1.73 | -26.98 | -22.9 | 16 |
| 1.17 | Part I: Recitative: If I give thee honour due (L'Allegro: Bass) | -2.27 | -26.45 | -21.4 | 15 |
| 1.18 | Part I: Air: Mirth, admit me of thy crew (Bass) | -2.77 | -21.53 | -18.2 | 13 |
| 1.19 | Part I: Air: Oft, on a plat of rising ground (Soprano) | -4.94 | -28.07 | -24.3 | 14 |
| 1.20 | Part I: Recitative: If I give thee honour due (L'Allegro: Tenor) | -7.09 | -29.11 | -24.7 | 15 |
| 1.21 | Part I: Air: Let me wander not unseen (Tenor) | -6.05 | -26.37 | -23.1 | 13 |
| 1.22 | Part I: Accompagnato: Mountains, on whose barren breast (Bass) | -6.45 | -24.23 | -20.4 | 12 |
| 1.23 | Part I: Air: Or let the merry bells ring round (Tenor) | -3.42 | -25.23 | -21.4 | 14 |
| 1.24 | Part I: And young and old come forth to play (Chorus) | -4.77 | -28.12 | -23.8 | 14 |
| 2.1 | Part II: Accompagnato: Hence, vain deluding Joys (Il Penseroso: Soprano) | -4.05 | -26.42 | -23.1 | 13 |
| 2.2 | Part II: Air: But oh, sad virgin (Soprano) | -3.79 | -27.06 | -24.0 | 14 |
| 2.3 | Part II: Recitative: Thus, Night, oft see me (Soprano) | -14.00 | -34.72 | -29.0 | 9 |
| 2.4 | Part II: Bass solo (L'Allegro: Bass) and Chorus - Populous cities please me then | -1.72 | -20.85 | -16.8 | 11 |
| 2.5 | Part II: Accompagnato: Me, when the Sun begins to fling (Il Penseroso: Soprano) | -4.70 | -28.31 | -25.0 | 12 |
| 2.6 | Part II: Air: Hide me from Day's garnish eye (Soprano) | -4.14 | -25.85 | -22.4 | 13 |
| 2.7 | Part II: Air: I'll to the well-trod stage anon (Il Allegro: Tenor) | -5.95 | -26.86 | -23.7 | 15 |
| 2.8 | Part II: Air: And ever against eating cares (Soprano) | -2.20 | -25.18 | -21.9 | 14 |
| 2.9 | Part II:These delights if thou canst give (Tenor) | -2.35 | -23.66 | -19.9 | 14 |
| 2.10 | Part II:These delights if thou canst give (Chorus) | -1.71 | -17.86 | -14.6 | 10 |
| 2.11 | Part II: Recitative - But ley my due feet never fail (Il Penseroso: Soprano) | -4.15 | -28.97 | -24.1 | 12 |
| 2.12 | Part II: Recitative: There let the pealing organ blow (Chorus) | -1.72 | -18.33 | -14.4 | 11 |
| 2.13 | Part II: Chorus: These pleasures, Melancholy, give (Soprano) | -1.73 | -21.85 | -18.5 | 13 |
| 2.14 | Part III: Accompagnato: Hence! Boast not, ye profane (Il Moderato: Bass) | -4.87 | -25.26 | -21.3 | 12 |
| 2.15 | Part III: Air: Come, with native lustre shine (Bass) | -5.29 | -26.42 | -22.5 | 14 |
| 2.16 | Part III: Accompagnato: Sweet Temp'rance (Bass) | -5.61 | -26.96 | -22.3 | 14 |
| 2.17 | Part III: All this company serene (Chorus) | -4.35 | -24.35 | -20.9 | 12 |
| 2.18 | Part III: Air: Come, with gentle hand restrain (Soprano) | -2.77 | -23.99 | -20.5 | 13 |
| 2.19 | Part III: Recitative: No more short life they then will spend in straying (Tenor) | -8.51 | -32.45 | -26.5 | 14 |
| 2.20 | Part III: Air - Each action will derive new grace (Tenor) | -7.00 | -26.11 | -22.7 | 12 |
| 2.21 | Part III: As steals the morn upon the night (Soprano and Tenor) | -5.51 | -26.11 | -23.0 | 14 |
| 2.22 | Part III: Chorus: Thy pleasures, Moderation, give | -2.37 | -21.86 | -18.2 | 12 |