℗ 2022 Navona
| Released | February 11, 2022 |
| Duration | 1h 12m 59s |
| Record Label | Navona |
| Catalogue No. | NV6409 |
| Genre | Classical (Art Song) |
Joys Abiding
Dana Zenobi, Oliver Worthington, Chuck Dillard, David Murray
Available in 44.1 kHz / 24-bit AIFF, FLAC audio formats
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1.1
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Sleep
Rebecca Clarke; John Fletcher; Dana Zenobi; Oliver Worthington; Chuck Dillard |
2:55 | |||
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1.2
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Nacht für Nacht
Rebecca Clarke; Richard Dehmel; Dana Zenobi; Oliver Worthington; Chuck Dillard |
2:36 | |||
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1.3
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Hymn to Pan
Rebecca Clarke; John Fletcher; Dana Zenobi; Oliver Worthington; Chuck Dillard |
2:58 | |||
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3 Duetten, Op. 11
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1.4
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No. 2, Die Geisterinsel
Heinrich Heine; Johanna Kinkel; Dana Zenobi; Oliver Worthington; Chuck Dillard |
3:10 | |||
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1.5
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Les langueurs
Sophie Gail; Dana Zenobi; Oliver Worthington; Chuck Dillard |
3:31 | |||
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1.6
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Die Mitternacht war kalt, H-U 309
Heinrich Heine; Fanny Mendelssohn; Dana Zenobi; Oliver Worthington |
1:08 | |||
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1.7
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Ich stand gelehnet an den Mast, H-U 284
Heinrich Heine; Fanny Mendelssohn; Dana Zenobi; Oliver Worthington |
1:29 | |||
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1.8
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À travers bois, Op. 63
Cécile Chaminade; Édouard Guinand; Dana Zenobi; Oliver Worthington; Chuck Dillard |
4:22 | |||
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1.9
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Io mi distruggo
Francesca Caccini; Dana Zenobi; Oliver Worthington; Chuck Dillard; David Murray |
5:19 | |||
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Mosaics
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1.10
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No. 11, The Purple Moor
Mary Dobson; Dana Zenobi; Oliver Worthington; Chuck Dillard |
3:59 | |||
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1.11
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À Lydie
Augusta Mary Anne Holmès; Alfred de Musset; Dana Zenobi; Oliver Worthington; Chuck Dillard |
4:56 | |||
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1.12
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Horazische Ode
Horace; Ella Adaïewsky; Dana Zenobi; Oliver Worthington; Chuck Dillard |
6:28 | |||
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Cantate, ariette, e duetti, Op. 2
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1.13
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No. 19, Morso, e bacio dati in un tempo
Barbara Strozzi; Dana Zenobi; Oliver Worthington; Chuck Dillard; David Murray |
4:49 | |||
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Songs of the Sea, Op. 10
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1.14
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No. 1, A Canadian Boat Song
Amy Beach; Thomas Moore; Dana Zenobi; Oliver Worthington; Chuck Dillard |
3:45 | |||
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1.15
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La Jota, VWV 4041
Pauline Viardot; Louis Pomey; Dana Zenobi; Oliver Worthington; Chuck Dillard |
3:42 | |||
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6 Mélodies et une havanaise variée
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1.16
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No. 7, Habañera, VWV 1019
Pauline Viardot; Dana Zenobi; Oliver Worthington; Chuck Dillard |
5:54 | |||
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12 Gesänge, Op. 3
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1.17
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No. 12, Hör' es klagt die Flöte
Clemens Maria Wenzeslaus von Brentano; Louise Reichardt; Dana Zenobi; Oliver Worthington; Chuck Dillard |
1:40 | |||
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4 Romances
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1.18
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No. 3, Belle viens à moi
María Malibrán; Dana Zenobi; Oliver Worthington; Chuck Dillard |
3:57 | |||
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1.19
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Il ritrovo
María Malibrán; Dana Zenobi; Oliver Worthington; Chuck Dillard |
2:49 | |||
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1.20
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O That We Two Were Maying
Alice Mary Smith; Charles Kingsley; Dana Zenobi; Oliver Worthington; Chuck Dillard |
3:32 | |||
44.1 kHz / 24-bit PCM – Navona Studio Masters
| Track title | Peak (dB FS) | RMS (dB FS) | LUFS (integrated) | DR | |
Album average Range of values | -3.17 -6.50 to -1.02 | -25.68 -27.91 to -23.81 | -22.22 -24.20 to -20.70 | 13 12 to 16 | |
| 1 | Sleep | -5.60 | -27.32 | -23.5 | 12 |
| 2 | Nacht für Nacht | -5.76 | -27.84 | -24.2 | 12 |
| 3 | Hymn to Pan | -2.37 | -23.81 | -20.8 | 13 |
| 4 | No. 2, Die Geisterinsel | -1.66 | -25.27 | -22.2 | 13 |
| 5 | Les langueurs | -3.36 | -25.75 | -22.7 | 13 |
| 6 | Die Mitternacht war kalt, H-U 309 | -5.53 | -27.91 | -24.0 | 13 |
| 7 | Ich stand gelehnet an den Mast, H-U 284 | -6.50 | -27.77 | -23.5 | 13 |
| 8 | À travers bois, Op. 63 | -5.94 | -25.25 | -21.8 | 12 |
| 9 | Io mi distruggo | -4.51 | -24.01 | -20.9 | 13 |
| 10 | No. 11, The Purple Moor | -1.02 | -27.07 | -23.5 | 14 |
| 11 | À Lydie | -3.69 | -25.36 | -22.0 | 14 |
| 12 | Horazische Ode | -2.16 | -26.88 | -23.2 | 16 |
| 13 | No. 19, Morso, e bacio dati in un tempo | -1.02 | -24.34 | -20.7 | 14 |
| 14 | No. 1, A Canadian Boat Song | -2.31 | -24.54 | -21.0 | 13 |
| 15 | La Jota, VWV 4041 | -1.02 | -24.03 | -20.9 | 14 |
| 16 | No. 7, Habañera, VWV 1019 | -1.86 | -25.41 | -21.5 | 15 |
| 17 | No. 12, Hör' es klagt die Flöte | -2.18 | -25.33 | -22.3 | 12 |
| 18 | No. 3, Belle viens à moi | -2.05 | -24.86 | -21.4 | 13 |
| 19 | Il ritrovo | -1.02 | -24.58 | -20.9 | 14 |
| 20 | O That We Two Were Maying | -3.78 | -26.34 | -23.4 | 14 |