℗ 2022 Emily Granger
Released March 11, 2022
Duration 1h 00m 11s
Record Label AVIE Records
Catalogue No. AV2495
Genre Classical (20th/21st Century)
 

In Transit

Emily Granger

Available in 96 kHz / 24-bit AIFF, FLAC high resolution audio formats
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    • AIFF 96 kHz | 24-bit
    • FLAC 96 kHz | 24-bit
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1.1
In Transit
Tristan Coelho; Emily Granger
7:01
The Harp and the Moon  
1.2
I. Lento e molto languido
Ross Edwards; Emily Granger
4:49
1.3
II. Allegro grazioso
Ross Edwards; Emily Granger
2:31
1.4
River Right Rhumba
Laura Zaerr; Emily Granger
5:18
1.5
Liena
Sally Greenaway; Emily Granger
2:32
1.6
Theme and Deviations
Libby Larsen; Emily Granger
5:28
1.7
Blue Silence (Transcribed for Harp by Emily Granger)
Elena Kats-Chernin; Emily Granger
8:34
1.8
Spin Bird
Kate Moore; Emily Granger
3:52
1.9
Eurythmy Etude “Still Life”
Augusta Read Thomas; Emily Granger
3:55
1.10
The Old School
Tristan Coelho; Emily Granger
4:12
1.11
Undiminished
Sally Whitwell; Emily Granger
5:00
1.12
Great Day
Nancy Gustavson; Emily Granger
2:29
1.13
The Nightingale
Deborah Henson-Conant; Emily Granger
4:30
Inspired by her life as an American artist living in Australia, Emily Granger makes her solo recording debut performing contemporary works that reveal the breadth and beauty of harp music from the two countries. With themes of travel and isolation, serenity and solitude, this music paints a vivid portrait of an artist's life In Transit between opposite sides of the globe. Memories and moods infuse Tristan Coehlo's evocative title track as well as the composer's The Old School, recalling an artists' residence in Australia's Blue Mountains where he first met Emily. Laura Zaerr's rhythmical River Right Rhumba is inspired by West African drumming, whilst Sally Greenaway's Liena, named after Melbourne-born harpist Liena Lacey, draws upon jazz and Latin dance music. Ross Edwards evokes a fantasia in his hypnotic The Harp and the Moon, whilst Libby Larsen's bold Theme and Deviations is a tease on the traditional musical form. Sally Whitwell's Undiminished is just that both harmonically and in spirit. Emily's virtuosity is on full display in Kate Moore's soaring Spin Bird, inspired by Jonathan Livingston Seagull, and in Nancy Gustavson's Great Day, steeped in colourful glissandi showing off the harp in all its glory. Emily Granger has established herself as one of the leading harpists in Australia. She has performed as Guest Principal Harp with the Chicago, Sydney, Tasmanian Symphony Orchestras, Lyric Opera of Chicago, and Opera Australia Orchestra, and presented chamber recitals at Carnegie Hall, The Kennedy Centre, Melbourne Recital Centre, and Sydney Opera House Utzon Room. Emily has collaborated with top ensembles and instrumentalists in Australia and the US, including the International Chamber Ensemble, Flinders Quartet, Ensemble Offspring, Omega Ensemble, and Nexas Saxophone Quartet. She was a finalist in the 2021 APRA Art Music Awards for Performance of the Year. Emily studied harp performance at Indiana University Jacobs School of Music and the Chicago College of the Performing Arts with Susann McDonald and Sarah Bullen.
96 kHz / 24-bit PCM – AVIE Records Studio Masters
Track title
Peak
(dB FS)
RMS
(dB FS)
LUFS
(integrated)
DR
Album average
Range of values
-1.27
-4.02 to -0.99
-22.58
-28.51 to -19.02
-18.57
-23.20 to -15.40
13
11 to 18
1
In Transit
-1.00-22.95-18.313
2
I. Lento e molto languido
-1.48-23.04-19.013
3
II. Allegro grazioso
-1.00-20.14-17.212
4
River Right Rhumba
-1.00-22.17-18.413
5
Liena
-1.00-21.97-18.414
6
Theme and Deviations
-1.00-19.61-15.411
7
Blue Silence (Transcribed for Harp by Emily Granger)
-1.00-22.23-17.912
8
Spin Bird
-4.02-26.34-23.212
9
Eurythmy Etude “Still Life”
-0.99-28.51-21.718
10
The Old School
-1.00-21.44-17.813
11
Undiminished
-1.00-22.44-18.514
12
Great Day
-1.00-19.02-15.811
13
The Nightingale
-1.00-23.71-19.814

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