℗ 2017 Groupe Analekta
Released | January 27, 2017 |
Duration | 58m 45s |
Record Label | Groupe Analekta, Inc |
Genre | Classical |
Alma Oppressa: Vivaldi & Handel: Arias
Julie Boulianne, Clavecin en Concert, Luc Beauséjour
Available in 192 kHz / 24-bit, 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
La fida ninfa, RV 714
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1.1
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Act I, Scene IX. Alma oppressa
Antonio Vivaldi; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
5:28 | |||
Andromeda liberata, Serenata veneziana, RV Anh. 117
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1.2
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Sovvente il sole
Antonio Vivaldi; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
8:15 | |||
Armida al campo d’Egitto, RV 699, Sinfonia
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1.3
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I. Allegro
Antonio Vivaldi; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
1:48 | |||
1.4
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II. Andante
Antonio Vivaldi; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
2:08 | |||
1.5
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III. Allegro
Antonio Vivaldi; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
0:46 | |||
Ariodante, HWV 33
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1.6
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Act I, Scene VIII: Con l’ali di costanza
George Frideric Handel; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
6:55 | |||
Rinaldo, HWV 7
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1.7
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Act II, Scene IV: Lascia ch’io pianga
George Frideric Handel; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
4:28 | |||
Imeneo, HWV 41
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1.8
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Act I Scene I: Se potessero i sospir’ miei
George Frideric Handel; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
6:08 | |||
L’Incoronazione di Dario, RV 719, Sinfonia
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1.9
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I. Allegro
Antonio Vivaldi; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
2:28 | |||
1.10
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II. Andante
Antonio Vivaldi; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
1:46 | |||
1.11
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III. Presto
Antonio Vivaldi; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
1:06 | |||
La fida ninfa, RV 714
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1.12
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Act III, Scene X: Dite oimè! Ditelo, al fine
George Frideric Handel; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
2:45 | |||
Ariodante, HWV 33
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1.13
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Act I, Scene V: Qui d’amor nel suo linguaggio
George Frideric Handel; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
2:22 | |||
Giulio Cesare, HWV 17
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1.14
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Act I, Scene VIII: Cara speme questo core tu cominci a lusingar
George Frideric Handel; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
4:37 | |||
Lotario, HWV 26
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1.15
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Overture (excerpt): avotta (a tempo ordinario)
George Frideric Handel; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
2:08 | |||
Arianna in Creta, HWV 32
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1.16
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Act II, Scene II. Salda quercia in erta balza
George Frideric Handel; Julie Boulianne; Clavecin en Concert; Luc Beauséjour |
5:37 | |||
Digital Booklet
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"The naturalness of (Beauséjour's) harpsichord playing, the remarkable attention he gives to proportions and to a singing quality have made him a one-of-a-kind artist."
- Le Devoir
Renowned for her intelligent musicality and great sensitivity, ADISQ Award-nominated Québecoise mezzo-soprano Julie Boulianne shines on these arias and instrumental pieces from Vivaldi and Handel's Baroque operas, selected for their beauty and emotional impact. Boulianne is accompanied by acclaimed harpsichordist and organist Luc Beauséjour and his Baroque ensemble Clavecin en concert.
192 kHz / 24-bit, 96 kHz / 24-bit PCM – Groupe Analekta, Inc Studio Masters
Enregistré en juillet et août 2016 à l’Église St-Mathieu-de-Beloeil, Québec / Recorded in July and August 2016 at the St-Mathieu-de-Beloeil Church, Québec Réalisateur, preneur de son, mixage et mastérisation / Producer, sound engineer, mixing and mastering: Carl Talbot (Productions Musicom) Preneur de son / Sound engineer: Christopher Johns Assistant preneur de son / Assistant sound engineer: James Clemens Seely Montage / editing: Carl Talbot, Christopher Johns Producteur, directeur artistique / Executive producer, artistic director: François Mario Labbé Directrice de production / Production director: Julie M. Fournier Assistante de production / Production assistant: Kathleen Désilets Révision / Proofreading: Kathleen Désilets, Sonia Lussier Photos Julie Boulianne © Andréanne Gauthier Photo Luc Beauséjour © Michael Slobodian Conception et production graphique / Graphic design and production: Pragma Création
Enregistré en juillet et août 2016 à l’Église St-Mathieu-de-Beloeil, Québec / Recorded in July and August 2016 at the St-Mathieu-de-Beloeil Church, Québec Réalisateur, preneur de son, mixage et mastérisation / Producer, sound engineer, mixing and mastering: Carl Talbot (Productions Musicom) Preneur de son / Sound engineer: Christopher Johns Assistant preneur de son / Assistant sound engineer: James Clemens Seely Montage / editing: Carl Talbot, Christopher Johns Producteur, directeur artistique / Executive producer, artistic director: François Mario Labbé Directrice de production / Production director: Julie M. Fournier Assistante de production / Production assistant: Kathleen Désilets Révision / Proofreading: Kathleen Désilets, Sonia Lussier Photos Julie Boulianne © Andréanne Gauthier Photo Luc Beauséjour © Michael Slobodian Conception et production graphique / Graphic design and production: Pragma Création
Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.65 -12.28 to 0.00 | -24.17 -30.61 to -19.38 | -20.90 -27.80 to -16.00 | 13 11 to 15 | |
1 | Act I, Scene IX. Alma oppressa | -0.04 | -19.38 | -16.0 | 13 |
2 | Sovvente il sole | 0.00 | -25.35 | -22.1 | 15 |
3 | I. Allegro | -6.24 | -25.03 | -21.9 | 13 |
4 | II. Andante | -11.29 | -30.19 | -27.5 | 12 |
5 | III. Allegro | -7.08 | -25.54 | -22.0 | 11 |
6 | Act I, Scene VIII: Con l’ali di costanza | -0.08 | -20.97 | -17.9 | 14 |
7 | Act II, Scene IV: Lascia ch’io pianga | -1.12 | -20.54 | -16.5 | 11 |
8 | Act I Scene I: Se potessero i sospir’ miei | -0.20 | -24.00 | -20.7 | 15 |
9 | I. Allegro | -4.72 | -24.41 | -21.4 | 13 |
10 | II. Andante | -12.28 | -30.61 | -27.8 | 12 |
11 | III. Presto | -5.24 | -25.36 | -22.4 | 12 |
12 | Act III, Scene X: Dite oimè! Ditelo, al fine | -2.26 | -24.63 | -20.6 | 14 |
13 | Act I, Scene V: Qui d’amor nel suo linguaggio | -2.67 | -23.18 | -19.8 | 13 |
14 | Act I, Scene VIII: Cara speme questo core tu cominci a lusingar | -0.42 | -23.37 | -19.7 | 14 |
15 | Overture (excerpt): avotta (a tempo ordinario) | -4.63 | -23.80 | -20.8 | 13 |
16 | Act II, Scene II. Salda quercia in erta balza | -0.13 | -20.39 | -17.3 | 14 |